Composed by Thomas J. Williams. Arranged by c.e. walz. Christian, Sacred, General Worship, Lent. Sheet Music Single. 3 pages. Published by Published by C.E. Walz (S0.218509). - Sheet Music Single - Christian,Sacred,General Worship,Lent - Published by C.E. Walz

Piano - Level 3 - Digital Download

SKU: A0.1296149

By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Piano. 20th Century,Film/TV,Pop. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886392. Published by Sérgio Matias da Cunha (A0.1296149).

Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, introdução, linhas de oitava, ornamentos, staccato, quiálteras e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano Solo - Level 4 - Digital Download

SKU: A0.499760

Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760).

The Raymond Variations for Piano (Set 1),  received its world premiere on 2nd December 2015 at the 1901 Arts Club London,  performed by Lorraine Womack-Banning as part of a memorial tribute concert to  her late husband Raymond Banning (former professor of pianoforte at Trinity  College London).

The Variations  are based on the three Andantino themes which form a central part of the ‘Raymond  Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a  mix of both full and short partial variations (including a very short  declamatory two chord introductory variation). The variations are not numbered  or set-apart in a conventional manner, rather they form part of a continuous  whole, and are separated only by bridge passages and/or cadence points; they last  a little under eight minutes in duration, and strongly exploit the passionate  elements of Thomas’s themes. They have been written for the most part in an  accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and  are based predominately in the home key of D minor, but they do also take  advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic  deflection. In particular, the interval of the major 7th and its enharmonic  equivalent(s) (the most distinctive interval in the main andantino theme from   the overture) is heard in various different guises throughout the variations:  this includes its inversion the minor 2nd which has a very distinctive sharp  dissonant quality. Much play is made of these intervals – to somewhat humorous  effect in variation 8 (the joker in the pack) heard some three quarters into  the set, here the dissonant interval is pounded out double forte before hastily  leading into some boisterous cluster harmonic instability; then quietly begins  variation 9 which duly brings the set to a close. Look out for the sting in the tail!