Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor Saxophone,Viola,Voice - Level 2 - Digital Download SKU: A0.912978 Composed by Andrei Lucian Drăgoi (Dragoi). Baroque. Score and parts. 2 pages. Andrei-Lucian Dragoi #1999329. Published by Andrei-Lucian Dragoi (A0.912978). This is a small piece composed for children and addressed to piano beginners of any age. The title is given both in English and Romanian (as the composer is Romanian). This is an arrangement for piano solo (numbered as no.1). However it may be played also on: organ, harpsichord and even on instrumental duet (string duet [violin/viola/guitar with 2nd viola/cello/2nd guitar], woodwinds duet [piccolo/clarinet/soprano recorder with tenor flute/2nd clarinet/alto recorder], brass duet [clarinet/tenor sax/alto sax and 2nd clarinet/tenor sax]) or vocal duet (tenor and baritone/bass). The melody has also auto-accompaniment characteristics and can be played even with any solo voice/instrument.The audio sample was generated from the musical sheet using the Stereo Bells timbre from Native Instruments FM7 Vintage: https://www.soundonsound.com/reviews/native-instruments-fm7

Piano Solo - Level 3 - Digital Download SKU: A0.835771 Composed by Paul Burnell. Contemporary. Score. 21 pages. Paul Burnell #3110459. Published by Paul Burnell (A0.835771). Subside (from choleric to phlegmatic and back again) Composed 2004 Duration 6:00 approx. For ensemble and percussion This work was written in February 2004 in response to a call for pieces on the theme of 'The Four Temperaments'. This was part of CoMA’s Open Score project, made possible with funds from the Esmée Fairbairn and PRS Foundations. Programme note:'Subside' outlines a slow mood change from controlled violent anger to tenderness, then a sudden flip back to anger again. Technical notes: Percussion is essential, with the choice of instruments left to the discretion of the player(s), using the directions in the one-page score as a guide. The percussionists play on the 2nd and 4th beats throughout the piece - accenting the 4th beat. Other instrumentalists are divided between Parts 1 - 4. Parts are available in numerous transpositions - though it should be possible for instruments in C to read from the score. The dynamic markings in the score apply to all the parts. The size of the ensemble is not indicated, but ideally there should be enough players to allow for a reduction in the number of people playing two bars before letter D, and a further reduction to solo instruments six bars before letter E. However, this guidance can be ignored and the piece played by quite a small group; for example - violin, piano and percussion, or organ and percussion. If flutes and violins play Part 1 - the flutes may play an octave higher than written until letter A, and the violins may play tremolando until letter A. Keyboard players can play combinations of all parts. In addition, or alternatively, the keyboard players may double parts 3 and 4 an octave lower than written where indicated by the horizontal brackets, for example in the third and fourth bars. The allocation of instruments to the parts is left to the discretion of the musical director / performers - but should take account of the dynamic markings and expression indications. The last 2 bars of the piece are played 5 times in total.

Piano Solo - Level 2 - Digital Download SKU: A0.1368477 Composed by Henry Purcell. Arranged by Jose Valladares. 19th Century. Score. 1 pages. Circlesquare Music #952824. Published by Circlesquare Music (A0.1368477). Trumpet Tune in D by Henry Purcell is a vibrant and majestic piece known for its grandeur and brilliance. Henry Purcell was one of the most significant English composers of the Baroque era, renowned for his ability to blend the Italian and French styles of Baroque music with a uniquely English flavor. Although he is best known for his vocal and choral works, his instrumental music, including pieces like the Trumpet Tune in D, has left a lasting impression for its elegance and expressiveness.Here's more information about the Trumpet Tune in D by Henry Purcell:Baroque Style: As a composition from the Baroque period, the Trumpet Tune in D embodies the grandeur, ornamentation, and rhythmic drive characteristic of the era. The piece is likely to feature a prominent and regal melody, typical of Baroque trumpet tunes, which were often used in ceremonial and festive occasions.D Major Key: The key of D Major is known for its bright and triumphant sound, making it a popular choice for music that conveys victory, celebration, and majesty. The Trumpet Tune in D would utilize the brilliant and resonant qualities of this key to create a majestic and uplifting atmosphere.Instrumentation: Originally composed for the trumpet and organ, the Trumpet Tune in D showcases the trumpet's capacity for fanfare and brilliance. The piece might also be arranged for various instrumental combinations, including solo keyboard instruments like the piano or harpsichord, highlighting Purcell's melodic and harmonic ingenuity.Rhythmic Vitality: The piece is likely characterized by a driving rhythm and a clear, march-like tempo, which adds to its ceremonial and regal character. The rhythm would emphasize the regal and celebratory nature of the piece, making it both compelling and memorable.Contrast and Dynamics.

Piano Solo - Level 3 - Digital Download SKU: A0.1477540 By Traditional. By Traditional. Arranged by Martin Hay. Chamber,Christian,Classical,Historic,Traditional. Score. 1 pages. Martin Hay #1054930. Published by Martin Hay (A0.1477540). St. Matthew Psalms music is a rich and enduring tradition that blends sacred texts with harmonious melodies to create a profound spiritual experience. Rooted in the biblical Psalms, these musical compositions are often performed in church services, liturgical settings, and religious ceremonies, emphasizing themes of praise, worship, and reflection. The music typically features choral arrangements, sometimes accompanied by organ or orchestral instruments, which enhance the emotive and contemplative nature of the Psalms. Martin Hay has transcribed this music for piano, making it more accessible for personal devotion and performance. This piano transcription allows for a more intimate interpretation, enabling individuals to explore the depth and beauty of St. Matthew Psalms music in a solo instrumental format. The legacy of St. Matthew Psalms music spans centuries, with adaptations and interpretations by various composers, each adding unique nuances while preserving the core essence of the Psalms' devotional spirit. This tradition continues to inspire and uplift congregations, offering a timeless connection to the sacred scriptures through the universal language of music.