Piano Solo - Intermediate - Digital Download By Lady Gaga. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer

Piano Solo - Digital Download SKU: A0.1005674 Composed by Alex Nifong. Arranged by Grace Joy Reid. Contemporary. Score. 6 pages. Creating Music Joy #6117829. Published by Creating Music Joy (A0.1005674). Jesus Paid It All/the First Noel Medley is an excellent Prelude, Offertory, Meditation, or Communion piano solo for your Baptist, Methodist, Pentacostal, Charismatic, Protestant, Catholic, and Church of the Latter Day Saints worship service.  It is perfect for the intermediate piano student and/or church musician, utilizing arpeggios, suspended notes, triplets, sixteenth notes, meter changes, and beautiful harmonies to produce a worshipful experience for the listener.  Time:  3:14 min.  Easy to shorten if time is an issue.  Jesus Paid It All was written by Elvina Hall in 1865.  See Christianity Today for more information:  https://www.christianity.com/church/church-history/timeline/1801-1900/this-hymn-was-more-than-a-coin....  It was John T. Grape who wrote the tune in 1868. See for more information:  https://hymnary.org/text/i_hear_the_savior_say_thy_strength_indee  The First Noel is believed to date from the 13th or 14th century.  Noel is the French word for Christmas and is from the Latin natalis, meaning Birthday.  Taken fromhttp://www.classichistory.net/archives/first-noel-carol.  The First Noel was written by William B. Sandys, 1823 and Davies Gilbert (1767-1839).  My purpose was to remind people that Jesus Christ was born to become the Saviour of the world through His death and resurrection from the dead.  creatingmusicjoy LLC publications (ASCAP).

Piano Solo - Level 4 - Digital Download SKU: A0.1337248 By Niccolò Trivieri. By Niccolò Trivieri. Arranged by Niccolò Trivieri. Contemporary,Film/TV,New Age,Pop,Spiritual. Score. 6 pages. Niccolò Trivieri #923057. Published by Niccolò Trivieri (A0.1337248). A message from the author:This piece is very important to me, each note has its own meaning. The video - with its simple sound and visual effects - tells a story, but... I leave the pleasure of discovering new worlds with this music to your imagination! Inebriate yourself with the mystery of these particular, dark harmonies... and surprise yourself with unexpected sparks of light scattered here and there. This music is for you if you love rainy days, atmospheres of nostalgic beauty and some disturbing little vibes from exploring abandoned houses: there is magic in everything around us, just open your eyes and listen more carefully. This piece came to you for a reason: never stop believing in what your Heart feels; even if you can't prove it at the moment and even if the world works against you. If your Heart is right, in the end you will always have answers, you will always get what you want. Heart was born precisely from this feeling... the certainty that sooner or later, everything will arrive. This composition is definitely a message: in the certainty that it will reach the right person, it is (obviously) also dedicated to all of you who listen to it and play it, so that it can inspire you to never give up and explore the innermost parts of yourself... as a musician, this is my main mission and my joy! May this piece resonate in as many places as possible! Thank you so much.NiccolòP.S. there are some suggestions in the score to make the piece a little easier and with fewer jumps. Also feel free to make a few small changes to the rhythm of the irregular groups only if they are too difficult for you (even if they have a precise meaning) playing them simultaneously with the accompaniment notes of the left hand, and not 'out of phase'. After all, the most important thing is... Heart!

Piano Solo - Digital Download SKU: A0.1023022 Composed by Jonathan Wilson. Folk,Jazz,Wedding,World. Score. 6 pages. Fresh Air #4414525. Published by Fresh Air (A0.1023022). This is the piano solo arrangement of the Phoenix Waltz which was originally written to celebrate all of the musicians who played in the legendary Auchterby Band and the numerous musical line-ups born out of the ashes of that band. The Auchterby Band was a ceilidh band based in Aberdeen, Scotland which usually played fast and furious folky music for Scottish dancing at weddings, parties and various drunken events. The Phoenix Waltz is not fast and furious nor is it actually particularly folky or Scottish in style (more like Jazz) but, nevertheless, works well as a last waltz of the evening. Don't rush it, relax, take it easy and let it breathe!

Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry                        The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that  what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search  the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think  and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises  the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors  ,with the sun in your eyes and while you look back  the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante  did one day in the hell and after I return Down in the world that there is no ...                                                                                 Monica Bergo

Piano - Level 3 - Digital Download SKU: A0.1233256 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 280. Bradley Sowash #828875. Published by Bradley Sowash (A0.1233256). From Bradley Sowash’s “Bittersweet� solo piano recorded album and associated sheet music (also available here).MysteriousOne of the hardest things I have ever done was to name my kids. With my oldest (Bryn), we used Pinky as a working title until we could decide on a better one. I found it intriguing that she had dreams as a newborn. I thought to myself, What can she be dreaming about? She doesn't know anything yet. Then my wife, Susan, reminded me that perhaps she had more to dream about than any of us, having been, so recently, with the angels.Learn more about this artist at https://bradleysowash.com/.

Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawÄ« of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin ÇevikoÄŸlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Piano Solo - Level 2 - Digital Download SKU: A0.801735 Composed by Connie Boss. Christmas,Spiritual. Score. 3 pages. Connie Boss #6639267. Published by Connie Boss (A0.801735). This is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. This is a piano solo, but the lyrics are also on the music in case someone wants to sing on it. Email cdboss@cvalley.net if you have purchase this music to let me know where you are from, if you have any questions and also to send me a video or mp3 if you make one. I love to hear my music played. Lyrics below! Thank YouLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace   on EarthPeace   on EarthPeace   on EarthPeace   one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me.

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace.  He performed this on his t.v. show and record albums.  The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Piano Solo - Level 5 - Digital Download SKU: A0.1394832 Composed by Richard Addinsell. Arranged by Timothy Stapay/Liberace. 20th Century,Classical,Film/TV,Singer/Songwriter,Standards. Score. 12 pages. Timothy Stapay #978316. Published by Timothy Stapay (A0.1394832). Warsaw Concerto is arranged as performed by legendary pianist, Liberace.  This is the same version that he performed on his t.v. show and in concerts in Las Vegas and around the world.   Now for the first time; you can learn to play this awesome and dramatic music in the same flamboyant style as Liberace!The Warsaw Concerto is a short work for piano and orchestra by Richard Addinsell, written for the 1941 British film Dangerous Moonlight, which is about the Polish struggle against the 1939 invasion by Nazi Germany. In performance it normally lasts just under ten minutes. The concerto is an example of programme music, representing both the struggle for Warsaw and the romance of the leading characters in the film. It became very popular in Britain during World War II.The concerto is written in imitation of the style of Sergei Rachmaninoff.The composer, Richard Addinsell, was born in London and initially studied law before turning to a career in music. His time at the Royal College of Music was brief, as he was soon drawn to musical theatre, and he also wrote for radio, but his most memorable contributions are to a series of film scores beginning in 1936. He wrote the music for the 1939 film Goodbye, Mr. Chips, the original movie, Gaslight.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Piano Solo - Level 5 - Digital Download SKU: A0.1120779 By Kathleen Ryan. By Kathleen Ryan. Christmas,Classical,Religious,Sacred. Score. 5 pages. Indigo Mesa Music LLC #721996. Published by Indigo Mesa Music LLC (A0.1120779). “how silently, how silently the wondrous gift is given� A piano solo evocative of quiet snow falling, the inward times of winter, and the miracle of a holy birth. Kathleen's notes: The light is born in the dark. The particular hush of winter, of midnight, of a miraculous birth, and of transcendence. (Several times I have tried to create a section for this piece where the music “gets big� and every time I have decided that, while I liked all my new music very much, it just didn’t belong in this piece. Alas, it doesn’t belong in any other piece, either, since it’s clearly created out of motives from The Rebirth of Light. This solo just wants to stay intimate. I am merely the composer and piano player and do not have the authority to override that sweet intimate mood.) Advanced: requires delicacy of touch and, to be comfortable, ease in playing octaves with extra notes inside. Suitable for use in church.

Piano Solo - Level 3 - Digital Download SKU: A0.1425806 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 6 pages. Damien Gauci #1006566. Published by Damien Gauci (A0.1425806). How the name came to be for this piece is actually a funny little story. When I created all the folders on my computer for each track, there was one that I already had an idea for in that key and so I simply labelled it as ‘Taken’ so I knew that key was taken already.  Then when I came around to writing this piece, I thought “Why don’t I just use this word as the title?”, and that’s how this piece was born.The name then inspired the rest of the piece and I think the story in a general sense is the feeling of someone or something being taken away from you. The feeling of grief, mourning, and loss that underlies your day to day life from that point on. As the piece progresses, it moves through sections that are brighter or darker which reflect the up and down nature of these life experiences, sometimes you feel more hopeful and other days you don’t feel so great.

Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan María Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare   ï»¿