Piano Solo - Level 4 - Digital Download SKU: A0.885829 Composed by James McDonald. 20th Century,Contemporary,Instructional,Standards. Score. 4 pages. James McDonald #5795887. Published by James McDonald (A0.885829). This piece of piano I created just for the fun of it. The melody is totally symmetrical for beginning to end...It is just fun to listen to and fun to play...Enjoy!

Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. Published by Michael Butkus-Bomier (A0.862535). Etude 3.0, the last of the single-interval material. tritones are rather easier to mirror, and otherwise make symmetrical than other intervals. Thus this piece is 100% mirrored, symmetrical, and topographically identical hand-to-hand. There are many structures which are also inversions, played simultaneously. Diminished 7ths, Dom7 b5 chords, even fifths with the tritone sandwiched in between the two halves of the fifths, are in evidence here. There are rhythmic syncopations and shifting accents. All in all a real showpiece of perpetuum mobile dissonance which makes sense even to the listener or player accustomed to Romantic literature. It's a gallop! Approx running time is 4 mins 20 secs. Two-interval pieces are next in line. MBB.

Piano Solo - Level 4 - Digital Download SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. Published by Michael Butkus-Bomier (A0.862538). Here is the first in the sequence of dual-interval selections. The half-step and the whole-step, close cousins, but, Do They Get Along? Sure! The traditional musical element that uses both these intervals is the octotonic or diminished scale. So, this material figures prominently in the first section, accompanied by alternating major and minor sevenths. The piece uses mirrored and symmetrical passages in 7ths next, followed by the opposite smaller intervals. Rolled mirrored clusters, symmetrical open chords, every possibility is explored here, each aspect showing its own identity. The intervallic unity gives the piece, and ALL the pieces in this series, a continuity that binds the disparate pianistic applications together into unified and identifiable musics. Running time is approx. 3 mins 30 secs. at suggested tempo. Any piece in this series can go slower, if the player needs the time, or faster, if the player feels like gunning it! MBB.

Piano Solo - Level 5 - Digital Download SKU: A0.772201 Composed by Dr. Gregory Hamilton. Contemporary. Score. 7 pages. Dr. Gregory Hamilton #6015907. Published by Dr. Gregory Hamilton (A0.772201). Three Pictures of Wolf Kahn are inspired by the vibrant art of the painter and pastel artist Work Kahn (1927-2020). Hopefully the varied and resonating palette of his works are reflected in the harmonic chemistry of these pictures. Movements I and II are to be played slowly with great freedom, while movement III is more metric, beginning gently and building to a strong ending.www.gregoryhamilton.orgYoutube: ghmus7

Piano Solo - Level 4 - Digital Download SKU: A0.949201 Composed by William Hobbs. Contemporary,Standards. Score. 4 pages. Sullivan Studios #4412273. Published by Sullivan Studios (A0.949201). From Zodiac.Complex metric notation and syncopation belie a singing melody.  Alternating 4/4 and 3/4 measures with unusual rhythmic divisions.  .

Piano Solo - Level 4 - Digital Download SKU: A0.1028379 Composed by Brodie Naismith McCash. Instructional. Score. 6 pages. BNMcCash #3490615. Published by BNMcCash (A0.1028379). The Madman's Dance is a solo Piano work written in Étude style. It explores metric modulation, and allows the player to develop fast moving passages with chords or octaves between both hands. .

Piano Solo - Level 5 - Digital Download SKU: A0.890703 Composed by John Pitts. Contemporary. Score. 30 pages. Intensely Pleasant Music #3424637. Published by Intensely Pleasant Music (A0.890703). Available on CD from www.johnpitts.co.uk/cds.htm or download from https://www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08TOCCATA for PIANO was written in response to a request from a friend for a ten-minute piece. My aim was to write a work that suited his technical agility on the keyboard and his ability to get to grips with motoric, driving music. I limited myself to a relatively small amount of material, which is constantly re-used in various forms, and on various parts of the keyboard, and smaller thematical cells are individually explored. Choice of tessitura, and varying levels of rhythmic stability, harmonic clarity and metric organisation, are the main structural elements. Motoric energy is regulated until the final release in the last section, where use is made of the entire range of the keyboard, all the thematic fragments converge, and the full momentum is released. Performers should note the use of the Sostenuto pedal (bars 181-260 & 354-407), which sustains the selected notes (in the first case a four-note chord, and in the second, just over an octave chromatic cluster). Needless to say, this piece should only be attempted by accomplished players...

