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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!)  Fast  and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also  a fun piano solo.  (Duration 8+ minutes)  Reel Jiggery-pokery The  song started as a jig but drank too much and reeled into 12/8 time. Properly  speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel!  Needless to say, this is not for the  purists...but it's huge fun for the rest of us!  Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands!  But you can play it slower and enjoy! On  electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano,  harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are  terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original  live and YouTube performances were on a Medeli MC 710, from 2005.  This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A  loud viola patch was used as the second voice on the upper part of the  keyboard, as the dominant fiddle sound carrying the melody.  A synth string patch was used  as second voice on the lower half, giving  the drones.)  Add Your Own Salt and Pepper to the Score! The  song is scored for clarity, not as a detailed demand for every possible  nuance.  It's fast, so although simple  to look at when not playing,  you'll  need to be reading the music at speed. Unless, of course, you're blessed with a  brilliant memory!   So  the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes.  BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your  keyboard sustaining string patches to bring those drones out!  Listen to the live recordings, they'll  help.  You,  as player, have lots of freedom!  It's up to you how many additional frills, or emphasis, or drone  suspensions you throw in.  Why alt.callahans?In the far distant past of 2005, there was  an Internet  newsgroup of that name, in honor and emulation of  Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer  Spider Robinson. [Wikipedia]  A  place for tall tales and true, comradeship, puns both good and bad.  We had fun there, and this song came out of  it. The Internet world, sadly, has changed since.
alt.Callahans Reel
Piano seul

$7.50 7.15 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1067326 Composed by Wolfgang Amadeus Mozart. Arranged by Dr. Jerry Nelson. Baroque,Classical,Instructional,Standards. Accompaniment. Duration 124. Jerry Nelson #3621041. Published by Jerry Nelson (A0.1067326). Performance track to accompany piano arrangements of Eine Klein Nachtmusik or 'A Little Evening Music'  (See Item # SO.405731).  These arrangements require use of this accompaniment track.  The are not voiced to be played as Standalones.This track is true to Mozart's style but with a touch of drums to make it more interesting, especially for younger students.  The Discovery Zone includes some excellent pedagogical tips illustrating a myriad of Baroque ornaments     
EINE KLEINE NACHTMUSIK (Orchestra accompaniment for PIANO Solo)
Piano seul

$7.99 7.62 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me.  The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook.  You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio.  I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
Introspection 1
Piano seul
the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony
$3.99 3.8 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
The Promise Piano Minus Vocal
Piano seul
going on a mission I was put in a situation where I could testify of God's gospel truths Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true
$1.99 1.9 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1090271 Composed by Tell Taylor. Arranged by Performer - Pat Holmberg. 20th Century,Pop. Full Performance. Duration 112. Patricia Tanttila Holmberg #26209. Published by Patricia Tanttila Holmberg (A0.1090271). This is one of those songs that every senior citizen over the age of 75 in the USA and Canada will know and probably be able to supply all the words. These songs are from a different era - a time before computers and even before tv's, when people would ofter have get-togethers of one kind or another - picnics sometimes - and sing for entertainment. Good voices and not-so-good voices all joined happily together for fun. People often harmonized with these songs. A bygone time. Words: Where I first met you, With your eyes of blue, Dressed in gingham too, It was there I knew, That you loved me true. You were sixteen, my village queen, Down by the old mill stream! : :.
Down By the Old Mill Stream
Piano seul

$1.99 1.9 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1067329 Composed by George Frideric Handel. Arranged by Dr. Jerry Nelson. Baroque,Christmas,Easter,Standards,World. Accompaniment. Duration 194. Jerry Nelson #3621049. Published by Jerry Nelson (A0.1067329). Performance track to accompany piano arrangements of The Hallelujah Chorus (See Item # SO.406069).   While this arrangement can be performed as a Standalone, you'll find it easier sledding (and more fun) playing along with this soundtrack, fully orchestrated with mass choir.Very true to Handel's original orchestration with two exceptions:  1) Elimination of the difficult contrapuntal section and 2) Down a step, in C.  Don't be surprised to hear some of the audience singing along with the voices on track.  Enjoy!
HALLELUJAH CHORUS (Orchestra accompaniment for PIANO Solo)
Piano seul

