By Shirley Bassey. Arranged by Tsuyoshi Yoroiguma. Movies, TV, Repertoire, Pop. Individual Part. 2 pages. Published by Tsuyoshi Yoroiguma (H0.121629-285504). - Individual Part - Movies,TV,Repertoire,Pop - Tsuyoshi Yoroiguma

Piano - Level 3 - Digital Download SKU: A0.1364297 By Daft Punk Featuring Pharrell Williams. By Guy Manuel Homem Christo, Nile Rodgers, Pharrell, and Thomas Bangalter. Arranged by Sam Fettig. Disco,Pop. Score (Chords/Lyrics). 32 pages. Sam Fettig #948602. Published by Sam Fettig (A0.1364297). This is a lead sheet transciption of the original with the following parts: Voice Guitar Piano Synth Bass Drums The piano and synth parts have cues for each other so the song con be performed by one player (although the recording has both).

Piano Solo - Level 4 - Digital Download SKU: A0.887664 By Michael Jackson & Justin Timberlake. By Michael Jackson and Paul Anka. Arranged by Francesco Cannito. Contemporary. Score. 4 pages. Francesco Cannito #4408694. Published by Francesco Cannito (A0.887664). This sheet is my personal transcription of the keyboard parts played on the original song (Piano, Synth Bass).*****AS PLAYED IN THE ORIGINAL VERSION!*****I transcribed each chord and note played, clearly and with the structure of the song highlighted.So, you have only to read it and you'll be playing exactly what is heard in the original version!Highly recommended for professional use.

Piano Solo - Level 4 - Digital Download SKU: A0.573528 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,World. Score. 4 pages. James M Stevens Music ASCAP #5866447. Published by James M Stevens Music ASCAP (A0.573528). Written June 25, 2020, this begins as an original minimalist piano composition is the basis for Stevens' recording, Relentless - Epic Music, which contains percussion and then builds to an epic piece with pipe organ, synth bass, boys choir, and the occasional strikes of an ancient church bell. However, it stands on its own as a fast moving minimalist piano piece. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Piano Solo - Level 4 - Digital Download SKU: A0.991613 Composed by Christopher Wolfe. 20th Century. Score. 4 pages. Christopher Wolfe #3020017. Published by Christopher Wolfe (A0.991613). This piece of music was composed as a composition assignment in which I had to create variation whilst maintaining a common bassline. It has a bit of a wild temperament and as the piece goes on, it is prone to sudden changes in volume and texture. The piece is in ABA form. The piece is suitable for intermediate to advanced players. The accompanying recording is synthetic and a human player may chose to take more tempo liberties. Contact me at wolfiemeister@yahoo.com if you have any questions about the work. .

Piano Solo - Digital Download SKU: A0.990153 Composed by Don Bowyer (Sunway University). Contemporary. Score. 22 pages. Dolphin Don's Music School #6434599. Published by Dolphin Don's Music School (A0.990153). Five Preludes is a set of short pieces for solo piano, exploring various sounds and ideas. Each prelude is one to two minutes in length.Prelude 1: Play-ludeThe main idea of this prelude uses parallel fourths in the left hand with short, dissonant statements in the right hand. The contrasting second idea has a tonal bass line progression below a chromatic figure. The 3/8 time signature gives the piece a quasi-swing feel.Prelude 2: Pray-ludeThis prelude alternates between F major and Gb major, with slow reflective melodic statements over sustained roots. The statements gradually become shorter and shorter until the recapitulation.Prelude 3: Pre-lewdThis whimsical prelude uses a five-note synthetic scale throughout (1, m3, P4, m6, M7), but the scale modulates in a pattern that suggests a standard 16-measure blues progression. There is a repeating figure in the bass using the same modulating scale.Prelude 4: Prelude SolitudeThis slow prelude in 7/4 time has an ostinato bass line that never varies. The six notes of the bass line (Eb, E, F, Ab, A, Bb) form a synthetic scale from which the entire piece is derived.Prelude 5: Pre-ludicrousThis prelude uses the same six-note synthetic scale throughout (C, Eb, E, G, Ab, B). Harmonic motion is established through a repeated bass line, with chords built from every other note of the scale.

Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant.   It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic.   -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically.   -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment.   -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely.  The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio.  The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do.   -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.  

