Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed.  The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color.  BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.

Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso Víkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1�⃣ **Masterful Interpretation:** Víkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2�⃣ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3�⃣ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀� Limited-Time Offer:Order now and receive exclusive access to a video tutorial by Víkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,� says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.� comments Víkingur Ólafsson.

Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.

Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G).  Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃ�RA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.

Piano Solo - Level 2 - Digital Download SKU: A0.1275386 By Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score. 3 pages. Flavio Regis Cunha #867308. Published by Flavio Regis Cunha (A0.1275386). Welcome to the magic of Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the incomparable pianist Martha Argerich.   From the dancing runs to explosive climaxes, shimmering lyrical passages, and breathtakingly elegant nuances, ‘Of Foreign Lands and Peoples’ is one of the most beloved pieces in piano repertoire.  We’re now offering you the opportunity to get your own copy of the sheet music for ‘Of Foreign Lands and Peoples’, complete with detailed notes and fingerings from the inimitable Martha Argerich.  Whether you’re a student of piano wanting to explore the power of repertoire or a professional pianist looking for the finishing touches to your performance, Martha’s sheet music is the perfect selection.  So join us in discovering the hidden beauty, grace, and emotion of Robert Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the legendary Martha Argerich.  Get your copy today and take your performance of this amazing piece to the next level.IntermediateFormat: Concert, 9 x 12 inches2 pages.Program NotesKinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) is a romantic piano piece composed by Robert Schumann in 1838. This piece is a part of Schumann's Kinderszenen (Scenes from Childhood) suite. It explores themes of the unfamiliar and a child's curiosity of the world.   Von fremden Ländern und Menschen utilizes a lyrical ABA form set in an ABA ternary meter. The opening melody is soft, nostalgic, and reflective representing the innocence of childhood. The second section begins with a marching-like motif that gradually builds intensity as it progresses, creating feelings of awe and wonder as the music approaches the climax. The piece ends reflecting on the initial melody.   Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen is an emotionally evocative piece that allows the listener to enter the whimsical world of childhood. The piece’s subtle development makes it a great piece for piano students looking to explore the Romantic era.

Piano Solo - Level 3 - Digital Download SKU: A0.1349649 By Antonio Vivaldi and Flavio Regis Cunha. By Antonio Vivaldi. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score. 4 pages. Flavio Regis Cunha #934417. Published by Flavio Regis Cunha (A0.1349649). Antonio Vivaldi: Largo from Winter Concerto No. 4 in F minor, Op. 8 RV 297 L' inverno (for Piano)Intermediate level.Fomat: Concert 12 x 9 inches.4 pages.Duration: 2:00 min.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎶 Unlock the Emotion: Dive into Vivaldi's Winter on Your Piano! 🎹Dear Pianists, both seasoned maestros and passionate enthusiasts,Embark on a musical journey that transcends time and space with our exquisite sheet music – Largo from Four Seasons (Winter) by the legendary Antonio Vivaldi. 🌬� Immerse yourself in the breathtaking beauty of this masterpiece, meticulously transcribed for piano, and let your fingers dance across the keys, echoing the soul-stirring melodies of the original concerto.🌟 What makes our sheet music a must-have for your repertoire?1. **Precision in Every Note:** We have arranged and captured the essence of Vivaldi's composition with unparalleled accuracy. Each note resonates with the same passion and intensity as the original, ensuring an authentic musical experience.2. **Expressive Dynamics:** Feel the power of the music as you navigate through the expressive dynamics meticulously notated in our sheet music. From the delicate pianissimos to the thunderous fortissimos, every nuance is at your fingertips.3. **Versatility for All Skill Levels:** Whether you're a seasoned professional or just starting your musical journey, our sheet music is tailored to suit all skill levels. Unleash your creativity and bring the magic of Vivaldi to life, no matter your proficiency.4. **Immersive Learning Experience:** Dive into the historical and artistic context with our insightful annotations. Gain a deeper understanding of the composition and let your performance resonate with the emotions intended by the great Vivaldi.🌈 Elevate your piano playing to new heights and let the evocative strains of Largo from Four Seasons (Winter) captivate your audience. 🌬�🎉 **Perfect Occasions to Showcase Your Mastery:**1. **Wedding Celebrations:** Set the stage for festive gatherings and wedding celebrations with the enchanting sounds of Vivaldi's Winter. Create a magical ambiance that complements the joyous spirit of the season.2. **Romantic Evenings:** Ignite the flames of passion with a romantic piano serenade. Let the expressive melodies of Largo create an intimate and memorable atmosphere for special evenings with your loved one.3. **Concert Performances:** Showcase your musical prowess on the grand stage. Whether you're part of a classical ensemble or performing solo, let Vivaldi's Winter be the highlight of your repertoire, leaving a lasting impression on your audience.4. **Educational Settings:** Inspire and educate aspiring musicians. Use our sheet music to teach the art of interpretation, dynamics, and expression, fostering a deeper appreciation for classical music in students of all ages.🎼 Let Vivaldi's Winter be your muse, and let your piano be the canvas where emotions come to life. Order your sheet music today and make every occasion a moment to remember! 🎹

Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, Thanksgiving. Sheet Music Single. 10 pages. Published by Sharon Wilson

Piano Solo - Level 4 - Digital Download SKU: A0.1119123 By Víkingur Ólafsson · Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period. Score. 8 pages. Flavio Regis Cunha #720537. Published by Flavio Regis Cunha (A0.1119123). 🎵 Unleash Your Musical Genius with the Ultimate Sheet Music Experience! 🎵Calling all students and professional pianists: Elevate your musical journey with the mesmerizing sounds of '6 Studies in Canonic Form, Op. 56 - No. 1' composed by the legendary Robert Schumann, brought to life by the virtuoso Víkingur Ólafsson.🎹 Dive into the Depths of Musical Mastery:Experience the thrill of each meticulously crafted note as Víkingur Ólafsson's magical touch guides your fingers across the keys. Discover the artistry behind every crescendo, every decrescendo, and every breathtaking pause, as you embark on a sonic adventure that will leave you spellbound.📚 Immerse Yourself in Unrivaled Expertise:This sheet music is not just notes on paper – it's a gateway to musical brilliance. Whether you're a student aiming for perfection or a seasoned professional seeking new heights, '6 Studies in Canonic Form, Op. 56 - No. 1' holds the secrets to unlocking your true pianistic potential.🌟 Why Choose Our Sheet Music?✓ Authentically Engraved: Each note is an invitation to excellence, beautifully engraved to capture the essence of Schumann's genius.✓ Expert Insights: Uncover exclusive insights and performance tips from Víkingur Ólafsson himself, as you delve deeper into the heart of the composition.✓ Inspiring Journey: Embark on a musical journey that transcends time and space, connecting you with the composer's vision like never before.🎓 Elevate Your Craft Today:Don't miss your chance to own a piece of musical history! Elevate your pianistic skills, captivate your audience, and leave an indelible mark on the world of music. Order your copy of '6 Studies in Canonic Form, Op. 56 - No. 1' sheet music now and let the enchantment begin!🎵 Unleash the Maestro Within – Order Now! 🎵 NotesSchumann: 6 Studies in Canonic Form, Op. 56 - No. 1, Nicht zu schnell (Grand Piano) · Víkingur Ólafsson · Robert Schumann. Icelandic pianist Víkingur Ólafsson reflects on his musical life story, from childhood memories to his international career and contemporary inspirations, on his new album From Afar released on 7 October 2022. Based on the album From Afar.Advanced intermediate.Format: Concert 9 x12 inches.7 Pages.

Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.�This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to Víkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.

Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262572 By Claire Jones The Claire Jones String Ensemble. By Craig Armstrong, Desree Weekes, Marius Devries, Nellee Hooper, and Tim Atack. Arranged by Mav Duo. Broadway,Classical,Musical/Show. Score and individual part. 2 pages. Musicial #855589. Published by Musicial (A0.1262572). Introducing a Melodic Masterpiece: The Enchanting Cello and Piano Arrangement of Balcony Scene from Craig Armstrong's Romeo and Juliet FilmAre you a true connoisseur of musical beauty? A lover of timeless melodies that whisk you away to ethereal realms of emotion? If so, we have a mesmerizing treasure in store for you – an exquisitely simple cello and piano arrangement of the enchanting Balcony Scene from Craig Armstrong's unforgettable score for the iconic Romeo and Juliet film.Immerse yourself in the tender love story of Shakespeare's star-crossed lovers like never before, as the hauntingly delicate strains of the cello entwine with the elegant piano harmonies, transporting you to the very heart of Verona. This exceptional arrangement, designed to be accessible to musicians of all levels, captures the essence of the film's most poignant and passionate moments, painting a musical tableau of love, longing, and the thrill of forbidden romance.Crafted by acclaimed musicians and meticulously transcribed with utmost care, this arrangement is a true testament to the power of music to evoke profound emotions. The simplicity of the arrangement ensures that even beginners can embrace the beauty of Balcony Scene and bring it to life through their own musical journey. It provides an ideal opportunity for aspiring musicians to develop their skills and for seasoned performers to showcase their interpretation.The velvety timbre of the cello, resonating with warmth and depth, dances gracefully with the piano's gentle touch, creating an enchanting synergy that will captivate your senses. Regardless of your skill level, this arrangement allows you to explore the depths of your musical expression and connect with the soul-stirring emotions that lie within Balcony Scene.Whether you're a beginner seeking a captivating piece to embark on your musical journey, an intermediate player looking for an enjoyable challenge, or an advanced musician seeking an elegant addition to your repertoire, this cello and piano arrangement is an absolute must-have. Its simplicity allows for personal interpretation and adaptability, ensuring that musicians of all levels can revel in the joy of playing this beautiful composition.Indulge in the richness of this musical gem, and experience the magic of Balcony Scene like never before. Let the music weave its spell, transporting you to a world of romance and transcendence. Each note resonates with longing, each chord exudes a profound depth of emotion, and every phrase carries you on a breathtaking journey through the hearts of Romeo and Juliet themselves.Don't miss this extraordinary opportunity to own a piece of musical history. Order your cello and piano arrangement of Balcony Scene today and let the sublime melodies breathe life into your every day. Immerse yourself in the pinnacle of musical expression and create your own personal love story with this unique, unforgettable masterpiece, designed to inspire musicians of all levels.Keywords: cello and piano arrangement, Balcony Scene, Romeo and Juliet film, Craig Armstrong, musical beauty, timeless melodies, emotional journey, passionate moments, forbidden romance, captivating performance piece, musical gem, romance and transcendence, musical history, sublime melodies, personal love story, simple arrangement, accessible to all levels.

Piano Solo - Level 3 - Digital Download SKU: A0.986073 Composed by David E. Harris. Contemporary,Instructional,Standards. Score. 4 pages. LLB Music Publishing (ASCAP) #5731743. Published by LLB Music Publishing (ASCAP) (A0.986073). Dance  for Annalyn is a  waltz written for the composer's granddaughter who was taking dance lessons but unable to finish her lessons and recital for the year  because of  COVID-19 related closures.  This will be her music to dance to whenever she likes.   Duration: 2:09 at 96 bpm. David E. Harris is a composer and music producer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. David enjoys publishing sheet music for various ensembles via LLB Music Publishing and produces music in a variety of styles including Epic, Cinematic, Emotional, and Relaxation.

Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com

Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, Thanksgiving. Sheet Music Single. 16 pages. Published by Sharon Wilson

Piano Solo - Level 3 - Digital Download SKU: A0.761940 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Landon Creative, Inc. #6341121. Published by Landon Creative, Inc. (A0.761940). If a person listens closely to the melodies and the sections of The Final Conversation, he or she might hear the back & forth of a conversation between two people in a relationship. They are clearly taking positions with their points of views and there is an attempt to work things out. Unfortunately, this is truly The Final Conversation of their relationship and that the relationship is over. The chord at the end is clear.   This is the sheet music for The Final Conversation, from the Solo Piano Space Traveler album, and was released on August 5, 2019. Recorded at the Peace Palace from February - April, 2019. You can listen to the song by streaming on Spotify, Apple Music, and Pandora Radio You can also download the recording iTunes, Amazon, and Bandcamp.. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ Cover photo: NASA Cover art: DanLevin.com All music published by Landon Creative, Inc. BMI All music produced, arranged, composed & performed by Louis Landon.

Piano - intermediate - Digital Download SKU: S9.Q7083 Composed by Friedrich Zehm. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7083. Published by Schott Music - Digital (S9.Q7083). The compositions of Friedrich Zehm (1923-2007) are characterized by the desire for clarity, conciseness and general comprehensibility. His freely tonal works are influenced by elements from various epochs while having a close connection to classical modern music. Formed from distinct rhythms and refined counterpoint, Zehm develops his very own tonal language, quite often accompanied by a wink. Although Zehm's music is unmistakably in the contemporary style due to its freely tonal structure, it is never radical and incomprehensible, thus taking away the player's inhibitions about modern classicism. In his 6 Inventionen, Zehm takes up traditional forms and fills them with extended musical material by expanding the tonal framework and using lively rhythms and concise themes in a complex manner. Inventionen is aimed at the advanced piano pupil who is interested in modern music - an excellent introduction to classical modern music!