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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!)  Fast  and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also  a fun piano solo.  (Duration 8+ minutes)  Reel Jiggery-pokery The  song started as a jig but drank too much and reeled into 12/8 time. Properly  speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel!  Needless to say, this is not for the  purists...but it's huge fun for the rest of us!  Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands!  But you can play it slower and enjoy! On  electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano,  harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are  terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original  live and YouTube performances were on a Medeli MC 710, from 2005.  This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A  loud viola patch was used as the second voice on the upper part of the  keyboard, as the dominant fiddle sound carrying the melody.  A synth string patch was used  as second voice on the lower half, giving  the drones.)  Add Your Own Salt and Pepper to the Score! The  song is scored for clarity, not as a detailed demand for every possible  nuance.  It's fast, so although simple  to look at when not playing,  you'll  need to be reading the music at speed. Unless, of course, you're blessed with a  brilliant memory!   So  the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes.  BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your  keyboard sustaining string patches to bring those drones out!  Listen to the live recordings, they'll  help.  You,  as player, have lots of freedom!  It's up to you how many additional frills, or emphasis, or drone  suspensions you throw in.  Why alt.callahans?In the far distant past of 2005, there was  an Internet  newsgroup of that name, in honor and emulation of  Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer  Spider Robinson. [Wikipedia]  A  place for tall tales and true, comradeship, puns both good and bad.  We had fun there, and this song came out of  it. The Internet world, sadly, has changed since.
alt.Callahans Reel
Piano seul

$7.50 6.49 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.976849). 2017 Holiday Contest EntryGYPSY DANCE And it is another day that passes and goes I know that one the same will not return I feel restless, I lose my colors Invaded by the gray of the outside world   Need love And that sense of emptiness Suspended in limbo, I move in slow motion invent a fairy tale that time which was I miss the affection of my tribe   I wear a dress from 1000 colors Weave hair with grass and flowers Again gypsy in this other my life It is not just a fairy tale, it is a never ending story Between the elves, the fairies and gypsy violins In the woods near to ancient kingdoms I feel beautiful too, happy and accepted here's the trivial woman who has transformer   dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is  dances gypsy and I’m the queen   Again this decomposes my identity Nemesis goes crazy and unleash My spirit Which is young and free I mud and Diamond Matte and shining   I alpha female of a group of witches Unleashed storms, threats suspended Then a rainbow of many colors Here the rain is over, wake up the flowers   We dance happy in this my kingdom In a circle, spell of a beautiful dream Another my world I will not return If I’m not anyone Leave me alone   I will not return In this tale, I will hide A still picture On the surface I will be Turn the page and I animet   and the end will be Disappearance Monica, in the world here But in this my kingdom forever I will live From a cover I will smile   I’m  not gypsy, not even Queen but inside me I remained a child Gypsy violins do not sound I miss the affection of my tribe   and I go back to that time when everything was empty dream and fly was my only game I'm not so bad in the world here in the shoes I wear in my reality   dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is  dances gypsy and I’m the queen I tread with joy my but and my if The inadequacy I do not know what And yet I know that thrill try The apparent death, far and distant   The dance gypsy , here,under the moon Ancient ritual that brings good luck You will be welcome in my tribe In this my book, the end  can  write to you ...                                                                 Monica Bergo
Danza gitana
Piano seul

$3.99 3.45 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1320814 Composed by William Grosvenor Neil. 20th Century,Classical. Score. 41 pages. TheComposerStudio.Com, LLC #909259. Published by TheComposerStudio.Com, LLC (A0.1320814). Movement I. Light by the Beauty of MusicThis movement opens with a driving energy that does not diminish until the final passages.  The opening theme continues to cycle over accenting sonorities in counterpoint with a 2nd theme that spins forth in perpetual motion.  From here emerges a pair of folk themes in tandem. I quote the Romanian folk song:  On the Freedom Plains along with a counter theme that I composed in a minor mode. I want to thank my Moldovian friend, Natalia Rojcovscaia-Tumaha for inspiring the inclusion of this quote in this movement. This basic cry for freedom among people that have identified with a country where generations have lived and died was the sentiment that I wanted to capture in this music. The movement ends with an unresolved flourish that slowly dies away suggesting the mysterious uncertain nature of music. Movement II. DeliquesceThe second movement is a simple song-like narrative that speaks in short rhythmic open phrases. The music progression in variation form.   All the while, a spinning thread of notes orbits this narrative, eventually cascading into a perpetual motif that ends suspended in space.Movement III.  Light Upon WaterThe third movement continues the perpetual motion of the second movement and transforms into a running tapestry of harmonic statements that build to a euphoric choral declaration.  After a reflective, improvisatory middle section, the cascading perpetual motion of the opening returns. The conclusion of the movement is signaled by what I call a crossing cadence:   the theme in full chordal orchestration is accelerando in the right hand and is retrograde, ritardando in the left hand.  Finally, a short coda finishes the sonata.  © 2022 William Grosvenor Neil   williamneil.net     thecomposerstudio.com   support:  thecomposerstudio@gmail.com.
Sonata for piano
Piano seul

