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Piano Solo - Digital Download SKU: A0.955407 Composed by Neal Fitzpatrick. Contemporary,Instructional. Score. 2 pages. Neal Fitzpatrick Editions #6021105. Published by Neal Fitzpatrick Editions (A0.955407). This is Impromptu No.16 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.16 For Piano
Piano seul

$1.99 1.9 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1033903 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Pop,Rock. Score. 4 pages. A.D.G. Productions #639217. Published by A.D.G. Productions (A0.1033903). Page 1 of this Blues Piano Practice Session 16 takes a 2 measure blues rock piano riff through all 12 keys around the cycle of 4th.s. Page 2 shows how to create a 12 bar blues progression in the key of Eb using this 2 measure riff. The audio file that accompanies the sheet music is split into 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in the 12 bar blues progression format in the key of Eb. Part 4 consists of the rhythm backing tracks in the 12 bar blues progression format in the key of Eb to practice with. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Blues piano books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Blues piano titles include: 100 Ultimate Blues Riffs for Piano/Keyboards Volume 1 and 2 12 Bar Blues Bible for Piano/Keyboards The Blues Play-A-Long and Solos Collection for Piano/Keyboards The Blues Scale for Piano/Keyboards Blues Bass Lines for Piano/Keyboards The Bluesier Side of Jazz for Piano/Keyboards Boogie Woogie and The Blues 100 Ultimate Blues Riffs for Piano/Keyboards Beginners Series Best Beginner Blues Exercises for Piano/Keyboards Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music,theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
Blues Piano Practice Session 16 in All 12 Keys
Piano seul
Andrew D Gordon
$2.95 2.82 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.958724 Composed by Celina González Zamora y Reutilio Domínguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 5 pages. Juan Carlos Cortés Aguirre #6116393. Published by Juan Carlos Cortés Aguirre (A0.958724). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.De la Guaracha San Lázaro compuesta e interpretada por Celina González Zamora (Nueva Luisa, Jovellanos, Matanzas 16 de marzo de 1928 - La Habana 4 de febrero de 2015) y Reutilio Domínguez Terrero (Guantánamo 1921 - 1971)Celina y Reutilio rompen con una vieja separación que existía entre la música guajira y la música afro, establecen una nueva fusión donde la métrica, o sea, la décima hispánica y el estilo del punto guajiro, se mantienen, pero la letra se refiere a temas del patrimonio cultural del continente negro. La acogida del público se debe no solo a lo novedoso de la tonada sino quizá a varias otras razones. El dúo combinaba la restallante voz de Celina, como se la ha llamado, con el sonido producido por Reutilio, que parecía provenir no de una sino de dos o más guitarras. Vale la pena ahondar un poco sobre esto último. En los tradicionales dúos y tríos de punto cubano y son montuno generalmente se utilizaban dos guitarras, o una guitarra y otro instrumento de cuerdas. Un músico tocaba la llamada guitarra prima, o sea, los tonos agudos, como es el caso de Miguel Matamoros en su trío, mientras que un segundo guitarrista ‘bordoneaba’, es decir, marcaba los tonos bajos, como hacía Rafael Cueto con sus famosos ‘tumbaos’ en el Trío Matamoros. Reutilio Domínguez reunía una desarrollada técnica, así como dedos, muñeca y antebrazo supremamente flexibles que le permitían tocar la prima y bordonear al mismo tiempo, de manera que el dúo de Celina y Reutilio sonaba como un trío.Vídeo You Tube Celina y Reutilio:https://www.youtube.com/watch?v=-mS0nW8HTzkTexto:San LázaroGuarancha por: Celina González Zamora y Reutilio Domínguez Terrero.Introducción:Babalú ayé mi mozo,babalú ayé ecua.Que Babalú ayé mi mozo,babalú aye ecua.Guaracha:Eh,eh, ecua,babalú ayé, ekua,Ecua, papa ecua,babalú ayé, ecua,Ecua, viejo ecua,babalú ayé, ecua,Ecua, papa ecua,babalú ayé, ecua,Que yo va subí y usted va bajá,con los zapato de chango te.De Chango te,mi chango ta,chango taito y obatalá.Ay, Babalú ayé,padre mío San Lazaro.Ay, padre mio aeh,padre mío San Lázaro.Ayudanos en nombre de Dios,padre mío San Lázaro.Ay, pero que sea de corazón,padre mío San Lázaro.Piano: Recitado:Ekua babalu aye,sacuapa asoñi,asujana papá,Eh...Son troni carará,Afilapa, osuo no pequeña toto.Piano: Guaracha:Chango te,de chango ta,chango taito y obatalá.Ay, babalú ayé,padre mío San Lázaro.Que yo quiero ser y un senserico,padre mío San Lázaro...Ay, pero que sea de corazónpadre mío San Lázaro...Que yo va subí y usted va bajá,con los zapato de chango te.De Chango te,de chango ta,chango taito de obatalá.
San Lázaro - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
Piano seul

$7.99 7.63 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1008555 Composed by Alan Simon. Jazz. Score. 1 pages. Chappell & Company Inc, USA #4885075. Published by Chappell & Company Inc, USA (A0.1008555). A contrafact of the standard You Don't Know What Love Is, but played as a medium-up swinger instead of a ballad.   The A sections use augmentation so that they are doubled (16 bars each) while the B section (bridge) is only 8 bars like the original-a total of 40 measures.  On the recording the head is preceded by two chorus' of 12-bar blues in F minor featuring guitarist, Rory Stuart.  The rest of the band is Glenn Wilson on baritone sax, Ernie Krivda, tenor sax, Jeff Halsey, bass, John Hazilla, drums and Alan Simon on piano.
Lovers Know
Piano seul

$2.99 2.86 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home.  Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show.  Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
Smoke Gets In Your Eyes
Piano seul
The Platters
$8.99 8.59 € Piano seul PDF SheetMusicPlus






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