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Piano Solo - Level 3 - Digital Download SKU: A0.1295554 By Frederic Chopin. By Frederic Chopin. Arranged by Popnroll 1976. Classical,Jazz. Score. 3 pages. Popnroll 1976 #885850. Published by Popnroll 1976 (A0.1295554). Waltz in C# minor Op.64 No.2 - Frederic Chopin (Piano score with Jazz Chords)This is a piano score with chords for Waltz in C# minor Op.64 No.2 (Waltz No.7 in C# minor), a solo piano piece composed by Frederic Chopin, a pianist composer active in Europe in the early 19th century.The chords are the same as those used in jazz and popular music, so those who know the chords will be able to understand the harmonic progression sensitively, which will help to enrich the expression of the music's ideas.PDF format, 3 pages.
Waltz in C# minor Op.64 No.2 - Frederic Chopin (Piano score with Jazz Chords)
Piano seul
Frederic Chopin
$5.99 5.25 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 18 in C# Minor Dorian
Piano seul
Brian Golden
$5.99 5.25 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 8 in C Minor Aolian
Piano seul
Brian Golden
$5.99 5.25 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.   While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 1 in C Major Ionian
Piano seul
Brian Golden
$5.99 5.25 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1306683 By Vladimir Horowitz. By Frederic Chopin. Romantic Period. Score. 6 pages. Polly #896013. Published by Polly (A0.1306683). Chopin's Waltz in C-sharp minor is characterized by its lyrical and expressive melody. It's a piece that combines elements of melancholy and elegance, which are characteristic of many of Chopin's works. The waltz is in ternary form, with a contrasting, more flowing and delicate middle section.This waltz, like many of Chopin's compositions, is a favorite among pianists and audiences. Its beautiful, emotive melody and graceful waltz rhythm make it a timeless and cherished piece in the classical piano repertoire.Key: C-sharp minorTime Signature: 3/4 (typical waltz time signature)Opus Number: Op. 64, No. 2Date of Composition: It was composed in 1846.
CHOPIN WALTZ No. 7 CIS MOLL
Piano seul
Vladimir Horowitz
$1.99 1.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1079428 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 3 pages. Piacere Music Sheets #683602. Published by Piacere Music Sheets (A0.1079428). Opus/Catalog Number: Op. 67, No. 3, CT 94 - Dedicated to M-e. Hoffman - Posthumous Key/Tone: C Major Movements/Sections: Allegretto Year/Date of Composition: 1835 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is part of the Four Mazurkas, Op. 67 posthumously published in 1855. This particular mazurka was composed in 1835. Chopin dedicated it to M-e. Hoffman. The mazurka is a traditional national dance of Poland. Typically, it has three beats per measure, and the second beat is to be slightly accentuated. Chopin wrote over fifty mazurkas for the piano, and this is one of the shortest.
Chopin - Mazurka No. 3 in C Major - Intermediate
Piano seul

$5.95 5.21 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1278015 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Chamber,Contest,Festival,Instructional,Romantic Period,Standards. Score. 7 pages. Piacere Music Sheets #869716. Published by Piacere Music Sheets (A0.1278015). Opus/Catalog Number: Op. 28, No. 15, C.166-189Key/Tone: D-flat MajorMovements/Sections: SostenutoYear/Date of Composition: c.1839Difficulty: Grade 9/12 (Advanced)Obs.: This piece is the fifteenth hof the 24 Préludes pour le Piano.This is Chopin's famous Raindrop Prelude, because of the ostinato (repeated notes) present in the entire work.This lyrical and melodious piece contains a middle section in C# minor, where you can feel a dark and mysterious atmosphere.
Chopin - Prelude No. 15 in D Flat Major - Advanced
Piano seul

$7.95 6.97 € Piano seul PDF SheetMusicPlus


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