$7.99 7.62 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1190986 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Timothy Stapay. Broadway,Children,Film/TV,Musical/Show,Pop,Standards. Score. 4 pages. Timothy Stapay #790514. Published by Timothy Stapay (A0.1190986). This is an arrangement of A Dream Is A Wish Your Heart Makes from the Walt Disney movie Cinderella.  It is written in a happy rhythmic style.  This style of piano performance is often used by piano players at Disney World, to entertain the guests.Now you can learn to play this beloved classic song, in the same style as the famous Disney pianists.A Dream Is A Wish Your Heart Makes is a song written and composed by Mack David, Al Hoffman and Jerry Livingston for the Walt Disney film Cinderella (1950). In the song, Cinderella (voiced by Ilene Woods) encourages her animal friends to never stop dreaming, and that theme continues throughout the entire story. The song was inspired off of Franz Liszt’s Transcendental Etude No. 9 (Ricordanza).See the lyrics below:A dream is a wish your heart makesWhen you're fast asleepIn dreams you will loose your heartacheWhatever you wish for, you keepHave faith in your dreams and somedayYour rainbow will come smiling throughNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come trueOh, that clock!Oh, killjoyI hear you, come on, get up you sayTime to start another dayEven he orders me aroundWell, there's one thingThey can't order me to stop dreamingAnd perhaps somedayThe dreams that I wish will come trueNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come true
A Dream Is A Wish Your Heart Makes
Piano seul
Linda Ronstadt
$5.99 5.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1148170 By Karen Biehl. By Karen Nancy Biehl. Arranged by Karen Nancy Biehl. Classical,Contemporary,Film/TV,Holiday. Score. 4 pages. Karen Biehl #748337. Published by Karen Biehl (A0.1148170). Song of the Sylphs is a cinematic solo piano piece composed by Karen Biehl. Maestra Music's piano etudes were composed with students in mind, in keys and patterns that are easy and fun to play, yet invoke the evocative spirit and soul of Romantic/Classical music, in a form that is accessible to all. Just as the soundtrack sets the tone of the scene in a movie, the compositions of Maestra Music intend to set the stage for the creative mind to flourish. It is my hope to spark the desire to learn, study and create by exploring and sharing music that inspires students to reflect, find and express the voice of their soul. When we are focused on creative expression, we focus on our truest self and as a result put our best foot forward in all our endeavors. - Karen Biehl.
Song of the Sylphs
Piano seul
Karen Biehl
$4.00 3.81 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1120816 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Christmas,Classical,Holiday,Religious,Sacred. Score. 5 pages. Indigo Mesa Music LLC #722028. Published by Indigo Mesa Music LLC (A0.1120816). “guide us to Thy perfect light†We Three Kings of Orient Are, arranged & performed by Kathleen Ryan on her Christmas CD, The Rebirth of Light. Kathleen's notes: This is really about the Feast of Epiphany, of course, but that has never stopped us singing it at Christmas! My friend Phyllis requested this one, and she’ll tell you that I never take her suggestions. It is certainly true that I shrugged off the idea at first. But soon after that I found myself wishing for another carol ... hmm ... which one? Oh, obviously: We Three Kings. Complete with camels and a journey. I like journeys. Late Intermediate level: need the ability to bring out the melody line in a middle voice; some rolled open 10th chords. Suitable for use in church.
The Never-Ending Starlit Road (We Three Kings)
Piano seul
Kathleen Ryan
$5.25 5 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1170055 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Romantic Period. Score. 4 pages. Phil Beaman #770423. Published by Phil Beaman (A0.1170055). Love's Sacred Trust is a piano solo arrangement of the 1902 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I turn this old ballad into a true piano solo by creating 4 distinct sections each with a different tempo and style with lots of markings to guide you through.  The beginning and ending sections have full chords thundering to both ends of the piano, while the middle two sections are much lighter and more expressive, one in 2 part writing and the other with the melody in the Left Hand.  This is a very dramatic and impressive performance piece.   4 page score; 3:30 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
Love's Sacred Trust - piano solo
Piano seul

$3.75 3.57 € Piano seul PDF SheetMusicPlus






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