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Paul Davis : I Go Crazy (Voix Paul Davis, acc. piano et orchestre)
Piano seul
Téléchargez la partition Piano I Go Crazy (Voix Paul Davis, acc. piano et or…
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Piano Solo - Level 3 - Digital Download SKU: A0.915161 Composed by Billy Mann, Christian Medice, Joseph Davis Kirkland, Joseph Kirkland, Samanatha Derosa, and Samantha DeRosa. Arranged by Paul van der Plas. Contemporary. Score. 3 pages. Paul van der Plas #6138007. Published by Paul van der Plas (A0.915161). Level 3 - Early Intermediate (+ chords) Easy on the ear, this arrangement is meant for teachers and players of various levels. Based on the original, this version consists of Intro, Verse, Pre-Chorus, Chorus and Post-Chorus. The interval between your little finger (5) and thumb (1) played in the left-hand (minor 10th or Major 10th), if you’re not able to make this spread, then you can change all the notes played with your thumb into a perfect octave.The melody in the verse and pre-chorus is an octave higher than the original. You can decide to play  it an octave lower / as the original when you're not able to make the spread in your left hand.There are a several other arrangements available of this song:â–¶ Level 3 - Early Intermediate (left hand simplified): https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903737?ac=1â–¶ Easy Piano, Level 1 - Elementary: https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903712?ac=1Level 1 - (Early) Elementary, both arrangements are exactly the same:â–¶ https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903736?ac=1â–¶ With big notes: https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903734?ac=1
Be Happy
Piano seul

$4.99 4.26 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.915160 Composed by Billy Mann, Christian Medice, Joseph Davis Kirkland, Joseph Kirkland, Samanatha Derosa, and Samantha DeRosa. Arranged by Paul van der Plas. Contemporary. Score. 3 pages. Paul van der Plas #6138001. Published by Paul van der Plas (A0.915160). Level 3 - Early Intermediate (+ chords)Easy on the ear, this arrangement is meant for teachers and players of various levels. Based on the original, this version consists of Intro, Verse, Pre-Chorus, Chorus and Post-Chorus.In this arrangement you play the melody with your right hand and the guitar parts with your left hand. This version is also suitable for young children or people with smaller hands because in this arrangement the technique for the left hand is simplified.There are a several other arrangements available of this song:â–¶ Level 3 - Early Intermediate: https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903740?ac=1â–¶ Easy Piano, Level 1 - Elementary: https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903712?ac=1Level 1 - (Early) Elementary, both arrangements are exactly the same:â–¶ https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903736?ac=1â–¶ With big notes: https://www.sheetmusicplus.com/title/be-happy-digital-sheet-music/21903734?ac=1
Be Happy
Piano seul

$4.99 4.26 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
The End Of The World
Piano seul
Skeeter Davis
$6.99 5.96 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1201265 Composed by Valery Aralov. Arranged by Yury Chugunov and Zellev. 20th Century,Blues,Broadway,Jazz,Musical/Show,Video Game. Score. 6 pages. Zellev Music #799915. Published by Zellev Music (A0.1201265). Key Signature: NaturalTime Signature: 3/4Tempo: Con moto (with movement (as lively as possible/ vivace))Difficulty: Advancednot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
Purple Horse
Piano seul

$5.00 4.26 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Score. 4 pages. Zellev Music #797617. Published by Zellev Music (A0.1198473). Key Signature: Bâ™­ MajTime Signature: 3/4Tempo: Adagio Rubato (Slowly as the performer feels like)Difficulty: Intermediatenot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
Dedication to Bill Evans
Piano seul

$4.50 3.84 € Piano seul PDF SheetMusicPlus






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