This original solo piano composition by Jeff Bjorck appears on Bjorck's album/CD, Keepsakes in the Attic. When creating this melody, Bjorck imagined himself in the attic of an old house, with afternoon sun drifting through a small window, casting a warm glow on an old steamer trunk like the ones his great-grandparents used when immigrating from Sweden in the late 1800s. Gently lifting out many family heirlooms from the trunk evokes rich memories, providing transportation to much earlier times and places, prompting bittersweet reverie as loved ones now gone are fondly remembered. This composition can prompt a similar nostalgic reverie for those who play it and those who listen.

This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic. Bjorck states that is intended to evoke the feelings of someone reminiscing about a romantic relationship that might have been but never was, prompting the melody to begin and end with a sorrowful tone. The midsection, however, reflects the happy memory of one hopeful night, where one entrancing waltz was shared with that person who would forever after represent an unrequited love.

This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic. This piece reflects a favorite childhoodhood pastime for many. Bjorck notes that he was inspired by recollections of his own boyhood. I can see us throwing the ball back and forth, and I can hear it smacking the glove leather while we conversed about the events of the day, even as the afternoon sun slowly dipped into the hills..

This original solo piano composition by Jeff Bjorck creates a romantic, nostalgic ambiance. It is inspired by days gone by when a porch swing was often a favorite summer meeting place for couples, both young and old. This piece appears on Bjorck's album/CD, Pure Piano Panoramas..

This original solo piano composition by Jeff Bjorck transports you to the desert, surrounded by stifling, almost suffocating afternoon heat. Slowly, tiny cloud wisps in the blank sky overhead grow into towering thunderheads. Fat raindrops begin to strike the desert floor one at a time, bursting into steam. The single drops quickly crescendo into torrent sheets of rain, drenching the terrain. Then, just as quickly as it began, the cloudburst stops, leaving only the quiet dripping of remnant raindrops in its wake as the desert heat erases all traces of moisture.  Desert Cloudburst appears on Bjorck's album/CD, Pure Piano Panoramas..

This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic. Bjorck notes that, when he created this piece, he visualized an antique music box which--when played--would evoke nostalgic memories of a loving Grandmother playing the box for her grandchildren. The melody is reminiscent of old music box tunes, and it fades slowly as the piece ends, suggesting that the listener leaves the lid open so the echoes and memories can continue on in the listener’s heart.

This original solo piano composition by Jeff Bjorck appears on Bjorck's album/CD, Keepsakes in the Attic. The piece inspires visions of an antique rocker where a beloved grandfather used to sit frequently, perhaps holding a grandchild or watching children play through a window. The gentle rocking rhythm throughout this piece sets the stage for nostalgic daydreams of loved ones no longer physically present but still in many hearts.

This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic.  It is inspired by the life of Bjorck's grandmother, Justine Avita Mitchell (1884-1958), who grew up in County Clare, Ireland. After moving to America, she met and married A.H. Cubberley. The haunting melody is reminiscent of some old celtic melodies.

Jeff Bjorck's original solo piano arrangement of this moving hymn melody by Philip Bliss is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. Bliss composed the melody to accompany heartfelt words by Horatio Spafford (1873) who lost his four daughters in a shipwreck yet kept his faith. Bjorck ends his arrangement mid-phrase to reflect that life's trials never simply stop in some neat and tidy fashion. Rather, real life involves a complex tapestry of joys and sorrows, but faith can persist.

Jeff Bjorck's original solo piano arrangement of this classic hymn melody by George J. Elvey is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. Many listeners will recognize this melody as Crown Him With Many Crowns, but this hymn also uses this tune. The lyrics exhort the listener, Give to the winds thy fears. Hope and be undismayed. God hears thy sighs and counts thy tears. God shall lift up thy head. It is often challenging to give our fears to the wind. Thus, in Bjorck's arrangement, a repeating bridge and the coda were created to remind the listener of the wind.