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Piano Solo - Digital Download

SKU: A0.1005674

Composed by Alex Nifong. Arranged by Grace Joy Reid. Contemporary. Score. 6 pages. Creating Music Joy #6117829. Published by Creating Music Joy (A0.1005674).

Jesus Paid It All/the First Noel Medley is an excellent Prelude, Offertory, Meditation, or Communion piano solo for your Baptist, Methodist, Pentacostal, Charismatic, Protestant, Catholic, and Church of the Latter Day Saints worship service.  It is perfect for the intermediate piano student and/or church musician, utilizing arpeggios, suspended notes, triplets, sixteenth notes, meter changes, and beautiful harmonies to produce a worshipful experience for the listener.  Time:  3:14 min.  Easy to shorten if time is an issue.  Jesus Paid It All was written by Elvina Hall in 1865.  See Christianity Today for more information:  https://www.christianity.com/church/church-history/timeline/1801-1900/this-hymn-was-more-than-a-coin....  It was John T. Grape who wrote the tune in 1868. See for more information:  https://hymnary.org/text/i_hear_the_savior_say_thy_strength_indee  The First Noel is believed to date from the 13th or 14th century.  Noel is the French word for Christmas and is from the Latin natalis, meaning Birthday.  Taken fromhttp://www.classichistory.net/archives/first-noel-carol.  The First Noel was written by William B. Sandys, 1823 and Davies Gilbert (1767-1839).  My purpose was to remind people that Jesus Christ was born to become the Saviour of the world through His death and resurrection from the dead.  creatingmusicjoy LLC publications (ASCAP).

Jesus Paid It All
Piano seul

$6.95 6.6 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1311786

By The Monkees. By John Stewart. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 21st Century,Comedy,Contemporary,Pop,Ragtime. Score. 6 pages. Martyn Johnson #900732. Published by Martyn Johnson (A0.1311786).

This piece should be played with a swing or bounce ie quavers/eighth notes should be played in a ratio of 3:2 to give it a shuffle. I've arranged it in a sort of Stride Piano style and the introduction owes a lot to Fats Waller and his famous waterfall technique. I don't include dynamics or fingering as no two piano teachers would agree on such things I prefer to leave these to the individual player. 
This is a really fun piece to play and is a tune of great nostalgic value for me. 
Also note this is a piano solo and doesn't include notation for the other instruments in my YouTube video but was written as a piano solo and sounds great as such.
Hope you get as much fun out of playing it as I have.

Daydream Believer
Piano seul
The Monkees
$4.99 4.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1098815

Composed by Toby Fox. Arranged by JoLaYo. Video Game. Score. 2 pages. Josiah Yowell #5713925. Published by Josiah Yowell (A0.1098815).

This is a Solo Piano arrangement of the video game song titled Don't Forget from DELTARUNE by Toby Radiation Fox. I have included musical directional guidance such as finger numbers, dynamics, etc. These help give an accurate interpretation of the song. It also helps the performer play it with as much ease as possible.

As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements! Also, if there is anything you dislike about the arrangement, or edits you believe are necessary, I will definitely consider adding them/updating the arrangement if you contact me!
Email me at: josiah.yowell@abc.edu

Don't Forget
Piano seul

$4.99 4.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1031889

Composed by Josiah Austin. 20th Century,Children. Score. 4 pages. Josiah C. Austin #3683991. Published by Josiah C. Austin (A0.1031889).

Night Bird is an imaginative, melancholic piano solo by composer Josiah Austin.
Good for airports, coffee shops, rainy days, and contemplative nights.

Duration
Approx 2:30

Performance practice suggestions
-Think of a lone bird fluttering its wings, dodging and dipping through the treetops of a lamp-lit park on a quiet night. 
-Try practicing the repetitive descending left-hand line first to establish the off-kilter foundation of the piece.
-Don't let the key signature intimidate you. The piece is quite comfortable in Eb minor.
Please interpret this piece how you will. I believe all art speaks to people in different ways, sometimes even contrary to what the artist intended. The articulations and markings in the piece show how I imagine it to be played, but I don't expect it to be played that way. However, I would like to hear someone perform Night Bird in a more graceful manner than my performance. Go do it!

Night Bird
Piano seul

$3.99 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.987083

Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083).

This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.

Etude in C, Le Couppey-Nolte
Piano seul

$3.99 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1415388

By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388).

Here is a timeless country classic arranged for piano solo.  A song the whole family will love to sing.

Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968.
 
It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre.

Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.

