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Piano Solo - Level 4 - Digital Download

SKU: A0.916264

Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score. 6 pages. SR Worthington #3056007. Published by SR Worthington (A0.916264).

An expression of the profound realization that some of life’s deepest yearnings may remain unfulfilled, seemingly just out of reach – just ‘always almost.’ Yet from this sadness music arose. – RW
Rain Worthington’s piano compositions are quite striking in terms of the mood each of them sets and also the way she seems to always get mileage out of her materials. There is a surprise for the ear at every turn. She weaves melodic lines in an almost magical way, always leading the ear to unexpected places! – Max Lifchitz, pianist North/South Recordings
https://soundcloud.com/rain-worthington/always-almost-for-piano-excerpt
Duration: ca. 6'15
Publisher: SR Worthington/ASCAP.

Always Almost – for piano
Piano seul

$3.00 2.85 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.916263

Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score. 7 pages. SR Worthington #3056001. Published by SR Worthington (A0.916263).

A musical reflection on the passage of time and the delicacy and variable nature of its passing – as in the shifting phases of sand in a turning hourglass. – RW
Beautifully performed by pianist, Nataliya Medvedovskaya. https://youtu.be/RSiO6CrBQF4
Rain Worthington’s mood sketches…have a delicate wistfulness and Satie-like repose. ...these chordal repetitions and loopings are strangely compelling. The shifting sands of ‘Hourglass’ stretch time seductively;… – Jack Sullivan, American Record Guide
Duration: ca. 8'
Publisher: SR Worthington/ASCAP



Hourglass – for piano
Piano seul

$3.00 2.85 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.818064

Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064).

No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...

In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.

A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.

But then not long afterward, she passed away-more than 13,000 kilometres away from me.

I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!

Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!

Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!

P.S. Musicians who hear this will recognize it as the Tierce de Picardie.

No More Pain by Anton
Piano seul

$10.99 10.45 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.862686

Arranged by Michael Bomier. 20th Century,Concert,Holiday,Love,Romantic Period,Standards. Score. 4 pages. Michael Butkus-Bomier #3692927. Published by Michael Butkus-Bomier (A0.862686).

Gateway Editions has many popular but still difficult resettings of the Classical and Romantic literature for piano.
We also have many genuinely simplified settings. Here is one such item.
IF you know augmented and diminished chords, if you know duplets in a triple meter, and if you know how to play dissonances, you will not find this setting at all intimidating. If NOT, there is no finer music to learn them from, as SR used these backwards common-tone chord progressions throughout his music.
Spellings have been used to make the identification of these elements as clear as possible. The dynamics indicate the Point of the piece, a key element in both SR's playing and his compositional approach. All here is Very accessible music. original key, not full-length. LH greatly reduced. Melody intact but limited in range. Harmony from the original, but in reduced voicings. MBB

Variation No.18 from Variations on a Theme of Paganini For Easier Piano Solo
Piano seul

$2.99 2.84 € Piano seul PDF SheetMusicPlus






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