Instrumental Solo,Piano and Keyboard - Interactive Download

SKU: A0.480457

Composed by William B. Bradbury. This edition: Interactive Download. Praise & Worship. Individual part. 2 pages. Duration 68. Published by Melissa Blanton (A0.480457).

By the great hymnist, William Bradbury, are 2 hymn tunes simplified for less experienced pianists to enjoy! I kept the left hand in one 5 finger position so to focus on the moving notes in the right hand.

Piano Solo - Level 5 - Digital Download

SKU: A0.1008280

Composed by Christopher McWilliams. Baroque,Contemporary. Score. 3 pages. Christopher McWilliams #4632309. Published by Christopher McWilliams (A0.1008280).

This is a four voice fugue. Although tonal, the main subject carries all twelve tones, and only a few of them are repeated within the subject. This technique is similar to that found in the subject from J.S. Bach's Fugue No. 24 in B Minor from The Well Tempered Clavier, Book 1. Throughout the fugue, Episode passages are clearly indicated by key modulations shown among triplets. Once more, I have established a journey from B major to B major, but rather than modulating by descending chromatic steps, I have used the circle of fifths. .

Piano Solo - Level 5 - Digital Download

SKU: A0.1008279

Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279).

For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .

By B.O.B, B.O.B Feat. Eminem & Hayley Williams. Arranged by Arranged by Marina Kirova. 4 pages. Published by Marina Kirova

Piano Solo - Level 2 - Digital Download

SKU: A0.1450911

By William C. Woods. By Frederic Chopin. Arranged by William C. Woods. Classical,Film/TV,Instructional,Wedding. Score. 2 pages. William C. Woods #1030363. Published by William C. Woods (A0.1450911).

Arranged for intermediate piano solo with the melody in the treble instead of the bass.

Piano Solo - Level 3 - Digital Download

SKU: A0.972863

Composed by William Hooper. Contemporary. Score. 3 pages. William O Hooper #6615367. Published by William O Hooper (A0.972863).

A haunting piece for intermediate players.  The title means sad in Italian.  .

Piano Solo - Level 5 - Digital Download

SKU: A0.1026283

Composed by Cristian Dirkhising. 20th Century,Contemporary. Score. 12 pages. Cristian William Dirkhising #6415433. Published by Cristian William Dirkhising (A0.1026283).

Fantasia for solo piano. High energy and virtuosic. Meant to tone paint Joseph Stella's painting Flowers through use of fast but pleasant angular piano writing.

Piano Solo - Level 2 - Digital Download

SKU: A0.951691

Composed by Rev. Michael J. Shea. Arranged by Travis Hayman. Contemporary. Score. 8 pages. Travis Hayman #6637937. Published by Travis Hayman (A0.951691).

Victory March is the fight song for the University of Notre Dame. The Rev. Michael J. Shea, a 1905 Notre Dame graduate and organist at St. Patrick's Cathedral in New York, wrote the music, and his brother, John F. Shea, who earned degrees from Notre Dame in 1906 and 1908, wrote the original lyrics. At the behest of his former music teacher, Professor William C. Hammond of Mount Holyoke College, Rev. Shea would first perform the song publicly on the organ of the Second Congregational Church of Holyoke, Massachusetts, where Hammond was music director, soon after completing the composition with his brother in the winter of 1908. The song would first be performed on Notre Dame's campus on Easter Sunday, 1909, in the rotunda of the Golden Dome.