Piano Solo - Level 5 - Digital Download SKU: A0.1099908 By Kalynn Fleischman. By Kalynn Fleischman. Arranged by Kalynn Fleischman. Baroque,Historic,Instructional. Score. 5 pages. Kalynn Fleischman #703788. Published by Kalynn Fleischman (A0.1099908). Here is a fugue for four voices that follows classic Baroque styles.

Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.

Piano Solo - Digital Download SKU: A0.939805 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 12 pages. Richard St. Clair #4717589. Published by Richard St. Clair (A0.939805). This brilliant 5-minute overture is the prelude to an extended dramatic vocal work, Beowulf, for SATB voices and Men's Double Chorus, by Richard St. Clair. It also stands as a complete separate work in its own right, suitable for concert performance.

Piano Solo - Digital Download SKU: A0.1231760 By Jermaine Dion Washington. By Jermaine Dion Washington. Arranged by Jermaine Dion Washington. 20th Century. Score. 1 pages. JD Washington #827463. Published by JD Washington (A0.1231760).

Piano Solo - Level 3 - Digital Download SKU: A0.946022 Composed by Guilherme Veroneze. 20th Century. Score. 5 pages. Guilherme Veroneze #6099619. Published by Guilherme Veroneze (A0.946022). Piece for quiet piano good for relaxation. The song has two sections. It is structured in four voices and the second, in two voices.When a thought comes to mind, it takes us somewhere, a memory, time or person, and when we return to the present moment, fragments of that thought accompany us throughout the day. That's the feeling that I tried to portray in the song.You can hear this and my other songs on Spotify.Follow on Instagram @guilhermeveronezepiano.

Piano Solo - Level 5 - Digital Download SKU: A0.914959 Composed by Anthony Molinaro. Contemporary. Score. 7 pages. Anthony Molinaro #6450249. Published by Anthony Molinaro (A0.914959). This Fugue is for solo piano and is in four voices. Pianists should be able to reach a 10th in order to play it comfortably. Anthony Molinaro is the 1997 winner of the prestigious Naumburg International Piano Competition and one of the most versatile pianists of his generation. Acclaimed for his edge-of-the-seat brilliance and musically imaginative mind, Mr. Molinaro has appeared as soloist with over fifty symphony orchestras, headlined at major jazz clubs throughout the world, and composed and arranged music in both the classical and jazz genres (including his Piano Concerto No. 1 and arrangement of Rhapsody in Blue for piano and big band). His latest, critically acclaimed album Here, There and Everywhere: Exploring Music of The Beatles includes this four-part Fugue based on a theme from In My Life.

Piano Solo - Level 3 - Digital Download SKU: A0.885814 Composed by James McDonald. Christmas,Contemporary,Spiritual,Standards. Score. 5 pages. James McDonald #3407891. Published by James McDonald (A0.885814). This is choral-like composition for Xmas a time for Peace. A Peace that humans will one day understand and desire more than everything...Let's hope this time comes very soon! This piece is the piano version of a future choral for four voices which I will make available in the future. The piece is for intermediate level players, I hope it inspire you... Merry Xmas!