$20.00 17.31 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.966501 Composed by Stuart Sosnoski. Blues,Instructional,Standards. Score. 3 pages. Stuart Sosnoski #2869027. Published by Stuart Sosnoski (A0.966501). My students have enjoyed Don't forget to Walk the Bass for many years and the piece has enlightened them to the meaning of a walking bass line.  Written for the mid-elementary level student, Walk the Bass combines a Blues, walking bass type, melody in the left hand with suspended chord accompaniment in the right hand in the A section.  In the B section, the left hand walking bass keeps a steady beat as the right hand performs a rhythm-filled, well liked, melody.  Don't Forget to Walk the Bass received honorable mention in the 2014 American College of Musician's International Composing Competition.  Enjoy!
Don't Forget to Walk the Bass
Piano seul

$3.00 2.6 € Piano seul PDF SheetMusicPlus

Piano - Level 3 - Interactive Download SKU: A0.1330607 Composed by James Stone. This edition: Interactive Download. Christmas,Jazz,Musical/Show. Lead Sheet / Fake Book. 5 pages. Duration 280. James Stone #2NFpyyAHvgtgrzJ6t2XnD2. Published by James Stone (A0.1330607). Key: G major.Why not turn this into a musical? There are eight verses. Four children sing two verses each, or eight children sing one verse each. Other parts are sung by individuals or together. Several different instruments appear throughout. In a performance of this song performers can dance singly, in pairs, and in a group. The tuba player could also dance a jig. Some performers (fairies, pixies, and sprites) can be suspended in air above the stage among twinkling colored lights using cables. Music for Voice and Small Ensemble including Piano, Tuba, Flute, Harp, Xylophone, Ukulele, Harmonica...Christmas, Children, Celtic/Irish, Musical/Broadway. Published by CumbiaBoy.
CHRISTMAS FAIRY TALE
Piano seul

$2.99 2.59 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.1005674 Composed by Alex Nifong. Arranged by Grace Joy Reid. Contemporary. Score. 6 pages. Creating Music Joy #6117829. Published by Creating Music Joy (A0.1005674). Jesus Paid It All/the First Noel Medley is an excellent Prelude, Offertory, Meditation, or Communion piano solo for your Baptist, Methodist, Pentacostal, Charismatic, Protestant, Catholic, and Church of the Latter Day Saints worship service.  It is perfect for the intermediate piano student and/or church musician, utilizing arpeggios, suspended notes, triplets, sixteenth notes, meter changes, and beautiful harmonies to produce a worshipful experience for the listener.  Time:  3:14 min.  Easy to shorten if time is an issue.  Jesus Paid It All was written by Elvina Hall in 1865.  See Christianity Today for more information:  https://www.christianity.com/church/church-history/timeline/1801-1900/this-hymn-was-more-than-a-coin....  It was John T. Grape who wrote the tune in 1868. See for more information:  https://hymnary.org/text/i_hear_the_savior_say_thy_strength_indee  The First Noel is believed to date from the 13th or 14th century.  Noel is the French word for Christmas and is from the Latin natalis, meaning Birthday.  Taken fromhttp://www.classichistory.net/archives/first-noel-carol.  The First Noel was written by William B. Sandys, 1823 and Davies Gilbert (1767-1839).  My purpose was to remind people that Jesus Christ was born to become the Saviour of the world through His death and resurrection from the dead.  creatingmusicjoy LLC publications (ASCAP).
Jesus Paid It All
Piano seul

$6.95 6.01 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1024529 Composed by Amy Gordon. 20th Century,Contemporary. Score. 11 pages. Amy Gordon #4638257. Published by Amy Gordon (A0.1024529). Crystal is a three-movement vibraphone and piano duet (Adagio, Moderato, and Presto) centered around the suspended chord, which does not clearly define a major or a minor tonal world. Similar to Marginalia, Crystal relies on tonally ambiguous harmonies such as the second and seventh.It begins and ends with a dissonant, bell-like vibraphone idea, referencing chord clusters often used in Balinese Gamelan.Adagio employs a rhythmic canon between the vibraphone and the left and right hand piano parts. Parallel sevenths and cross-rhythms are the building blocks of this movement.Moderato uses a repeating rhythmic ostinato throughout the movement, which is first introduced by the vibraphone and then taken on by the piano.Presto opens with a folk-like melody in the vibraphone and then leads into a more lyrical, quartal melody. It uses the parallel sevenths and cross-rhythms found in the first movement. The coda basically repeats the piece’s introduction with slightly less dissonant vibraphone chords. Throughout the entire piece, it is never firmly established whether the piece is in major or minor.For more information, visit www.amygordonmusic.com.
Crystal
Piano seul

$10.00 8.65 € Piano seul PDF SheetMusicPlus






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