Piano Solo - Level 2 - Digital Download SKU: A0.1444284 By White Lies. By Charles Cave, Harry McVeigh, and Jack Brown. Arranged by Alexander Pochert. 21st Century,Contemporary,Grunge,Punk,Rock. Score. 5 pages. Alexander Pochert #1024198. Published by Alexander Pochert (A0.1444284). Here you can buy the worldwide first piano arrangement of FIFTY ON OUR FOREHEADS by WHITE LIES.LEVEL: The piece is not for mere beginners, but fun to play at an entry intermediate level.VOICING: The arrangement is close to the original and incorporates the singing voice as well as some background music in the right hand. The left hand provides the power chords of the guitar and bass as well as the rhythm patterns of the drums.CLEFS: For the vast majority of this arrangement, the right hand plays in treble clef and the left hand plays in bass clef. Only in bar 32, the right hand jumps into bass clef for two notes.DYNAMICS & PHRASING: I write all the dynamics and phrasings so that you can recreate the arrangement as it is intended to play from the sheet music only. Many arrangements leave out dynamics and phrasing, but I find it important to incorporate.SUPPORT: I spend a lot of time and energy for writing my own arrangements, so please consider supporting me by buying them. Thank you so much for your support!

Piano Solo - Level 5 - Digital Download SKU: A0.1147386 By Christina Aguilera. By Billy Crabtree, Harry Gregson-Williams, Jamie Hartman, and Rosi Golan. Arranged by PianoMusicSheets. Film/TV. Score. 4 pages. PianoMusicSheets #747593. Published by PianoMusicSheets (A0.1147386). The transcription is a bit virtuosic with some ideas inspired by the Liszt's Sonata like the six chromatic octave steps in bar 39 and the fast up and down arpeggio in bars 43-44. The left hand octaves in bars 73-91 are difficult at that speed but not impossible thanks to the alternating black and white keys, quite similar to the octaves used at the end of Liszt's Sposalizio. The climax in bars 92-106 is somewhat inspired by the coda of Chopin's Ballade n. 1 with a left hand accompaniment more similar to the one used in Liszt's Mazeppa.