Piano - Digital Download SKU: A0.1071545 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Accompaniment. Duration 350. Colin Kirkpatrick Publications #3407719. Published by Colin Kirkpatrick Publications (A0.1071545). This MP3 contains the three backing tracks for the SMP title Time Off by Colin Kirkpatrick performed by synthesized piano and double bass. The music is available here: https://www.sheetmusicplus.com/title/20679712

Piano - Level 3 - Digital Download SKU: A0.1296741 By Stevie Wonder. By Stevie Wonder. Arranged by Popnroll 1976. 20th Century,Latin,Pop,R & B. Score (Chords/Lyrics). 3 pages. Popnroll 1976 #886908. Published by Popnroll 1976 (A0.1296741). Ngiculela - Es Una Historia - I Am Singing - Stevie Wonder (Lead Sheet/Lyrics)This is a Lead Sheet (with chords and lyrics) for Ngiculela - Es Una, which begins with a refreshing sounding Western string style synthesizer arbeggio over a light Latin beat from the great R&B singer Stevie Wonder's 1976 double album Songs In The Key Of Life.Intro and ending keyboard lines are also included. Includes lyrics.PDF format, 3 pages.Composed & Performed by Stevie Wonder.This song, in which Stevie Wonder himself plays all the instruments (except for the backing percussion), begins with his 7/8 time signature drums solo, and is introduced by a harp-like synthesizer phrase that sounds like a three-finger (on the guitar). 　The song is divided into three parts, with the [A] part sung in Zulu (an African tribe living from South Africa to southern Zimbabwe), the [B] part in Spanish, and the [C] part in English (a love song from our hearts, The bass guitar is played on a synthesizer. 　The bass part is played by a synthesizer, and especially the 5th and 6th bars of the [C] part are interesting lines, so I added them in a small size at the bottom of this page.

Instrumental Solo,Keyboard - Level 2 - Digital Download SKU: A0.1029868 Composed by Eric van Dusseldorp. Children,Holiday,Pop,World. Individual part. 15 pages. Eric van Dusseldorp #5803511. Published by Eric van Dusseldorp (A0.1029868). This song, without lyrics, is for the birthday (May 31, 2020) of my 1 year old Thai step-granddaughter Emmy.For the staffs I used (up to down):. Synthetic voice. Acoustic piano. Acoustic piano. Acoustic piano. Acoustic piano. Acoustic bass. Flute. Acoustic guitar. 

Piano - Level 4 - Digital Download SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. Score (Chords/Lyrics). 4 pages. Popnroll 1976 #881260. Published by Popnroll 1976 (A0.1290542). Spain (I Can Recall) - Al Jarreau (Vocal/Synthesizer Solo/Scat Solo)This is a lead sheet with a complete copy of the synthesizer solo and scat solo of the vocal version of Chick Corea's famous song Spain from the album This Time released in 1980 by Al Jarreau, a jazz fusion singer known for his singing percussion.PDF format, 4 pages.Lyrics：Al Jarreau, Arthur J. Maren Composer：Chick Corea, Joaquin Vidre RodrigoVocal：Al Jarreau Synthesizer & Rhodes Electric Piano：Larry Williams Bass: Abraham Laboriel Drums: Steve Gadd Produced by Jay GraydonSong Description 　This is a jazz fusion classic from Chick Corea's 1972 Return To Forever album, Light As A Feather, with lyrics by Al himself. 　The synthesizer solo was played by Larry Williams, a keyboardist and saxophonist of the fusion band Seawind, who skillfully used upper structure triad arpeggios to drive the song in a wide range. 　Al's scat solo in the latter half of the song is a highlight. It starts with a relaxed phrase, moving in a close range in the first half, and shows a sign of excitement with flutter tangling in D (a technique unique to wind instruments that makes the sound tremble by fine movements of the tongue) at the beginning of the second half. The last four bars of the song are a perfect blend of alternating scales and blue notes, folding in exquisite ups and downs, and finally resolving to B major at the end. 　In the chord progression, the second half of [B] and Gmaj7 (two beats after Dmaj7) in [E] and [M] are not Chick Corea's original, but he seems to use them in this arrangement.

Piano Solo - Level 4 - Digital Download SKU: A0.831210 By Crazy Frog. By Harold Faltermeyer. Arranged by Jim Paterson. Contemporary. Score. 3 pages. Music Files Ltd #5026485. Published by Music Files Ltd (A0.831210). The instrumental track Axel F is the main theme of the movie Beverley Hills Cop, standing for the main charaacter called Axel Foley. Although primarily aimed at piano, this arrangement can be played on a keyboard or synth with a bass sound for the left-hand and a pad sound (such as synth brass or strings) for the right-hand.

Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686). Contact: sydneystevenspianostudio@gmail.comDawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP). Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham HillFrom Album: Seasons Theme: Music that portrays the peaceful hour of dawn.Mood: Peaceful, romantic, meditative.Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 6:42Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons CD by Kathy Parsons (mainlypiano.com):Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano. Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.

Piano Solo - Level 3 - Digital Download SKU: A0.831245 Composed by Jim Paterson. Film/TV,Video Game,World. Score. 3 pages. Music Files Ltd #6318259. Published by Music Files Ltd (A0.831245). This piece is in the style of a Greek Dance. It has a slow atmospheric section and a getting faster and faster section, both with a simple repeating bass line in the left hand. It can be played on a traditional piano or on a synth/keyboard with a suitable sound or layer selected.