Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20th Century,Contemporary. Score. 44 pages. Preludio s.r.l. #6140709. Published by Preludio s.r.l. (A0.808952). Six Bagatelles for piano written by italian composer Mario Totaro.In the summer of 2016 Preludio asks the composer Mario Totaro to write some pieces for piano intended for sync advertising, movies and television. However, in the publisher’s intention, these pieces would have to possess a number of specific features: simplicity, neutral expressivity, positivity, in order to be functional to the objective. Mario Totaro accepted the challenge, and the five bagatelles published in this volume are his personal «answer».Maintaining a balance between individuality and business needs can be very difficult, as it can be hard to reach a certain level of «acceptability» in this field. Difficult, but not impossible. Yet such a challenge can also be as stimulating as amusing experience. Moreover, these bagatelles prove it: despite being quite simple, they reveal a care for detail and a significant daintiness; they are indeed expressive, but they refer to the imagination of their author; finally, they are functional to their purpose without showing it, as too often happens to a certain type of «musical wallpaper» to which we are accustomed. In short, Totaro can measure out all the elements without sacrificing his compositive personality or artistic integrity, and this is definitely a goal that not all composers (sometimes even the biggest) can achieve.

Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632). This is an arrangement of This Guys In Love With You for intermediate piano solo.This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.Lyrics:You see this guyThis guy's in love with youYes, I'm in loveWho looks at you the way I doWhen you smile I can tellWe know each other very wellHow can I show youI'm glad I got to know you, 'causeI've heard some talkThey say you think I'm fineYeah, I'm in loveAnd what I'd do to make you mineTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'causeI need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just dieTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'cause I need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just die.

Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER   If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script  and you will not be wrong   A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up   Offstage, me Look out for my turn my legs tremble Increase the beat   People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible   I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy   Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you   With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine   It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you   Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit  Pierrot Between joy and tears But it went well and then tomorrow replies   Live  more lives  for  never die Sweet illusion that will cull me And it  will accompany me Even out of this scene If I recite  good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be?   and how Pirandello wrote I’m  none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage   If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want ....                                                                             Monica Bergo

Piano Solo - Level 3 - Digital Download SKU: A0.993903 Composed by Katri Rebane. Arranged by Peeter Rebane. Children,Contemporary,Instructional,Multicultural,Standards,World. Score. 4 pages. Katri Rebane #4422887. Published by Katri Rebane (A0.993903). These light pieces for the piano, composed by Katri Rebane, a pianist and a piano teacher, tell a story about Piano Creatures. The tunes, in different degrees of difficulty, are suitable for elementary, middle school, and high school students. They are easy to learn, even without any direction from a teacher, as their recordings would show you. Peeter Rebane specifically arranged some of the Piano Creature pieces for piano and pop band, but arrangements without the piano are also available for anyone to jam along with a band. You can find and download play-along version in MP3 format in here: S0.554249 Attention - there is a 2-bar introduction by the band! Have fun! Kerstin Hallik has infused the Piano Creature of a life of their own with her colorful illustrations. While enjoying the new music, you will get acquainted with new friends - the Piano Creatures.

Piano Solo - Level 4 - Digital Download SKU: A0.596539 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Published by Juan Maria Solare (A0.596539). Listen: https://soundcloud.com/juan-maria-solare/ausenteAusente (Abstent) is an atonal milonga. If Franz Liszt composed a Bagatelle without tonality, why not a milonga without tonality. This piece is placed somewhere between classical music and new tango.   Moderator Louis Barabbas wrote about Ausente for the BBC blog Fresh On The Net nr. 305 (19 November 2018), http://freshonthenet.co.uk/2018/11/faves305   Described as 'somewhere between classical music and new tango' the artist’s phrasing here is telling: somewhere rather than something. For in Juan Maria Solare’s Ausente (absent) we are certainly transported. Each angular phrase jutting up like stone columns or distended stalactites in a limey cave. The trickling thrust of its furtive intent feels somehow elemental yet focused through an urban noir prism, drops of heavy water in varying temperatures, some icicles and some steam, shards of smoky light poking around slow moving fan blades and between the rusty teeth of ancient window grills, monstrous warped shadows cast up from humble orphaned minutiae. Music as beautiful and unsettling as it is hard to dance to. The idea of dancing this piece was a surprise for me, since tango music doesn't need to be danced to (you can also just listen to it). But if you wonder how this tango would appear danced, imagine it is not called tango but contemporary ballet rooted in tango - and suddenly you find ways of dancing it... provided an open-minded choreographer is on board! If someone wants to dance this music in the style of the tango of 1920, they will have a hard time. It would be like trying to dance Strawinsky's Le Sacre du printemps as if it were the Blue Danube Waltz.   Juan María Solare   http://www.JuanMariaSolare.com

