Piano - Level 3 - Digital Download

SKU: A0.1296132

By Elis Regina. By Aldir Blanc Mendes and Joao Bosco. Arranged by Piano. 20th Century,Latin. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886374. Published by Sérgio Matias da Cunha (A0.1296132).

Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, linhas de oitava, ornamentos, quiálteras, notas sincopadas e mudança de signo de compasso, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano Solo - Digital Download

SKU: A0.976871

Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871).

2017 Holiday Contest Entry

ASK AT WIND OF ME

 

If it will touch you

The breeze of summer that

It ends and goes away

And leave it inside you

Melancholy

Ask at wind of me

Ask at wind of me

 

 

If you will walk

Between the anonymous crowd

of this city

And you seem to notice me

You'll miss a beat

Ask the wind if you want

Remember us

 

Ask him where I live and if I keep my smile

Ask the wind if I understand everything I've lost

Of the open-air nights

Pray and hope for the best for you

Ask at wind of me the

 

Ask at  wind if I could make peace with the past

Ask him if I realized that my dream so wrapped up

He will talk about time

When I looked so much like you

You will listen to it

And you will understand

 

Even mud does not hide the glow

Of bright stars

It does not cover the flare

Remember your name is sun rising

and as a phoenix you have a thousand resources

 

It was January, but there was sun, and it was Sunday, special day

That's why you were born with the fire inside

To melt the ice, it's your sixth sense

 

Crow that flies, bad  omen

We in our body, an eternal discomfort

You look in the mirror and you find yourself beautiful

You are how I see you, there is light shining

 

If you do not find the person who looks like you in the world

And you will only fool yourself

In unnecessary research

Because you're unique

Do not let them ever change

Awesome as you are

 

And you do not have to be satisfied

The semblance of a love

You're a ray of sunshine

Always look for his heat

If no one can understand

That thin sorrow

Look for me

Ask at wind of me

 

Reminding me hurt you

Try to forget

If my name makes you suffer

Try to let me go

But if in a corner of the heart

Allow  me to  stay

I'll be with you in the wind ...

 

I'm the wind that laughs

It wraps you up until the summer returns ...

 

                                                                                              Monica Bergo

Piano Solo - Level 2 - Digital Download

SKU: A0.1415332

By Marshmello & Anne-Marie. By Anne-Marie Nicholson, Chris Comstock, Eden Anderson, Jasmine Thompson, Natalie Maree Dunn, Pablo Bowman, Richard Boardman, and Sarah Blanchard. Arranged by Marshmello & Anne-Marie. Multicultural,World. Score. 3 pages. Mr. Lu Lai #997067. Published by Mr. Lu Lai (A0.1415332).

FRIENDS  Piano score.

Piano Solo - Level 2 - Digital Download

SKU: A0.1415334

By Marshmello & Anne-Marie. By Anne-Marie Nicholson, Chris Comstock, Eden Anderson, Jasmine Thompson, Natalie Maree Dunn, Pablo Bowman, Richard Boardman, and Sarah Blanchard. Arranged by Marshmello & Anne-Marie. Multicultural,World. Score. 4 pages. Mr. Lu Lai #997069. Published by Mr. Lu Lai (A0.1415334).

Friends Piano score.

Piano Solo - Level 5 - Digital Download

SKU: A0.1029561

Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561).

This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD.

 A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition.

The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above.

I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense.

I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship.

The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters.

Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism.

The music difficulty is virtuosic, extremely taxing to play.

Piano Solo - Level 3 - Digital Download

SKU: A0.729716

By Marshmello & Anne-Marie. By Anne-Marie Nicholson, Chris Comstock, Eden Anderson, Jasmine Thompson, Natalie Maree Dunn, Pablo Bowman, Richard Boardman, and Sarah Blanchard. Arranged by Genti Guxholli. Pop. Score. 4 pages. Genti Guxholli #3911285. Published by Genti Guxholli (A0.729716).

Website: www.littlesheetmusic.com
Email: littlesheetmusic@gmail.com.

Piano Solo - Level 3 - Digital Download

SKU: A0.526941

By Marshmello & Anne-Marie. By Anne-Marie Nicholson, Chris Comstock, Eden Anderson, Jasmine Thompson, Natalie Maree Dunn, Pablo Bowman, Richard Boardman, and Sarah Blanchard. Arranged by Roxana Belibou. Contemporary. Score. 4 pages. Roxana E Belibou #4640299. Published by Roxana E Belibou (A0.526941).

Piano Solo - Digital Download

SKU: A0.1119216

Composed by Eamon Mukhopadhyay. Contemporary. Score. 15 pages. Eamon Mukhopadhyay #720630. Published by Eamon Mukhopadhyay (A0.1119216).

These preludes showcase certain environments that are represented by specific musical features. Prelude No. 1 in C Major The Sunrise was composed to represent the picture and environment of the sun rising. It never uses the traditional C major triad, and instead substitutes the C major mediant (the third scale degree of C major) with surrounding harmonic colors. Prelude No. 2 in C Minor Mystics in the Forest is a study of touch and melodic outlining. Only in the first measure exists the resemblance of a C minor chord (a minor thirteenth) using the mediant (the third scale-degree of a scale). Prelude No. 3 in E-Flat Major The Spring Story completely uses staccato melodic articulations with the sustain pedal to produce a colorful environment throughout the piece, representative of spring. It never resolves into the traditional E-Flat major triad (or extended E-Flat chord) after the first measure. Prelude No. 4 in A-Flat Major Childhood Memories uses accented, deep bass notes and staccato melodic articulation to create a nostalgic environment. Like Prelude No. 3, it never resolves into the traditional triad (or extended chord) based on the tonic of the key signature.

Piano Solo - Digital Download

SKU: A0.1119075

Composed by Eamon Mukhopadhyay. Contemporary. Score. 3 pages. Eamon Mukhopadhyay #720487. Published by Eamon Mukhopadhyay (A0.1119075).

This entire prelude is a study of touch and melodic outlining. Only in the first measure exists the resemblance of a C minor chord (a minor thirteenth) using the mediant (the third scale-degree of a scale).

Piano Solo - Level 3 - Digital Download

SKU: A0.596505

Composed by Juan María Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505).

Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to Belén Rouco.

Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6

Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g

Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd

Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan María Solare.

The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move.

The expression 'Pasajera eterna' was invented by the dedicatee of this work, Belén Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', Belén signs and publishes her writings, poems and reflections.

 

Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic.

 

World Premiere: by Juan María Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan María Solare on 25/APR/2014 at the Legislatura Porteña (cycle Música Clásica Argentina), Buenos Aires. British premiere: by Juan María Solare on 23/MAY/2014 at the Bolívar Hall in London (recital Tango Bar).

 

There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).

 

Piano Solo - Level 3 - Digital Download

SKU: A0.754363

By Johnny Nash. By Herman Hupfeld. Arranged by Nick Raspa. Film/TV,Standards. Score. 3 pages. NJR Music #3549789. Published by NJR Music (A0.754363).

This arrangement of the timeless classic As Time Goes By from Casablanca, in 12/8, has a wonderful laid back feel with new fresh harmonies.

Piano Solo - Level 5 - Digital Download

SKU: A0.1383996

Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996).

This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.

David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ?� section, which starts on Page 3.

Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.

Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?�, to the notoriously difficult â??colossaleâ?� section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. 

The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.

Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.