Piano - Digital Download SKU: A0.1052345 Composed by Stephen DeCesare. Christian,Contemporary,Sacred. Accompaniment. Duration 98. Exultet Music #4983375. Published by Exultet Music (A0.1052345). Canonic hymn that is scored for four voices and Piano.  Can be used for various times throughout the liturgical year.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.790207 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert. Score and parts. 9 pages. Diamond S Music #5853963. Published by Diamond S Music (A0.790207). Prelude and Fugue No.1 in C Major from The Well-Tempered Clavier Book 1 BWV 846- J.S. Bach - Piano Solo. This is the beautiful and most well-known of the preludes from the Well-Tempered Clavier Book I. The Prelude is not too terribly difficult to play and is as soothing to play as it is to listen to. The Fugue, is rather tricky and required much skill to get all four voices of the Fugue to function separately and as a unit.  The prelude was also written down in the 1725 Notebook for Anna Magdalena Bach. This Collection also includes a short essay about The Well-Tempered Clavier and a biography of Johann Sebastian Bach. The Prelude and 25 other of the little keyboard pieces of the Notebook can also be purchased in this collection here at sheetmusicplus: (S0.819079) Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Piano Solo - Level 2 - Digital Download SKU: A0.1007136 Composed by Charles McCreery. 20th Century,Contemporary. Score. 9 pages. St Maur Music #3538153. Published by St Maur Music (A0.1007136). This piece is the penultimate number in the collection: Five Longer Piano Pieces. Duration: 5 minutes. Difficulty: Intermediate (Grade 3)Appropriate for schools and students. ‘Charles McCreerys beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly, violinist   Charles McCreery was educated at Eton and New College, Oxford. While at Eton he won the Rowe Cup for junior pianists, and in his final year performed Weber's Konzertstück with a chamber orchestra. As an undergraduate he studied piano with Hilda Bor, and won a piano class, adjudicated by Herbert Howells, at the Willesden Music Festival. From 1988 to 1991 he held a Perrott Warrick Studentship from Trinity College, Cambridge, and he has a doctorate from Oxford University. From 1996 to 2000 he was a College Lecturer at Magdalen College, Oxford. In 1996 Charles McCreery's 'Elegy for Violin and Piano' was shortlisted for the Match Composition Prize.   A comment on Charles McCreery’s collection of Tolkien songs: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.’ - Dr Julia Gasper, LGSM A bound and illustrated vocal score (voice parts with piano accompaniment) of the complete set of his ‘Fourteen Tolkien Songs for Childrens Voices’ is available from Amazon:http://www.amazon.com/Fourteen-Tolkien-Songs-Childrens-Voices/dp/1492187534 A CD of twelve of Charles McCreery’s orchestral pieces can also be purchased from Amazon:http://www.amazon.com/Music-King-Eldred-opera-children/dp/B00LWEEMHA/ref=sr_1_1?s=music&ie=UTF8&...... Individual tracks from the CD can be purchased here: https://stmaurmusic.bandcamp.com/Charles McCreery’s Social Media Channels:Facebook: https://www.facebook.com/charles.mccreeryhttps://www.facebook.com/St-Maur-Music-164619846916182/https://www.facebook.com/Tolkien-Songs-for-Childrens-Voices-259698587390960/Twitter:

Piano Solo - Level 5 - Digital Download SKU: A0.1290690 By George Shearing. By Traditional. Arranged by George Shearing. Historic,Jazz,Traditional. Score. 13 pages. Popnroll 1976 #881264. Published by Popnroll 1976 (A0.1290690). Greensleeves - George Shearing (Complete Piano Transcription)Jazz pianist George Shearing plays solo piano on this complete transcription of the traditional Irish folk song Greensleeves from the album My Ship released in 1974.Song description. The solo is played over seven choruses in total. The first chorus is a simple but emotionally rich monophonic melody for the right hand only. In the second chorus, the melody follows the main melody of the right hand with a delay of one bar in the octave of the left hand in a canon-like style. The third chorus is a baroque style with lots of ornamental trills, and the inner voices move with a lively movement in the basic three voices. In the fourth chorus, the melody is finally reharmonized in jazz harmony (restructuring of the chord structure), supported by a stylish chord progression. The atmosphere changes again in the fifth chorus, where the main melody of the first half moves with two voices, and the second half is sung with block chords blending the chords in a glittering octave. The sixth chorus finally becomes George's quintessential jazz, with a fine and dynamic exchange of phrases in a swinging tempo. The final seventh chorus brings the song to a profound ending. Please enjoy the lustrous sound of George Shearing.PDF format, 13 pages. Content : 8 pages score (Large notes) & 5 pages score (Small notes), There are the same score.Instrument: For Solo PianoComposition: Traditional Piano Performance: George Shearing Album : My Ship (1975)Album info. : Discog link https://www.discogs.com/ja/master/533816-George-Shearing-My-Ship.

Piano Solo - Level 2 - Digital Download SKU: A0.881412 Composed by Joshua Devine. Christmas,Classical,Instructional,Romantic Period,Standards. Score. 11 pages. Devine Music Studio #550699. Published by Devine Music Studio (A0.881412). Celebrate the winter season with a fun piece for teachers and students to learn about voices in grand staff notation. Two voices are shared between three staves. The lower voice jumps between hands, and the melody is played with the third, fourth, and fifth fingers of the right hand. Together they create a beautiful texture that is light and smooth. If you are a piano teacher (or student) looking for a fun piece to play this winter, you are sure to enjoy Snowfall.

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.