Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition #5321077. Published by KVAMusic Edition (A0.768511). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.

Piano - Level 3 - Digital Download SKU: A0.1236492 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Accompaniment. Duration 168. Paul Barker Music #832011. Published by Paul Barker Music (A0.1236492). Piano Accompaniment MP3 for Angelus Domini (SSA Choir).String Orchestral Accompaniment MP3 is available here.

Piano - Level 3 - Digital Download SKU: A0.1238723 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Spiritual. Accompaniment. Duration 182. Paul Barker Music #834165. Published by Paul Barker Music (A0.1238723). Piano Accompaniment MP3 for Sancta Maria (SSA Choir).String Orchestral Accompaniment MP3 is available here.

Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed.  I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat.  So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief

Piano and Keyboard - Level 2 - Digital Download SKU: A0.1147777 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Children,Christmas,Contemporary,Folk,Holiday. Accompaniment. Duration 157. Joanna Mills Music #747978. Published by Joanna Mills Music (A0.1147777). This lovely song celebrates the beautiful cardinal who brings us cheer in the coldest parts of winter. Exploring major and minor keys, this unison choir arrangement is pitched in an accessible key for young singers and features unison, call and response, and very easy harmony . Use this track for rehearsal or performance of the Unison, 2-Part, or 3-Part (SSA) arrangements. The piano accompaniment supports young singers, but also adds beauty and mood. Related themes include: winter, spring, nature, birds, migration, happiness, joy, and the seasons. Approximate performance time 2:30.

Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.

Piano - Digital Download SKU: A0.1068112 Composed by Bill Bridenback. Arranged by Melissa C. Westman. Children,Christian,Christmas. Accompaniment. Duration 163. Melissa C. Westman #36503. Published by Melissa C. Westman (A0.1068112). This is an accompaniment track for Praise the Lord, All Ye Heavenly Hosts, composed by Bill Bridenback and arranged by Melissa C. Westman. Praise the Lord, All Ye Heavenly Hosts is a children’s Christmas song of praise. This lively and upbeat praise tune is written for a two-part children’s choir. Its message reminds us of all the wonders surrounding Jesus’ birth, thus making this a good climax and ending to any children’s Christmas program.

Piano Solo - Level 4 - Digital Download SKU: A0.930050 Composed by Gruber. Arranged by Melissa Blanton. Christmas,Sacred. Score. 3 pages. Melissa Blanton #6134207. Published by Melissa Blanton (A0.930050). Silent Night arranged with care for piano solo. Triple meter is maintained while harmonies are enhanced and emphasized to reflect the inspirational message of the hymn. 4 Flats. Perfect for church, recital or entertaining.This arrangement is also available for Soprano Vocal Solo with Accompaniment: https://www.sheetmusicplus.com/title/silent-night-arrangement-for-soprano-with-piano-accompaniment-d....Alto Solo or Unison Choir is also available.

Piano - Digital Download SKU: A0.1068118 Composed by Bill Bridenback. Arranged by Bill Bridenback & Melissa C. Westman. Children,Christian,Christmas. Accompaniment. Duration 124. Melissa C. Westman #36515. Published by Melissa C. Westman (A0.1068118). This is an accompaniment track for What Christmas Is All About, composed by Bill Bridenback, and arranged by Bill Bridenback and Melissa C. Westman. This lively song makes an exciting opener to any Christmas program. It is written for children's choirs and can be sung with hand motions. The tempo of the music reminds one of children skipping for joy. As the song progresses and builds in anticipation, the children can’t help but shout the name of Jesus at the end of the song, for that is what Christmas is all about.

