Piano Solo - Level 2 - Digital Download SKU: A0.1365760 By Vitas. By Vitas. Arranged by Ryan Woo. 21st Century,Classical,Opera,Sacred,Singer/Songwriter. Score. 2 pages. Ryan Woo #950104. Published by Ryan Woo (A0.1365760).

Piano Solo - Level 4 - Digital Download SKU: A0.1030816 Composed by Isaac Phillip Nurse. Contemporary. Score. 4 pages. Isaac P. Nurse #14255. Published by Isaac P. Nurse (A0.1030816). This is a powerful and ominous piece that will give you goosebumps as you play it. It is an exciting and enjoyable piece that will keep your audience on their toes with anticipation.

Piano Solo - Level 4 - Digital Download SKU: A0.1016358 Composed by Alejandro Carlos Rodriguez Godoy. Contemporary. Score. 7 pages. Alejandro C. R. Godoy #5354151. Published by Alejandro C. R. Godoy (A0.1016358). 'a Gerardo Patán'

Piano Solo - Level 4 - Digital Download SKU: A0.1199335 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 16 pages. Christopher Alexander #798399. Published by Christopher Alexander (A0.1199335). Inspired by video games set in outer space, this driving work with catch your audience's attention and proceed to motivate them to find what they are looking for.  Opening with the tuplet pattern mimicking the stars, a grand motif cuts through and gives gravitas to the work.  The accompaniment becomes a repetitive syncopation that continually drives the energy throughout, all the while the lyrical melody soars above.  With a recapitulation of the opening theme, you and your audience will be transported and feel like you are flying freely in space!

Piano Solo - Level 5 - Digital Download SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2081771. Published by Earth Music, Ltd. (A0.976509). Composed in 2011 from earlier sketches, the Piano Suite #3 (Gothic) is comprised of three movements: Toccata, Passacaglia & Thema Fugatum that reflect a Baroque concept of form and performance practice combined with a modern sense of tonality and harmonic language. All three movements are based on a single enigmatically chromatic theme that is loosely centered on the tonality of B minor. This single theme is used in various permutations throughout the suite and has a gravitas reminiscent of Gothic architecture.

Piano Solo - Level 4 - Digital Download SKU: A0.862670 Composed by Johann Sebastian Bach. Arranged by Michael Bomier. Baroque,Easter,Sacred,Standards,Wedding. Score. 5 pages. Michael Butkus-Bomier #3662325. Published by Michael Butkus-Bomier (A0.862670). Wachet Auf is one of Papa Bach's most enduring melodic creations. It is often used for Easter, and other celebratory occasions. Our piano setting is useful for any locale that does not have access to a full organ. Octave bass throughout gives the low end plenty of gravitas. The setting in the treble uses 4ths and 5ths, well-placed, to imitate the overtones of various organ stops, through the simple addition of the pipe-like interval itself. Also, these added tones have been made ultra-pianistic, for both richness and ease. A Grand Combination! Full-length, original key. Pedal throughout for the most salutory and ringing effect. MBB.

Piano Solo - Level 5 - Digital Download SKU: A0.1125803 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726544. Published by Niska Music Publishing (A0.1125803). I first became familiar with this tune in high school choir when we performed “Sing We Now of Christmas� for a holiday concert. I did not know that it had originated as a French carol from the late 15th/early16th century and like many of my favorite carols, it is set in a minor key. I had forgotten all about it until a friend suggested arranging it for this collection. As I began working on the piece, I was torn between staying true to the feel of the original and this growing sense I had to write something more dramatic and more inspired by one of my favorite composers, Ralph Vaughn Williams. I chose a much slower tempo than the French carol and as a result it has more depth and a sense of gravitas, reflecting the mystery of the birth of Christ. At the end of the first verse, I transition to the parallel major key and the music takes on a more lighthearted and almost dance-like character as the stable is visited by shepherds and kings alike to see for themselves the sleeping child and enjoy the sense of wonder and amazement at such a scene. The music then moves back to the opening and the original key as the kings offer their gifts to the babe and prepare to return home. Even though it is in a minor key, there is an overpowering grandeur in this prelude reflecting the events to come in His short life on this earth, but even more the importance to all that his sacrifice would bring. There is a brief coda that returns to the major key with the promise of hope offered by one so small.