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Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.
Invention No. 3 in C minor for two voices
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.
Invention No. 1 in A minor for two voices
Piano seul

$2.00 1.71 € Piano seul PDF SheetMusicPlus

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
Hymns from Childhood - Set 10 (solo)
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1212374 Composed by Johann Strauss Jr. Arranged by Manuela Rosa. 19th Century. Score. 10 pages. Manuela #809878. Published by Manuela (A0.1212374). Music fits on 8 pagesMusik auf 8 SeitenWhy engrave with Lilypond?  Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.Warum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril.Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.
Frühlingsstimmenwalzer (Voices of Spring) on 8 pages
Piano seul

$2.00 1.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1048637 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #653046. Published by Niska Music Publishing (A0.1048637). The winds howl, hurling the snow through the air with a vengeance. It is near impossible to see your hand before your face as the storm rages on and the Icy Breath of Winter threatens to freeze the very blood in your veins. This prelude requires the pianist to have a keen understanding of the multiple voices needed to be brought out between the hands. There is a great deal of arpeggio work in the left hand and the quick tempo of the piece demands a strong technique and lightness of touch.
Naturszenen Op. 3, No. 10 "Der eisige Atem des Winters"
Piano seul
Michael Swedberg
$3.99 3.41 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.
Op.3 No.10-12 by In Son Zeng
Piano seul
In Son Zeng
$5.99 5.12 € Piano seul PDF SheetMusicPlus

Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.614396 Composed by Gary Lanier. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and individual part. 10 pages. The Lanier Company #552949. Published by The Lanier Company (A0.614396). BECAUSE YOU LOVE ME is a worship song composed and arranged by Gary Lanier for Voice, Cello and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (10 pages with cover). Included is the Score (Voice, Flute, Piano), Lead Sheet (Melody, Chords, & lyrics) and Cello Part. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: BECAUSE YOU LOVE ME (Piano Accompaniment for Voice & Cello).
Gary Lanier: BECAUSE YOU LOVE ME (Worship - For Voice, Cello and Piano)
Piano seul

$8.99 7.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.784921 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score. 10 pages. DF McCorkle Music and eBook Publications #6111443. Published by DF McCorkle Music and eBook Publications (A0.784921). Key: G#m, Range: D#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.
A Song of Enchantment - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key
Piano seul

$7.95 6.8 € Piano seul PDF SheetMusicPlus


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