Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1039131 Composed by Adolphe-Charles Adam. Arranged by Digital Book Music. Christmas,Classical. Score and part. 2 pages. Digital Book Music #644093. Published by Digital Book Music (A0.1039131). O Holy Night - Adolphe-Charles Adam (Alto Sax + Piano).

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534648 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #5714081. Published by Musik Fabrik Music Publishing (A0.534648). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris.

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534634 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 18 pages. Musik Fabrik Music Publishing #4849785. Published by Musik Fabrik Music Publishing (A0.534634). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class and also in the saxophone class of Adolphe Sax. He died on July 26, 1881 in Paris.

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534742 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 16 pages. Musik Fabrik Music Publishing #6606521. Published by Musik Fabrik Music Publishing (A0.534742). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.534679 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #6132939. Published by Musik Fabrik Music Publishing (A0.534679). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris.

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534669 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #5773819. Published by Musik Fabrik Music Publishing (A0.534669). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.637588 Composed by Adolphe-Charles Adam. Arranged by Eugene Egorov. Classical. Score and part. 1 pages. Eugene Egorov #4829521. Published by Eugene Egorov (A0.637588).

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.637910 Composed by Adolphe-Charles Adam. Arranged by Eugene Egorov. Christmas. Score and part. 2 pages. Eugene Egorov #4885193. Published by Eugene Egorov (A0.637910).

By Ray Charles. Arranged by Debra E. Stempien, Gregory H. Turner. Score, Set of Parts, Solo Part. 5 pages. Published by Standard Time (H0.262577-269420). - Score,Set of Parts,Solo Part - - Standard Time

Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Valentine's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212155). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Valentine's Day,Wedding,Funeral - Len Rhodes Music Inc

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.835932 Composed by Anonymous, Austin (?), J. C. Lowry (1820), J. Williams, and Stephen Jenks (1805). Arranged by Gary R. Smoke. Contemporary,Sacred,Standards. Score and part. 26 pages. Gary Smoke #2344339. Published by Gary Smoke (A0.835932). Five Sacred Harp tunes arranged for alto saxophone and piano. Good for concert, teaching, and worship. ca. 11:00The tunes are: 1) Pisgah (loud, rough, some meter changes), 2) Charlestown (very soft and slow), 3) Leander (moderate, 6/8,), 4) Wondrous Love (slow and singing), and 5) Warrenton (fast and playful). Live performances of this set (and other music by Gary R. Smoke) may be found at the Youtube channel: highmeadowmusic

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.