Piano Solo - Level 4 - Digital Download SKU: A0.1456575 Composed by Will L. Thompson. Arranged by Alex Mezeritski. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 3 pages. Alex Mezeritski #1035652. Published by Alex Mezeritski (A0.1456575). My arrangement of Softly and Tenderly Jesus Is Calling preserves the essence of Will L. Thompson's cherished hymn, while infusing it with a more modern twist. Crafted with care, it shows a blend of classic and contemporary elements for an authentic musical experience.   With each gentle strain of my arrangement of Softly and Tenderly Jesus Is Calling” filling the air, it invites worshippers to heed the tender call of Jesus. Every note tells a story of grace, redemption, and unconditional love. The timeless message of faith in Christ and salvation to all people will uplift listeners, fostering a deep connection to God.   This arrangement is designed for churches and religious communities who seek to enrich their worship services with an emotionally resonant rendition of a beloved hymn. It also caters to music directors, choirs, and musicians looking for a piece that integrates tradition with innovation.        Congregations, religious communities, and others can be taken on a transcendent musical journey while being captivated with the heartfelt sincerity this arrangement brings.   Relevant keywords for online searches may include: Will L Thompson, Softly and Tenderly Jesus is Calling, hymn, piano arrangement, worship music, church choir arrangement, hymn arrangement, modern worship, spiritual music, religious music, Christian hymn, sacred music, reverent arrangement, traditional meets contemporary.   By intertwining this traditional melody with more modern harmonies with my arrangement, I am offering a fresh interpretation that both honors the heritage of the original piece, whilst also embracing the contemporary needs of today’s worshippers.

Piano - Digital Download SKU: A0.1068094 Composed by Bill Bridenback & Melissa C. Westman. Arranged by Melissa C. Westman. Christian,Christmas. Accompaniment. Duration 130. Melissa C. Westman #36305. Published by Melissa C. Westman (A0.1068094). This is an accompaniment track for How Far Would You Go, composed by Bill Bridenback and Melissa C. Westman. How Far Would You Go, the fifth selection for S.A.T.B. choir from the adult Christmas cantata, Christ the Lord, borrows the music from an old English Carol and embellishes it with a Scottish drone sung as an accompaniment to the cheerful melody. This song which follows We Are the Magi in the cantata, begs the question, How far would you go, after considering how far and how long the Magi traveled to worship Jesus?.

Piano - Level 3 - Digital Download SKU: A0.1116457 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Children,Christian,Christmas,Praise & Worship,Religious. Accompaniment. Duration 129. Stewart J Wallace #718101. Published by Stewart J Wallace (A0.1116457). This is a piano backing track accompaniment for this modern carol that would suit church choirs, school choirs, and congregations looking for something new, which would still compliment the traditional and well-known carols. The melody is memorable and the harmonies are rich and stately. The words encourage us all to use our voices to sing and relay the message of Christ's birth. The sheet music is available separately with the piano and melody line and a more intricate SATB arrangement. There is also an arrangement for brass instruments available separately. This backing track can be used with all printed materials.

Piano - Digital Download SKU: A0.1068092 Composed by Bill Bridenback. Arranged by Bill Bridenback & Melissa C. Westman. Christian,Christmas,Sacred. Accompaniment. Duration 261. Melissa C. Westman #36287. Published by Melissa C. Westman (A0.1068092). This is an accompaniment track for Holy, Holy: The Seraphim’s Magnificat, composed by Bill Bridenback, and arranged by Bill Bridenback and Melissa C. Westman. Holy, Holy: The Seraphim’s Magnificat, the second piece from the adult Christmas cantata Christ the Lord, is a heavenly celebration of Jesus’ birth. This piece declares who Jesus is and why He is worthy of praise. The music is to be sung with great joy by an S.A.T.B. choir. It is written in a counterpoint style between the ladies’ voices and the men’s voices.

Piano - Digital Download SKU: A0.1068111 Composed by Bill Bridenback. Arranged by Bill Bridenback & Melissa C. Westman. Children,Christian,Christmas. Accompaniment. Duration 204. Melissa C. Westman #36497. Published by Melissa C. Westman (A0.1068111). This is an accompaniment track for Merry Christmas, composed by Bill Bridenback and arranged by Bill Bridenback and Melissa C. Westman. This exciting and fun Christmas song is written for a children’s choir. The music begins in a joyful 6/8 rhythm and then moves to a fun calypso beat. The words express the joy and true meaning of Christmas. There are two verses which can be sung as solos. The chorus, which includes clapping, is especially enjoyed by children.