Arranged by Joseph M. Martin. Christian; Concert. EPak. 3 pages. Duration 3:14. Published by Hal Leonard - Digital Sheet Music

Piano Solo - Digital Download SKU: A0.903575 Composed by M. Stallwood. Blues,Film/TV,Jazz,Ragtime. Score. 5 pages. Mel Stallwood #33021. Published by Mel Stallwood (A0.903575). A Stride/Ragtime novelty piano piece. This week I have been watching the World Snooker Championships. (pity about the'Rocket') Anyway John Virgo's legendary phrase Where's the white ball going? is my latest obsession, so it is now immortalised in music.

Piano Solo - Level 3 - Digital Download SKU: A0.908405 Composed by John M. Licari. Concert,Contemporary,Standards,Wedding. Score. 8 pages. Music Preparation Services #5196813. Published by Music Preparation Services (A0.908405). Reflections for PianoBy John M. LicariMusic Preparation Serviceswww.musicprepservices.comThe movements that make up Reflections for Piano represent my musical opinions on life.  From the sentimental melodies and added harmonies of the first movement, the dark, musky quartal, and quintal harmonies of the second movement, the ornamented, and atonal-inspired music of the third music, and the whimsical (best word I can come up with, which is also the title of the movement) feeling of the last movement, these pieces are really fun to play.  These pieces are best for intermediate piano players.*** Please Note *** The video preview contains a missing final bar line going from the third movement into the fourth movement.  The score itself doesn't contain that error.

Piano Solo - Level 4 - Digital Download SKU: A0.848736 Composed by KIrkpatrick. Arranged by Gene Roberson. Christian,Contemporary. Score. 5 pages. Gene Roberson #5010431. Published by Gene Roberson (A0.848736). Written for the home going of my first piano teacher and friend for life.  Intermediate to Advanced Piano solo. Hymn for Prelude, Offertory Special Events. Recital.  Contemporary harmonies and style.

Piano - Level 3 - Digital Download SKU: A0.1113850 By Bryce Russell. By Traditional. Arranged by Bryce Russell. Celtic,Contemporary,Early Music,Folk,Irish,Traditional. Full Performance. Duration 167. Russell Music #715745. Published by Russell Music (A0.1113850). This heartfelt and emotional Scottish ballad receives it's own piano solo arrangement. Great recording and performance.

Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.

Piano Solo - Level 4 - Digital Download SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. Andy Schmidt #2861193. Published by Andy Schmidt (A0.890137). The wonderful classic by the renowned Polish composer. Another case of beautiful music that pianists might avoid because of the technical challenges involved. Don’t worry...we’re going to get through this! Paderewski, we love you, but your hands were just too big. Mélodie has lots of large intervals in the left hand that many pianists can’t play comfortably. But that’s no excuse to give up on a lovely piece of piano music, right?My edition of this piece features helpful fingerings and grayed-out noteheads indicating which notes can be avoided. I’ve also highlighted some places where the right hand can reach down and play the highest note of some of these large chords, with the goal of being faithful to Paderewski’s intentions whenever possible. These places are indicated by my exclusive, ground-breaking green notehead technology, which is frequently seen in my other editions.

Piano - Digital Download SKU: LV.20695 Composed by J. Riley. Storytelling, Anger, Violence. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20695). The Goat. Written by J. Riley. Published 1874 by E.H. Harding, 288 Bowery in New York. Composition of strophic with piano instrumentation. Subject headings for this piece include Storytelling, Anger, Violence. First line reads Oh! now my dear friends, I'm going to relate.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 3 - Digital Download SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?

Piano Solo - Level 3 - Digital Download SKU: A0.1132837 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Nick Hurkmans. Pop. Score. 3 pages. Nick Hurkmans #733022. Published by Nick Hurkmans (A0.1132837). Intermediate piano version of 'Someone You Loved' from 'Lewis Capaldi'. Structure of the arrangement: Intro Verse [I'm going under and this time...] Pre-Chorus [I need somebody to heal] Chorus [Now the day bleeds] Bridge [And I tend to close my eyes...] Chorus soft [But now the day bleeds] Outro.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.804719 Composed by CELTIC SONGS. Arranged by Juliano Music. Celtic,Instructional,Standards. Score and parts. 41 pages. Juliano Alessandro Molteni #6248323. Published by Juliano Alessandro Molteni (A0.804719). MY ARRANGEMENT OF THE BEST CELTIC SONGS. ARRANGED FOR KEYBOARD.I HAVE DELIBERATELY LEFT THE SCORE CLEAN, WITH NO DYNAMIC MARKS.CONTENT:A WOMAN TO HER HUSBAND KILLED AT CULLODEN (KEYBOARD ARRANGEMENT) - CELTIC SONGASHGROVE (KEYBOARD ARRANGEMENT) - CELTIC SONGBANSHEE (KEYBOARD ARRANGEMENT) - CELTIC SONGCOOLEYS (KEYBOARD ARRANGEMENT) - CELTIC SONGDEPAIRTE, DEPAIRTE (KEYBOARD ARRANGEMENT) - CELTIC SONGFAERY DANCE (KEYBOARD ARRANGEMENT) - CELTIC SONGFEAR A'BHATA (KEYBOARD ARRANGEMENT) - CELTIC SONGHARVEST HOME (KEYBOARD ARRANGEMENT) - CELTIC SONGHOW SULD MY FEBILL BODY FURE (KEYBOARD ARRANGEMENT) - CELTIC SONGHUMORS (KEYBOARD ARRANGEMENT) - CELTIC SONGI KNOW WHERE I'M GOING (KEYBOARD ARRANGEMENT) - CELTIC SONGKING OF THE FAIRIES (KEYBOARD ARRANGEMENT) - CELTIC SONGMORAG OF DUNVEGAN (KEYBOARD ARRANGEMENT) - CELTIC SONGO LUSTY MAY (KEYBOARD ARRANGEMENT) - CELTIC SONGOAK TREE (KEYBOARD ARRANGEMENT) - CELTIC SONGSALAMANC (KEYBOARD ARRANGEMENT) - CELTIC SONGTANDERN (KEYBOARD ARRANGEMENT) - CELTIC SONGTHE HEN'S MARCH (KEYBOARD ARRANGEMENT) - CELTIC SONGWALSINGHAM (KEYBOARD ARRANGEMENT) - CELTIC SONGWO WORTH THE TYME (KEYBOARD ARRANGEMENT) - CELTIC SONG---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!

Piano Solo - Level 4 - Digital Download SKU: A0.1427036 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Broadway,Comedy,Jazz,Musical/Show,Ragtime. Score. 8 pages. Martyn Johnson #1007767. Published by Martyn Johnson (A0.1427036). My arrangement is a tribute to the old Fat's Waller recording. It's not copied from that rendition at all but I have arranged it as a stride piano piece and hope it exudes some of the joy that Mr Waller brought to it.I take it through three iterations in C, Db and D major, going up a semi-tone each time - so plenty of practice in trickier keys. I don't include dynamics in my notation nor fingering and pedalling as I prefer to leave these to the discretion of the individual pianist. You will never get two piano teachers to agree on these things. I like to give the reader the notes as simply as possible and leave the interpretation up to them. Similarly with voicings - some notes will be held longer instinctively by the pianist than others and do not need to be placed in separate voicings to make them difficult to read.The stride piano left hand often contains 10ths which can be too large a span for some pianists. The solution is to roll them or to just play them as a single bass note on the root of the chord or as an octave.This is a wonderfully joyous piece and I hope you get as much pleasure from learning and playing it as I did arranging it.