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Piano Solo - Level 4 - Digital Download

SKU: A0.533553

Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3018597. Published by Musik Fabrik Music Publishing (A0.533553).

Summer Solstice (2007) for piano was written for and is dedicated to pianist and composer Jeffrey Jacob.
Though there were a number of interconnected inspirations behind the work’s conception, one of these
intentions is as a tribute to American composer Vincent Persichetti (1915–1987). Though there are no
specific quotations from Persichetti’s music, some of the textural and developmental ideas (particularly in
the fast, middle section) owe themselves to his work.
The work opens in a free, declamatory manner – announcing its basic pitch material. Spasmodic gestures
intercut the resonant declamation. Amidst the bright ringing, a lyric melody tries to assert itself again and
again. A whirling and dry fast section, however, emerges; the material is put through a series of spinning
transformations, building to a ringing and clangorous climax – bathed in the white heat of the summer sun.
The final section is marked “memorial candles” – distant and near candles set out on a field flicker in the
summer heat and ebbing sunlight while low, distant chimes sound the passing of time. The candles slowly
burn out – one by one – in the heat of the dry summer air.

Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015

Carson Cooman: Summer Solstice for piano
Piano seul

$12.95 12.24 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.533564

Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3022367. Published by Musik Fabrik Music Publishing (A0.533564).

Concert Piece: La Tricotea (2006) was written for and is dedicated to conductor and pianist
Jeffrey Grossman.
The work is a “concert paraphrase” in the tradition of the virtuoso piano literature. Thus it is not
a set of traditional variations but rather is a virtuosic elaboration of the source material – with
different parts of the piece focusing on and amplifying different elements of the original.
The source material is the anonymous Renaissance Spanish three-part choral motet La Tricotea.
In some sources, this motet is attributed to Francisco Alonso. It was originally published a
collection entitled Cancionero Musical del Palacio (c. 1490 – 1520). The text of the motet is
primarily in Spanish but includes both elements of other Romance languages and a great deal of
gibberish.

Carson Cooman: Concert Piece: La Tricotea (2006) for piano
Piano seul

$10.35 9.78 € Piano seul PDF SheetMusicPlus






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