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Piano Solo - Level 4 - Digital Download

SKU: A0.930541

Composed by Evan Schwartzman. 20th Century,Contemporary. Score. 35 pages. Evan Schwartzman #4767227. Published by Evan Schwartzman (A0.930541).

Four pieces for solo piano on mythological themes. 
The four pieces are: Voyage to Cythera, Circe’s Palace, Sirens, and Erinyes, the Mist Walker.
I. Voyage to Cythera (ΚÏθηÏα) describes a sea voyage to the home of Aphrodite. The music captures some of the intense ambivalence of Baudelaire’s poem of the same title, alternating between feelings of expectation and dread.
 II. Circe’s Palace describes Odysseus’ crew coming upon the enchantress Circe (ΚίÏκη) in her stone palace, sitting at her loom. She invites them to a feast, where she drugs them and transforms them into swine.
 III. Sirens (ΣειÏῆνας) also paints a scene from the Odyssey. The Sirens were sea nymphs who would entice sailors to their deaths through their seductive singing. When Odysseus and his men draw near to the Sirens, he orders them to stuff their ears with beeswax so that they cannot hear clearly. Odysseus has himself bound to the mast of his ship, so that he can hear the song without risking his life.
IV. The Erinyes (ΕÏινυες) were an early Greek form of the Roman Furies. They were chthonic deities, born from the blood shed by Uranus when he was castrated by Cronus. Their role was to punish men and women who had broken natural law, usually by driving their victims mad. The piece opens with the victim wandering about in mist, after which he is set upon and torn to pieces in a frenzy.

Four Mythological Pieces
Piano seul

$7.99 7.56 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.918241

Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #5994455. Published by Emily Nafius Music (A0.918241).

A modern, melodic original composition, suitable for students and advanced musicians alike.


Composer’s Note:

The Acheron is a river in Greece, but it also has a history in Greek myth. While it is known as a river of woe in connection with the mythical Greek underworld, it can have positive connotations when the underworld is reframed as a place for introspection, transformation, and rebirth.


For interested students or teachers, here are a few pedagogical notes:

This piece is intended to be performed without pedal, but in a legato style. It has an understated and modern quality that older high school and adult students may enjoy. This can be an opportunity for students to work on playing their eighth notes evenly, to strengthen their left hand by holding down the bass note, and to understand and correctly play hemiola. Only a single, initial dynamic marking is included in the text; this piece can be an exercise in looking at the overall structure and using one’s intuition to shape the phrases. There are a few places where fingering is indicated, but the fingering is mostly left up to the player, so that they can work with their teacher to problem-solve-especially if their hand size is small (like the composer’s).


About the Composer:

Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of jazz musicians, singer-songwriters, and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.


Acheron - for Solo Piano
Piano seul

$3.99 3.78 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.818538

Composed by Christoph Willibald Von Gluck. Arranged by Thomas Ling of Sibu. Classical,Contemporary,Standards. Score. 4 pages. Thomas Swee Chin #6714531. Published by Thomas Swee Chin (A0.818538).

 Orpheus and Eurydice is one of the most famous mythical love stories in world literature.

Dance of the Blessed Spirits is a ballet excerpt from Christoph Willibald Gluck's opera Orfeo ed Euridice, which is based on the story of Orpheus from the Greek mythology. This was the famous flute solo found in Act 2.
The texture is mainly three layered: melody, chords and a bass line. Slow music is about resonance. The melody will be coloured and enhanced with plenty of well judged damper pedal effect. 


Dance of the Blessed Spirits - from "Orpheus and Eurydice" by C W Gluck
Piano seul

$6.99 6.62 € Piano seul PDF SheetMusicPlus

Piano - Digital Download

SKU: RX.9783737803298

Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298).

This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!

Die Reise nach Batumi
Piano seul

$6.19 5.86 € Piano seul PDF SheetMusicPlus


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