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Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: F? minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan Kleczy?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
Feu follet
Piano seul
1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin
$3.79 3.24 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Rminiscences dEspagneThis work is an homage to Maurice Ravel's Habaera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habaera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PelePoint Pele is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pele National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. la manire d'une Pavane la manire d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante dfunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Piano seul

$16.99 14.54 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for ??Le Cygne noir?? and ??L'océan?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of ??Rhapsody No. 1?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of ??Rhapsody No. 1?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoff??s famous ??Rhapsody on a Theme of Paganini, Op. 43??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoff??s variation for the Rhapsody??s ??Adagio? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravel??s song for voice and piano ??Histoires naturelles - Le cygne??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swan??s internal conflict in choosing to exist as a black or white swan.Fraser??s third composition is ??Sonata No.1 Gothic??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked ??più mosso e con abbandono?, to the notoriously difficult ??colossale? section of Prokofiev??s ??Piano Concerto No. 2, Op. 16??, Movement 1. The sonata??s Movement 3 also follows a structure parallel to Movement 4 of Prokofiev??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraser??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, ??L'océan {The Ocean}?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
Hommages and Prelude No. 1
Piano seul

$29.99 25.67 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1244094 By Elizabeth C. Axford. By Dolly Rappaport, Elizabeth C. Axford, and Mitch Rappaport. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional. Score. 4 pages. Piano Press #839071. Published by Piano Press (A0.1244094). Elementary-level piano solo in F minor with accidentals (no key signature), Middle C hand position; 4/4 meter, Moderato; quarter notes, half notes, dotted half notes, whole notes, beamed eighth notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Mother's Day celebrated each year on the second Sunday in May in the U.S.A. and for Father's Day celebrated each year on the third Sunday in June in the U.S.A.
Hold Me Closer
Piano seul
Elizabeth C Axford
$3.99 3.42 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1236238 By Peggy Duquesnel. By Peggy Duquesnel. Arranged by Peggy Duquesnel. Christian,Lent,New Age,Spiritual,Wedding. Score. 4 pages. Duquesnel Music Publishing #831750. Published by Duquesnel Music Publishing (A0.1236238). This peaceful solo piano piece is suitable for church preludes, meditation, communion, baptisms, Mothers Day, Thanksgiving and other special occasions. This original compostion by Peggy Duquesnel reflects upon the kind and gentle way that the Lord draws us unto Him as a loving father takes a child into his arms. It is available on her Give Thanks solo piano album and the Heart of the Music Piano Orchestrations album and Nature DVD.More About Peggy Duquesnel:https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/2288https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asphttps://joyspringmusic.com/https://open.spotify.com/artist/3jMbAF5hPhRw3o6H8mD3eehttps://itunes.apple.com/us/artist/peggy-duquesnel/id4259082https://www.youtube.com/user/peggyduquesnel.
Thank you for Drawing My Heart (Solo Piano - Key of C)
Piano seul
Peggy Duquesnel
$4.99 4.27 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1236230 By Peggy Duquesnel. By Peggy Duquesnel. Arranged by Peggy Duquesnel. Christian,Lent,New Age,Spiritual,Wedding. Score. 4 pages. Duquesnel Music Publishing #831741. Published by Duquesnel Music Publishing (A0.1236230). This peaceful solo piano piece is suitable for church preludes, meditation, communion, baptisms, Mothers Day, Thanksgiving and other special occasions.  This original compostion by Peggy Duquesnel reflects upon the kind and gentle way that the Lord draws us unto Him as a loving father takes a child into his arms. It is available on her Give Thanks solo piano album and the Heart of the Music Piano Orchestrations album and Nature DVD.More About Peggy Duquesnel:https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/2288https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asphttps://joyspringmusic.com/https://open.spotify.com/artist/3jMbAF5hPhRw3o6H8mD3eehttps://itunes.apple.com/us/artist/peggy-duquesnel/id4259082https://www.youtube.com/user/peggyduquesnel.
Thank you for Drawing My Heart (Solo Piano - Key of E)
Piano seul
Peggy Duquesnel
$4.99 4.27 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1068461 Composed by Alexander Klein. 20th Century,Contemporary,Multicultural,World. Full Performance. Duration 255. Alexander Klein #2079967. Published by Alexander Klein (A0.1068461). Alía is a composition that was inspired by the type of modal melodies composers like Ralph Vaughan Williams collected from rural areas in England and Scotland. The simplicity of peasant life, coupled with its profound knowledge of Mother Nature, is reflected in the very cantabile melody that dominates this work. To honor the equally rich peasant cultures that still live in rural areas in my native Colombia, I have included rhythmic patterns extracted from the Bambuco, a syncopated, ternary musical expression that has resounded for hundreds of years amidst the beautiful mountains of central Colombia. - Alexander Klein.
Alía Op.18
Piano seul

$2.00 1.71 € Piano seul PDF SheetMusicPlus






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