Piano Solo - Digital Download SKU: A0.507392 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 5 pages. Published by Heather Cattanach (A0.507392). Hydra is the biggest of the 88 Constellations. Ptolemy, the Greek astronomer catalogued this constellation in the second century. Two Greek legends mention Hydra. The first tells how Heracles (Hercules) fought and killed the nine-headed monstrous predatory snake. The second relates the story of Corvus (the crow) who was commanded to bring water to Apollo, but was distracted, and blamed the water snake for his being late in returning to Apollo with the cup (Crater). In honour of Hydra’s extensive span across the sky, all 88 keys are used. Thus much of the material is chromatic (and also palindromic) but in bars 9, 19 and 29, you can see the approximate shape of the constellation if you join the dots of the noteheads. I have chosen to eschew the use of 8va and 8vb signs, instead opting to show the expanse of all the notes on the keyboard as they appear on the staff. It is easy to play these high and low leger line notes, knowing that they always begin (or end) at the top or bottom of the piano keyboard (i.e. the highest C and the lowest A). From “88 Constellations� a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Intermediate Piano Solo. Performance Time 1 1/2 minutes. 4 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).

Piano Solo - Level 5 - Digital Download SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.

Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.

Piano Solo - Level 3 - Digital Download SKU: A0.906719 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 4 pages. Joyful Sound Music #21745. Published by Joyful Sound Music (A0.906719). Latté On My Carpé for Late Intermediate LevelThis is a Storyteller Piano Solo.Storyteller songs normally use the sound to describe an action or tell a story. They sometimes use sound to describe a feeling or a sound.Carpé is a made-up word for Carpet. A piano teacher posted a thread on Facebook in November 2013. She mentioned that one of her student’s parents spilled coffee on her white carpet while she was giving piano lessons. I thought this might be a good subject to write about because I spill coffee all the time. One time, I spilled a pot of chicken soup in my car……. A friend of mine spilled a crock pot of chili in her car transporting it to a graduation party.How to use this song at the recitalThis is a very good song for the recital. You will need to have a slideshow of the words to accompany the song. You can download the slideshow after purchasing the song.This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.

Piano - Digital Download SKU: A0.1066629 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 167. THEMIS KOUTRAS #4783875. Published by THEMIS KOUTRAS (A0.1066629). This is a song a true story how mum pulled me out of a mess i was in i sing this for all people to know how great mum is in the same way many mom's are great children if your mum can help you in anything in life well ask her tell her what is wrong this song is sung in hope children can ask for help to righteous mom's if they need helps and also that they can defiantly pray to JESUS CHRIST who provides the best help ever

Piano - Digital Download SKU: A0.1066630 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 105. THEMIS KOUTRAS #4783879. Published by THEMIS KOUTRAS (A0.1066630). This is a song a true story how mum pulled me out of a mess i was in i sing this for all people to know how great mum is in the same way many mom's are great children if your mum can help you in anything in life well ask her tell her what is wrong this song is sung in hope children can ask for help to righteous mom's if they need helps and also that they can defiantly pray to JESUS CHRIST who provides the best help ever

Piano - Digital Download SKU: A0.1066602 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 164. THEMIS KOUTRAS #4779707. Published by THEMIS KOUTRAS (A0.1066602). This is a song a true story how mum pulled me out of a mess i was in i sing this for all people to know how great mum is in the same way many mom's are great children if your mum can help you in anything in life well ask her tell her what is wrong this song is sung in hope children can ask for help to righteous mom's if they need helps and also that they can defiantly pray to JESUS CHRIST who provides the best help ever

Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.