Piano Solo - Level 2 - Digital Download SKU: A0.963128 Composed by Johann Sebastian Bach. Arranged by Matheus Viana. Baroque,Christmas,Easter,Sacred. Score. 4 pages. Matheus Viana #6372157. Published by Matheus Viana (A0.963128). Jesu, Joy of Man's Desiring, Johann Sebastian Bach, Baroque music, Piano arrangement, Chorale Prelude, Sheet music, Inspirational melody, Sacred tune, Baroque composer, Keyboard rendition, Musical masterpiece, Chorale prelude piano cover, Chords and counterpoint, Devotional atmosphere, Classical piano, Spiritual joy, Bach's brilliance, Keyboard performance, Ornate melody, Divine inspiration, Baroque elegance, Polyphonic texture, Baroque counterpoint, Sacred composition, Jesu, joyous piano, Musical devotion, Counterpoint beauty, Chorale melody, Religious expression, Heavenly piano, Keyboard virtuosity, Bachian grace, Expressive piano, Joyful resonance, Inspirational composition, Religious fervor, Devotional music, Baroque artistry, Bach's genius, Sacred keyboard, Jesu, Joy of Man's Desiring interpretation, Ornamental piano, Musical spirituality, Spiritual piano, Counterpoint mastery, Classical devotional, Baroque finesse, Divine piano, Keyboard expressiveness, Bachian counterpoint, Chorale beauty, Baroque brilliance, Inspirational piano magic, Sacred serenity, Jesu, Joyous interpretation, Baroque devotion, Ornate piano arrangement, Polyphonic splendor, Classical sacred music, Keyboard dynamics, Spiritual expression, Jesu, Joyous piano rendition, Counterpoint precision, Baroque inspiration, Ornamental keys, Bachian subtlety, Sacred piano arrangement, Classical spiritual beauty, Devotional piano performance, Bachian gracefulness, Ornate keyboard, Jesu, Joy of Man's Desiring on piano, Baroque serenade, Inspirational finesse, Divine keys, Keyboard brilliance, Chorale Prelude magic, Sacred counterpoint, Jesu, Joyous piano expressiveness.

Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax.  Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message:  God's Grace...(is)...Greater than all our Sin!  The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min.  PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts.  Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!   Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.

Piano Solo - Level 5 - Digital Download SKU: A0.868082 Composed by John Newton. Arranged by Phoebe Chen. Christian,Concert,Gospel,Sacred. Score. 4 pages. Phoebe Chen #3210527. Published by Phoebe Chen (A0.868082). the beloved hymn was written in 1779 , by John Newton . He sank so low at one point that he was a slave trader, onlyGod's amazing Grace could save him. this hymn is probably the most beloved hymn of the last two centuries .

Piano Solo - Level 4 - Digital Download SKU: A0.862651 Composed by Christoph Willibald Von Gluck. Arranged by Michael Bomier. Baroque,Easter,Sacred,Standards. Score. 3 pages. Michael Butkus-Bomier #3586239. Published by Michael Butkus-Bomier (A0.862651). Dance of the Blessed Spirits is Baroque music but without counterpoint. It is famed for being a clear and early example of monody and homophony.It has been recorded by many concert artists over the years, and exists in other piano solo arrangements. Our goal here is, as always, to make this repertoire easily readable and playable, whilst retaining the charm, grace, and serene elegance of the other more difficult or embellished settings. The bassline is given here on the lower clef, but the chords which alternate above are given in the same treble staff the melody is written in. This gives the eye a chance to see the harmony without a swarm of bass clef ledgerlines. It is also preferable to a three-stave approach, which makes the eye move too often from clef to clef. Tempo given is a usual one for concert artists, such as Kissin. MBB