Piano Solo - Level 2 - Digital Download SKU: A0.1354671 Composed by John Bacchus Dykes. Arranged by Paul Taylor. Praise & Worship,Religious,Traditional. Score. 2 pages. Paul Taylor #939368. Published by Paul Taylor (A0.1354671). This hymn appearing  in the Cokesbury Hymnal, and chosen by a survey of pastors, priests and ministers throughout the United States according to the chief metric of the project: only include hymns that people truly enjoy singing:).  Here it appears as an anthem or recital piece. One statement of the complete hymn appears initially and one varied contrasting section.

Piano Solo - Level 5 - Digital Download SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant Engraver Music (A0.977029). This colorful and harmonically rich composition has been well-received by many audiences around the word. It was composed for Michael Tsalka, who enjoys playing early keyboards, and for that reason the quiet finger techniques of 18th-century keyboard music was its starting point. So unlike many etudes, the point here is not the development of difficult modern piano technique, but the parameters of harmony, rhythm and phrasing instead. In particular, the clear phrasing of contrasting and overlapping note groups is of special importance. It may sound more subtle and less flashy than a typical etude, but it can actually present a real challenge. My hope is that if one listens carefully, either as player or audience member, the various metric, harmonic and phrasing ambiguities contained in the steady gentle flow of eighth-notes will become a delightful etude for the musical mind. (duration ca. 4 minutes)

Piano Solo - Level 4 - Digital Download SKU: A0.947070 Composed by J.S. Bach, Sam Post. Arranged by Sam Post, composer/pianist. Baroque,Contemporary,Jazz. Score. 6 pages. Sam Post, composer/pianist #6135327. Published by Sam Post, composer/pianist (A0.947070). Three different versions of Bach's invention no. 8 in F major with modified meters and syncopations. Each version has a different metric feel and style, from version 1 in 3/4 time with syncopation to version 3 in mixed compound meters, with 1 or 2 16th notes shaved off 1, 2, or 3 beats in each measure. .

Piano Solo - Level 3 - Digital Download SKU: A0.1202181 Composed by Louis Bourgeois, c. 1510-1561 and Lynn L. Petersen. Arranged by Lynn L. Petersen. Christian,Lent,Praise & Worship,Religious,Sacred. Score. 6 pages. Lynn L. Petersen #800845. Published by Lynn L. Petersen (A0.1202181). A piano arrangement of the hymn melody WENN WIR IN HÖCHSTEN NÖTEN SEIN.  This unexpectedly joyful setting highlights irregular, shifting metric accents and contrasting registers on the piano.  Suitable for worship as prelude, offertory, or postlude.

Piano Solo - Digital Download SKU: A0.596587 Composed by Juan María Solare. 20th Century,Concert,Contemporary,Instructional,Sacred. Score. 6 pages. Juan Maria Solare #5714041. Published by Juan Maria Solare (A0.596587). Juan María Solare: Barefoot in Water for piano If bare feet symbolize innocence, simplicity and vulnerability (as opposite to shoes, which imply civilization and protection), being barefoot alludes to a certain degree of purification, and walking barefoot conveys the idea of overcoming the obstacles of daily life. Such idea is reinforced in this title by the element water.   This piano prelude was composed on 15 April 2020 in Bremen, Germany. A musical particularity is that it is written in the metric of 5/8.   Expect finding soon (it's scheduled for 3rd September 2020) the prelude Barefoot in Water on Spotify, Apple Music and all thinkable Digital Streaming Platforms. Similar artists / for fans of: Joep Beving, Erik Satie, Nils Frahm, Ludovico Einaudi.