[Verse 1]
Well, I wake up in the mornin' with my hair down in my eyes
And she says, Hi
And I hurry to the breakfast table while the kids are goin' off to school, Goodbye
And she reaches out and takes my hand
And squeezes it and says, How you feelin', Hon?
And I look across at smilin' lips that warms my heart
And I see my mornin' sun

[Pre-Chorus]
And if that's not lovin' me
Then all I've got to say

[Chorus]
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
There's no such thing as Dr. Suess
Disneyland and Mother Goose, no nursery rhyme
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
And when my self is feelin' low
I think about your face aglow and ease my mind

[Verse 2]
Sometimes I call him up knowin' he's busy
And ask if he could get away and meet me
Maybe grab a bite to eat
And he drops what he's doin' and hurries down to meet me
And I'm always late
He sits waitin' patiently and smiles when he first sees me
'Cause he's made that way
 
[Pre-Chorus]
And if that's not lovin' me
Then all I've got to say

[Chorus]
God didn't make the little green apples
And it don't snow in Indianapolis when the winter come
There's no such thing as make-believe
Puppy dogs and autumn leaves, no BB gun
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
And when my self is feelin' low
I think about your face aglow and ease my mind


Little Green Apples
Piano seul
O C
$5.99 5.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.987080

Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080).

This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me.  The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook.  You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio.  I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.

Introspection 1
Piano seul
the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony
$3.99 3.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1495477

By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 36 pages. Damien Gauci #1071994. Published by Damien Gauci (A0.1495477).

This album follows the simple story of A Squirrel Named Whiskers. Whiskers is a curious but cautious little squirrel that lives in the woods and enjoys exploring new areas of the woods from time to time when he finishes collecting food for the day. This story follows Whiskers as he ventures out into an unknown part of the woods and happens to stumble across an old abandoned house which is surrounded by trees and bushes. There is no one to be seen or heard here and Whiskers can’t help but explore inside.

I began writing this album with the track “And Carefully Crept Inside.” but I actually wasn’t planning on writing a full album at that point. I go into more detail in the individual track’s program note about it but it was the spark that led me to commit to writing a full album. I began composing other tracks for the music box to be part of the album and then I had an idea to make the titles into a story, but what would they be about? The music box is an enchanting and mysterious little instrument and is often associated with magic, fairies, and the forest which is what led me to decide to write the story about a Squirrel.

I took some time to write out a short story and then created 10 titles that would fit the story. I continued to write the remaining tracks of the album now using the titles as inspiration to write the music which made it easy to create a certain mood and style. Writing this album was a great exercise in writing music that has a story behind it which something I always try to do when composing. I believe that every piece of music has a story behind it intentionally or unintentionally. I plan to continue to infuse a story in the music I write as it gives it much more meaning than a piece of music being written without a story in mind. I hope you enjoy listening to or practicing these pieces and have fun following along with whiskers on his journey into the unknown.

A Squirrel Named Whiskers
Piano seul
Damien Gauci
$20.00 19 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1047338

By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338).

The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.

The Doomsday Clock
Piano seul
Blaze Scheuerman
$5.99 5.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1031550

Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum #3447521. Published by Andrew Kierszenbaum (A0.1031550).

My first score of 2018! It lasts about 6 minutes and is of about intermediate/advanced difficulty.  It is the result of many hours, drafts, ideas, scribbles, and edits, BUT- above all, it is a labor of love and I hope THAT shines through the music the most...

For this piece, I was inspired by dances and fantasies of the romantic period, especially those by Chopin and Schumann. However, I believe the piece doesn't feel trapped in an imitation of the music of a specific era. It uses the romantic and classical traditions as baselines and, in my opinion, transcends them. A major work I was inspired by is the Polonaise-Fantasy by Chopin. I wanted to create a dreamy, ballade-like, somewhat freeform/improvised landscape of texture and feeling that explores the waltz form but also infuses some elements of sonata form and theme and variations.

I would put the piece at an intermediate/advanced level, but would definitely recommend this to teachers and students alike (I have already given it to a few in my own circle).

The fee for this piece goes directly to me, so I can continue following my passion by composing and teaching students the wonderful gift that is piano playing!

Please enjoy, and I would love to hear what you think of this one!

Sincerely,
Andrew

Waltz-Fantasy
Piano seul

$4.99 4.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1029079

Composed by Joshua Popovici. Classical,Contemporary,Pop. Score. 8 pages. Joshua Popovici #4629413. Published by Joshua Popovici (A0.1029079).

I confess.

There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangements exciting and challenging for you.

 So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony and a little bit of challenge.

This song is an original composition of Riverside as piano solo piece. Share this link with someone who might be like this song!

As you play through this arrangement, you'll notice how all the different parts interact with each other. With each hand clearly playing it's own interesting melody. It’s a rich and complex song. Not only will you enjoy playing this, but listeners will also experience something unforgettable!

Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. You'll get a response ASAP. I'll be your free assistant :) 

Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!         

Riverside - Original Piano Solo - Challenging Contemporary Classical Composition
Piano seul

$3.98 3.78 € Piano seul PDF SheetMusicPlus






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