Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #5355075. Published by Global Music School String Publications (A0.902211). Violin Online String Sampler Piano Accompaniment features the piano accompaniment to Violin Online String Sampler Violin Sheet Music. 54 pieces are included in this collection, representing a variety of styles and music history periods and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html  The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄ�garÄ�ja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.

Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne Donkin (A0.1173902). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experienceSuggested Pre-Requisite Knowledge for Level 4:Key signatures: up to 3 sharps/flatsTime signatures: 2/4, 3/4, 4/4, 2/2, 3/2, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to octave; triads with inversionsSymbols: articulations, dynamics, ottava indicationsTerms: adagio, allegretto, allegro, andante, andantino, larghetto, largo, lento, moderato, presto.

Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne Donkin (A0.1173900). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 3:Key signatures: up to 3 sharps/flats Time signatures: 2/4, 3/4, 4/4, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to 5th Symbols: articulations, dynamics, ottava indicationsTerms: allegretto, allegro, andante, andantino, largo, lento, moderato.

Piano Solo - Level 3 - Digital Download SKU: A0.1407341 Composed by Christine Donkin. Instructional. Score. 195 pages. Chrisitne Donkin #990017. Published by Chrisitne Donkin (A0.1407341). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 5:Key signatures: up to 4 sharps/flatsTime signatures: anyPitches: anyNote/rest values: 16th to whole, tripletsChords: anySymbols: articulation, dynamics, ottava signs, root/quality chord symbolsTerms: adagio, allegretto, allegro, andante, andantino, cantabile, dolce, grazioso, larghetto, largo, lento, maestoso, marcato, moderato, prestissimo, presto.

Piano Solo - Level 5 - Digital Download SKU: A0.1317422 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 31 pages. Santino Cara #906086. Published by Santino Cara (A0.1317422). Complete score of the Brandenburg Concerto No.4 in G major BWV 1049 for Piano solo. Composed by Johann Sebastian Bach in 1719/20 for Violin and 2 concert Recorders, Strings ripieni and Continuo. Transcribed for Piano in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro non molto, 2. Andante dolce moderato, 3. Allegro moderato.Sources and annotations: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date.In 1738 Bach arranged this concerto for another in F major, BWV 1057 for concerted harpsichord, 2 flutes, strings and continuo. They are almost the same in all 3 movements, the basses are almost identical, the 2 flutes arranged with soloist and ripieni functions, with the obligatory part of the harpsichord replacing the main violin of the Brandenburg concerto.Other piano works by Bach and baroque and classical composersE-mail: cara.santinocara.santino@gmail.com

Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. 203 pages. Published by Scott Camp

Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patriotic, Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #6359159. Published by Musik Fabrik Music Publishing

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534717 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 52 pages. Musik Fabrik Music Publishing #6359163. Published by Musik Fabrik Music Publishing (A0.534717). SONATA NO. 5 IN E FLAT MAJOR I. Allegro II. Presto ORLD PREMIÈRE RECORDINGCD 2SONATA NO. 6 IN D MINOR I. Cantabile II. Allegro SONATA NO. 7 IN B FLAT MAJOR I. Allegro II. Andante III. PrestoSONATA NO. 8 IN A MINOR I [Allegro]. II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534714 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #6359077. Published by Musik Fabrik Music Publishing (A0.534714). SONATA NO. 11 IN D MINOR I. Andante un poco allegroII. Rondeau: Allegro The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.  

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534710 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 16 pages. Musik Fabrik Music Publishing #6359025. Published by Musik Fabrik Music Publishing (A0.534710). A NO. 7 IN B FLAT MAJOR I. Allegro II. Andante III. PrestoThe composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534712 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6359053. Published by Musik Fabrik Music Publishing (A0.534712). SONATA NO. 9 IN F MINOR I. Andante amoroso II. Allegro assai The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.