Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.532886 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #119471. Published by Musik Fabrik Music Publishing (A0.532886). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1212130 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contemporary,Jazz,Pop,Wedding. Score and part. 12 pages. John R. Daniels #809661. Published by John R. Daniels (A0.1212130). “Fascination With You� is a Mysteriously Romantic, Light Jazz Instrumental Solo with Piano Accompaniment for Alto Sax. It has an easy jazz feel without being difficult. It's perfect for weddings, competition, even a church anthem. This arrangement can also be played by other Eb instruments. “Fascination With You� is also available for instruments in other keys. Please search this site for “Fascination With You� for other instruments. If you don't see your instrument, email me at CustomMusic@Salt-Cellar-Creations to request a version for you (usually at NO CHARGE).

Alto Saxophone,Piano,Voice - Level 5 - Digital Download SKU: A0.1278960 Composed by Paul Wehage. 21st Century,Chamber,Children,Classical. 81 pages. Musik Fabrik Music Publishing #870509. Published by Musik Fabrik Music Publishing (A0.1278960). This cycle of 19 short songs was inspired by the poetry of Jean-Thierry Boisseau, as well as theBestiaires by Poulenc and Durey. The musical style, tonal and deliberately referential, is intended tounderscore the amusing and satirical aspects of the poetry.. As in all vocal music, understanding of the text is the most important aspect of performance. The complete song texts are included here and are strongly encouraged to be included in concert programs.Ce cycle de 19 mélodies a été inspiré par les poésies de Jean-Thierry Boisseau ainsi que par les Bestiaires écrits par Poulenc et Durey. Le style musical, tonal et délibérément référencé, est censé souligner les aspects satiriques de la poésie. La compréhension du texte étant un des aspects les plus importants de lâ??interprétation de ces mélodies, les textes complets sont inclus dans ces notes. Leur inclusion dans les programmes de concerts est particulièrement souhaitable et souhaitée.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Alto Saxophone & Piano - Grade 5 - Digital Download SKU: R0.45637 Un Chamois dans le Vignoble / A Chamois In The Vineyard. Composed by Miloslav R. Prochazka. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 10 pages. Duration 3'42. Editions Marc Reift - Digital #45637. Published by Editions Marc Reift - Digital (R0.45637).

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1454235 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033367. Published by SCORE EDITIONS (A0.1454235). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.737996 Composed by Daniel Gottlob Turk. Arranged by Fiona Hickie. Classical. Score and part. 8 pages. Fiona Alice Hickie #3914551. Published by Fiona Alice Hickie (A0.737996). An elaboration on a work by German composer,  Daniel Gottlob Turk (1750-1813). Here it is arranged for alto saxophone and piano. The original work is 'Die Waldhörner und das Echo' and is from 120 Handstücke für angehende Klavierspieler, vol. 1 (1792).

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1174255 By D4vd. By David Burke and Wildan Darmawan. Arranged by Tyler Adams. Hip-Hop,Pop,R & B,Singer/Songwriter. Score and part. 11 pages. Adams Arrangements #774420. Published by Adams Arrangements (A0.1174255). Romantic Homicide freshly arranged for alto sax and piano.

Small Ensemble Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.738492 By Adele. By Adele Adkins and Dan Wilson. Arranged by Kayleigh Huelin. Hip-Hop,Pop,R & B. Score and part. 18 pages. Kayleigh Huelin #3586347. Published by Kayleigh Huelin (A0.738492). One of the biggest pop acts on the planet, Adele has made a name for herself with her emotive songwriting, and none more so than with Someone Like You, the heartfelt ballad from her album 21. This huge pop hit is sure to be well received by an audience in any setting.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1425399 By Adele. By Adele Adkins, Dan Wilson, and Greg Wells. Arranged by Christian Roßmeißl. R & B,Rock,Soul. Score and part. 7 pages. Christian Rossmeissl #1006221. Published by Christian Rossmeissl (A0.1425399). Org key, Solo Part, piano Part, 7 pages.

Alto Saxophone,Piano - Digital Download SKU: A0.506157 By George Benson and Jeffrey Osborne. By Dan Hill and Michael Masser. Arranged by Rubinho. Hip-Hop,Pop,R & B. Score and part. 6 pages. Published by Rubinho (A0.506157). Alto Sax and Piano accompaniment.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.847926 By Vicetone & Tony Igy. By Anton Igumnov. Arranged by Tim Curd. Film/TV,Hip-Hop,Pop,R & B,Video Game. Score and part. 4 pages. Tim Curd #454622. Published by Tim Curd (A0.847926). Astronomia (Coffin Dance) for Solo Alto Saxophone and Piano. This tune is also known as the music from the Coffin Dance meme/video. This easy solo will be great for beginners.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.639021 By Rihanna. By Mikkel Eriksen, Shaffer Smith, and Tor Erik Hermansen. Arranged by Kaiserin Rebecca. Dance,Pop,R & B. Score and part. 6 pages. Kaiserin Rebecca #3242849. Published by Kaiserin Rebecca (A0.639021). For alto saxophone and piano accompaniment with chords.Key: C majorDuration: 3'52.