Piano - Level 3 - Digital Download SKU: A0.1115904 By Paul Barker Music. By Paul Barker. 20th Century,Christmas,Contest,Festival,Holiday,Praise & Worship. Accompaniment. Duration 157. Paul Barker Music #717627. Published by Paul Barker Music (A0.1115904). Professional Piano Accompaniment MP3 for Deus Voices (2 Part Voice/Choir).

Piano Solo - Level 4 - Digital Download SKU: A0.1203272 Composed by Akihiro Masuda. Classical. Score. 2 pages. AKIHIRO MASUDA #801919. Published by AKIHIRO MASUDA (A0.1203272). This is one of the 15 pieces of practice songs for two voices.

Piano Solo - Level 5 - Digital Download SKU: A0.1197746 By Akihiro Masuda. By Akihiro Masuda. Arranged by Akihiro Masuda. Classical. Score. 2 pages. AKIHIRO MASUDA #796927. Published by AKIHIRO MASUDA (A0.1197746). H-minor from 15 two-part etudes.

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.

Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.

Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.

Piano Solo - Digital Download SKU: A0.947013 Composed by Sam Post. Contemporary,Ragtime. Score. 7 pages. Sam Post, composer/pianist #5748855. Published by Sam Post, composer/pianist (A0.947013). Inspired by an old voicemail ditty and dedicated to Angel.

Piano Solo - Level 4 - Digital Download SKU: A0.818247 By Stephen R Dalrymple. By Stephen R. Dalrymple [Dalrymple Designs]. Classical,Contemporary. Score. 33 pages. Stephen R Dalrymple #3549113. Published by Stephen R Dalrymple (A0.818247). Ruth Movement 2 Under the Shadow of His Wings ♫ Tone Poem for Piano Solo by Stephen R Dalrymple♫ performed by the composer♫ music © 2017 Stephen R Dalrymple♫ recording ℗ 2023 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ The scales and harmony of movement 2 are based on several modes. In order to give the music a feeling of authenticity, the composer researched the scales that Jewish people have used in the distant past. Present day cantors use scales that are centuries, probably millennia old. Two of these, the Ukrainian Dorian and the Magein Avot (along with the Mixolydian and Phrygian modes) form the harmonic vocabulary for Movement 2.♫ Ruth’s story is dramatic and a good vehicle for a tone poem. The first movement summarizes Ruth’s story of coming to faith and her loyalty and kindness to Naomi. The second movement dramatizes Ruth’s devotion to Naomi and the love story of Ruth and Boaz that results from it.♫ It was Boaz who first voiced the metaphor of a mother bird protecting her baby birds under her wings and how God does that for us. Boaz’ great-grandson, King David, used this imagery in 5 of his Psalms.♫ This .pdf file includes 2 score choices • Letter size score for piano • 10 inch tablet size score for piano (Tell your computer which pages you want to print. Programs are available online that will allow you to split pdf files so that you can choose which pages to print.)

Piano Solo - Level 4 - Digital Download SKU: A0.874881 Composed by Traditional. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Spiritual. Score. 12 pages. Jerry Nelson #3629449. Published by Jerry Nelson (A0.874881). Receive both arrangement levels for the price of one!  Move up the Performance Ladder by stair-stepping from Level 5....to Level 6+  (Audio demo is Level 6+).  Both versions were designed to be played with the professionally-produced Sound Track.  (See Item # SO.411967).  They are not voiced for performance as a Standalone. Based on the Pool of Bethesda Biblical story, the arrangement starts rubato but quickly locks into a hard-driving jazz groove.  A healthy but exciting challenge – not for the faint of heart.   (Time  2:52) www.JerryNelsonMusic.com

Piano Solo - Level 4 - Digital Download SKU: A0.874818 Composed by English Carol. Arranged by Dr. Jerry Nelson. Christmas,Instructional,Jazz,Standards. Score. 7 pages. Jerry Nelson #3619871. Published by Jerry Nelson (A0.874818). A tasty piece of gentle Jazz.  Two arrangements (Level 3 & 5) for the price of one!   Cue notes help stairstep to Level 5.  The DEMO is performed at the higher level.  It was arranged for use with the professionally-produced Accompaniment Track - #SO.406603 and is not voiced for use as a Standalone.    Time 2:54Do You, a Friend or Student play one of these:  FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL?  Point them to a Gold Mine of arrangements and tracks.  SEARCH:  Jerry Nelson (plus the name of Instrument).  Visit www.JerryNelsonMusic.com for a FREE 16-song Mega-Medley of Arrangements & Tracks

