Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.835115 Composed by Cody Weinmann. Contemporary,Rock. 12 pages. Cody Weinmann #4719753. Published by Cody Weinmann (A0.835115). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down. This piece is a good onefor somber events of all types, especially funerals. The piece's run time is about 4 minutes and 13 seconds in length. As for playing it, it is intermediate level piano playing. This is a special version of the song written and arranged for tenor solo voice and piano.We all have this fire in our souls that compels us to do well. Let's do it!

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790022 By Frank Ocean. By Burt Bacharach, Christopher Breaux, Hal David, and Josiah Sherman. Arranged by W. Brent Sawyer. Contemporary. 8 pages. Diamond S Music #3539043. Published by Diamond S Music (A0.790022). CLOSE TO YOU (They Long To Be) - VOCAL SOLO with PIANO accompaniment. KEY OF F (for Tenor Voice). This arrangement is in the style of and faithful to the original CARPENTERS recording of this iconic song written by HAL DAVID & BURT BACHARACH. This song, originally written in 1963, has been recorded by many artists including: Dionne Warwick, Richard Chamberlain (the first to sing this song), Dusty Springfield, The Cranberries ,Stevie Wonder, and even Burt Bacharach himself, and many others, but it’s the 1970 version by The Carpenters bringing them a Grammy in 1971 that everyone is most familiar and associates this song. This arrangement is available in the following keys: G (for ALTO - Original Carpenters key). Ab (for HIGH TENOR or MEZZO), F (for TENOR), E (for BARITONE), Db (for Bass or Soprano). Other arrangements by DIAMOND S MUSIC that can be found on SheetMusicPlus at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ?� by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ?� started out as a thought about the â??essenceâ?� of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?�. Goetheâ??s play, â??Faust,â?� immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â?�                THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â?�               THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â?�          THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago

Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. DF McCorkle Music and eBook Publications #11737. Published by DF McCorkle Music and eBook Publications (A0.784824). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’] [Psalm 23 Sacred Melody of David. YAHWEH is My Shepherd I shall not want] SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.