Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scriàbin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Instrumental Solo - Level 3 - Digital Download SKU: A0.818306 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #5322361. Published by Stephen R Dalrymple (A0.818306). Songs Without Words: Agitation by Felix Mendelssohn for piano solo (Classical Music for Tablet Series) ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Jakob Ludwig Felix Mendelssohn Bartholdy wrote a series of 49 lyrical compositions for piano solo between 1829 and 1845 within the structure of the art song form. Mendelssohn discouraged his followers from attempting to find text to fit these pieces. He wanted the melodies to speak for themselves. Only a few of them were titled by Mendelssohn; most of the titles came from publishers of later editions. ♫ Opus 53 Number 3 ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.� He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Piano Solo - Level 3 - Digital Download SKU: A0.1309546 By Nichole Nordeman. By Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 19 pages. Budaful music #898708. Published by budaful music (A0.1309546). This solo piano hymn arrangement of 'How Deep the Father's Love For Us' is a fresh and exciting interpretation that will be a joy for the pianist as well as the listeners. The first 2 verses are soft and thoughtful leading into an optional majestic 3rd verse. Beautiful notes and chords for a truth-filled hymn. Performance time varies from 2-3+ minutes depending on which ending is implemented (see performance notes on the 1st page of music).There are 3 ways provided in the music to end this arrangement. This solo implements all 3 stanzas making this a longer than normal instrumental piece. The easiest way to end this arrangement would be to 1) perform the 1st 2 pages as written (Intermediate, 2 verses). 2) this option proceeds to V3 without a key change. 3) this option proceeds to V3 with an exciting key change, recommended over Opt.2.Also note, Eb is my preferred key of this arrangement however, included in this download is the same arrangement transposed up to D and E.

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer

Piano Solo - Level 1 - Digital Download SKU: A0.963131 Composed by P. Tchaikovski. Arranged by Matheus Viana. Multicultural,Romantic Period,Standards,Wedding,World. Score. 2 pages. Matheus Viana #6424703. Published by Matheus Viana (A0.963131). Certainly! Here's an expanded list of keywords and phrases related to Swan Lake and piano in a larger text format:Swan Lake, Ballet music, Piano arrangement, Tchaikovsky, Classical composition, Sheet music, Graceful melody, Enchanting tune, Romantic atmosphere, Odette and Odile, Ballet piano, Majestic swans, Keyboard rendition, Musical masterpiece, Swan Lake piano cover, Chords and arpeggios, Elegant dance, Balletic piano, Timeless classic, Instrumental version, Balletic grace, Keyboard performance, Ballet solo, Tchaikovsky's masterpiece, Dance of the Swans, Swan theme, Melodic beauty, White swan, Black swan, Balletic expression, Poetic piano, Balletic storytelling, Musical interpretation, Odette's theme, Dramatic piano, Balletic emotions, Lake of dreams, Romantic piano, Balletic artistry, Musical enchantment, Balletic magic, Balletic passion, Swan Lake suite, Keyboard virtuosity, Balletic elegance, Balletic romance, Grand piano rendition, Tchaikovsky's brilliance, Balletic precision, Balletic movement, Balletic grandeur, Dance of love, Piano ballet, Swan Lake fantasy, Balletic inspiration, Musical storytelling, Balletic fantasy, Piano virtuoso, Balletic gracefulness, Emotional piano, Balletic drama, Enchanted lake, Keyboard expressiveness, Balletic splendor, Musical poetry, Balletic intensity, Swan Lake waltz, Balletic serenity, Piano dramatics, Balletic finesse, Swan Lake overture, Keyboard dynamics, Balletic expressionism, Poignant piano, Balletic beauty, Swan Lake emotions, Balletic serenade, Piano brilliance, Balletic allure, Swan Lake elegance.

Piano Solo - Intermediate - Digital Download By Johnny Cash. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer

Piano Solo - Intermediate - Digital Download By Michael Buble. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Piano/Keyboard - Interactive Download By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Noriko W.D. This edition: Interactive Download. Christmas, Holiday, Pop. Instrumental Solo. 3 pages. Duration 115. Published by Noriko W.D.

Piano Solo - Level 2 - Digital Download SKU: A0.963132 Composed by P. Tchaikovski. Arranged by Matheus Viana. Romantic Period,Standards,Wedding. Score. 2 pages. Matheus Viana #6424707. Published by Matheus Viana (A0.963132). This is an arrangement for piano solo of the main theme of The Swan Lake, composed by P. Tchaikovsky. This arrangement was made to be simple and have some interesting lines on the left hand, this way the most intermediate players will be satisfied of play this piece. The Swan Lake, Ballet music, Piano arrangement, Tchaikovsky, Classical composition, Sheet music, Graceful melody, Enchanting tune, Romantic atmosphere, Odette and Odile, Ballet piano, Majestic swans, Keyboard rendition, Musical masterpiece, Swan Lake piano cover, Chords and arpeggios, Elegant dance, Balletic piano, Timeless classic, Instrumental version, Balletic grace, Keyboard performance, Ballet solo, Tchaikovsky's masterpiece, Dance of the Swans, Swan theme, Melodic beauty, White swan, Black swan, Balletic expression, Poetic piano, Balletic storytelling, Musical interpretation, Odette's theme, Dramatic piano, Balletic emotions, Lake of dreams, Romantic piano, Balletic artistry, Musical enchantment, Balletic magic, Balletic passion, Swan Lake suite, Keyboard virtuosity, Balletic elegance, Balletic romance, Grand piano rendition, Tchaikovsky's brilliance, Balletic precision, Balletic movement, Balletic grandeur, Dance of love, Piano ballet, Swan Lake fantasy, Balletic inspiration, Musical storytelling, Balletic fantasy, Piano virtuoso, Balletic gracefulness, Emotional piano, Balletic drama, Enchanted lake, Keyboard expressiveness, Balletic splendor, Musical poetry, Balletic intensity, Swan Lake waltz, Balletic serenity, Piano dramatics, Balletic finesse, Swan Lake overture, Keyboard dynamics, Balletic expressionism, Poignant piano, Balletic beauty, Swan Lake emotions, Balletic serenade, Piano brilliance, Balletic allure, Swan Lake elegance.

Piano Solo - Level 5 - Digital Download SKU: A0.516916 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 87 pages. Santino Cara #2968835. Published by Santino Cara (A0.516916). These 9 concerts are some of the many instrumental works by Antonio Vivaldi. We decided to transcribe these piano concertos for the form only, the melodic intensity, the harmonic behavior and style which in our opinion we felt it was important as a reference to describe the Vivaldi's works. Are concertos extracted from very important works such as: The estro armonico Op.3 of 12 concertos published in Amsterdam between 1717 and 1722, dedicated to Ferdinando de 'Medici. Il cimento dell'armonia e dell'invenzione Op.8 of 12 concerts, opera of the four seasons composed around 1723 and published in Amsterdam in 1725 and that some of the concerts Vivaldi wrote for Johann Pisendel of Dresden. Later the same Pisendel It made some elaborations on these concerts. Other concerts we transcribed were extracted from works for flute, string orchestra and continuo. In this small collection are inserted concerts that the author has transcribed taking as a basis the manuscripts, some kept at the National Library of Turin and others kept at the Saxon State Library in Dresden. Therefore all the transcripts are original and unique  of its kind.