Piano Solo - Level 3 - Digital Download SKU: A0.874851 Composed by American Traditional / Stralsund Gesangbuch. Arranged by Dr Jerry Nelson. Classical,Contemporary,Holiday,Standards. Score. 12 pages. Jerry Nelson #3627601. Published by Jerry Nelson (A0.874851). Praise God From Whom + Praise to the Lord the Almighty + choice fragments from Beethoven's 5th Symphony.  Awesome!   Receive both arrangements (Levels 4 and 5+) for the price of one!    (The AUDIO DEMO is performed at the higher level).  Perform this fun arrangement using this super-creative Accompaniment Track, #SO.409699. Time: 3:50 . This arrangement requires the sound track.  It is not voiced to be played as a standalone.DO YOU or a Friend or Student PLAY ONE OF THESE:  FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL?  Point them to a Gold Mine of arrangements and tracks.  SEARCH:  Jerry Nelson (plus the name of Instrument).  Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Tracks

Piano Solo - Level 4 - Digital Download SKU: A0.874849 Composed by Traditional / Stralsund Gesangbuch. Arranged by Dr Jerry Nelson. Contemporary,Holiday,Romantic Period. Score. 12 pages. Jerry Nelson #3627599. Published by Jerry Nelson (A0.874849). Praise God From Whom + Praise to the Lord the Almighty + choice fragments from Beethoven's 5th Symphony.  Awesome!   Receive both arrangements (Levels 4 and 5+) for the price of one!    (The AUDIO DEMO is performed at the higher level).  Perform this fun arrangement using this super-creative Accompaniment Track, #SO.409699. Time: 3:50 . This arrangement requires the sound track.  It is not voiced to be played as a standalone.DO YOU or a Friend or Student PLAY ONE OF THESE:  FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL?  Point them to a Gold Mine of arrangements and tracks.  SEARCH:  Jerry Nelson (plus the name of Instrument).  Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Tracks

Piano Solo - Level 3 - Digital Download SKU: A0.874895 Composed by Mykola Leontovych. Arranged by Dr Jerry Nelson. 20th Century,Christmas,Concert,Instructional,Standards. Score. 16 pages. Jerry Nelson #3667547. Published by Jerry Nelson (A0.874895). A brilliant rendition of this carol, with more variety than you can imagine.  Your order will include both arrangements (Levels 4+ and 6) for the price of one!    (The AUDIO DEMO is performed at the higher level).  Both versions were designed for use with the stunning Accompaniment Track (See Item #SO.420715). Also available, a SLOWER rehearsal track, at very reduced price, #SO.402223.   This arrangement not voiced to be played as a Standalone.   Time:  3:35 Do You, a Friend or Student play one of these:  FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL?  Point them to a Gold Mine of arrangements and tracks.  SEARCH:  Jerry Nelson (plus the name of Instrument).  Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Tracks

Piano - Digital Download SKU: A0.1051722 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Lent,Praise & Worship,Sacred. Accompaniment. Duration 155. Exultet Music #3599. Published by Exultet Music (A0.1051722). Energetic / Praise and Worship type hymn that is appropriate for the seasons of Advent or Lent which is based on Mark 1: 3 and Isaiah 40:3.  Scored for 2-part voices and Piano.

Piano Solo - Level 3 - Digital Download SKU: A0.1047345 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 9 pages. Blaze Scheuerman #651903. Published by Blaze Scheuerman (A0.1047345). Voices In My Head is meant to convey a feeling of being overwhelmed. I got the idea for the piece after having composed for 2 hours and finding my stomach screaming from hunger, my throat screaming from thirst, my head screaming from fatigue, and my mind screaming from unsatisfied work. It was a very overwhelming feeling at once and caused me to come up with the idea for the piece and subject for the fugue. The prelude is supposed to be setting up the fugue, as it depicts multiple voices getting along but just barely. The C major section shows the initial clarity from satisfying one of their needs, but it quickly returns to a struggle. The fugue slowly and slowly gets more intense, leading up until the end when the main character becomes completely overwhelmed.