Piano Solo - Level 2 - Digital Download SKU: A0.918392 By Joseph Williams, Peter. By David Paich, Jeff Porcaro, Jeffrey T Porcaro, Joseph Stanley Williams, and Joseph Williams. Arranged by Rob Klamka. Contemporary. Score. 3 pages. Artistic Piano Publishing #6203739. Published by Artistic Piano Publishing (A0.918392). Arranged for solo piano, written by Joseph Stanley Williams, Jeffrey T Porcaro, Jeff Porcaro, David Paich.

Piano Solo - Level 2 - Digital Download SKU: A0.835098 Composed by Cody Weinmann. 20th Century,Concert,Contemporary,Instructional. Score. 5 pages. Cody Weinmann #3384745. Published by Cody Weinmann (A0.835098). Here is Dreams Don't End originally for piano. This is the piano version of this piece. There is an orchestral version coming out soon. If you want a jaw-dropping piece that will cause tear-jerking reactions at concerts, recitals, and even in student piano study, buy this piece! It has a little Romantic era flavor going on which will keep people listening. Think of Rachmaninoff's piano concerto or some of the later work by Beethoven and you'll be home. It is for early intermediate piano players at the earliest.

Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.1293845 Edited by Leah Claiborne. Arranged by Blanche K. Thomas. This edition: Interactive Download,scorch. Classical. Score. 1 pages. Hal Leonard - Digital #338366. Published by Hal Leonard - Digital (HX.1293845).

Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.

Piano Solo - Level 3 - Digital Download SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388). Here is a timeless country classic arranged for piano solo.  A song the whole family will love to sing.Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968.  It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre. Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.[Verse 1]Well, I wake up in the mornin' with my hair down in my eyesAnd she says, HiAnd I hurry to the breakfast table while the kids are goin' off to school, GoodbyeAnd she reaches out and takes my handAnd squeezes it and says, How you feelin', Hon?And I look across at smilin' lips that warms my heartAnd I see my mornin' sun[Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeThere's no such thing as Dr. SuessDisneyland and Mother Goose, no nursery rhymeGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind[Verse 2]Sometimes I call him up knowin' he's busyAnd ask if he could get away and meet meMaybe grab a bite to eatAnd he drops what he's doin' and hurries down to meet meAnd I'm always lateHe sits waitin' patiently and smiles when he first sees me'Cause he's made that way [Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't snow in Indianapolis when the winter comeThere's no such thing as make-believePuppy dogs and autumn leaves, no BB gunGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind

Piano Solo - Level 4 - Digital Download SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock� as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.

Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed.  I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat.  So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief

Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry                        The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that  what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search  the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think  and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises  the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors  ,with the sun in your eyes and while you look back  the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante  did one day in the hell and after I return Down in the world that there is no ...                                                                                 Monica Bergo

Piano Solo - Level 3 - Digital Download SKU: A0.1425811 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #1006571. Published by Damien Gauci (A0.1425811). I wanted to write something a bit simpler which is how this piece came about. I remember one of my composition lecturers teaching us how to write a melody with a strong structure that a lot of film composers use for film scores. It was a really good way to write something quickly and it allowed me to come up with this piece a lot quicker than the other ones. While the overall structure of the piece is important to have a balance between repetition and variation as well as new ideas, the smaller structure of a melody is quite important too for the same reasons. You don’t want to just repeat the same melody over and over again or else it gets boring, but you also don’t want to just have 10 different melodic ideas because then the idea of the piece becomes lost and it’s hard to follow where it’s going.As for the name of the piece, I came up with it after I had written it so it didn’t influence the composition process in any way. I listened back to the piece a few times to come up some ideas and write some different names down but this word stood out to me. It has a gentle feel and a kind of curious mood to it as well.

Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s Rus­sian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning Ibe­rian melody, and a barely-recogniz­able snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant state­ment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the re­cital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor So­nata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immedi­ately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a re­cording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively sec­ond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite sur­prised the next morn­ing when I went to the mu­sic library and listened to a re­cording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I de­cided to base my middle movement (the slow movement) around the theme of Beetho­ven’s scherzo, making it the hid­den theme for a short set of variations. The end of the movement also contains less direct refer­ences to the music of Brahms (very short allu­sions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, pro­viding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y