Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.945092 Composed by David Owen. Arranged by Richard Windle. Celtic,Concert,Folk. Score and part. 4 pages. Glumangate Publishing #5712621. Published by Glumangate Publishing (A0.945092). Arrangement of this well known Welsh folk song for Alto Saxophone with Piano accompaniment.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1145162 By Perez Prez Prado. By Jacques LaRue, Mack David, and Marcel Louiguy. Arranged by Diego Marani. 20th Century,Film/TV,Instructional,Latin,Standards. Score and part. 6 pages. Diego Marani #745482. Published by Diego Marani (A0.1145162). Cherry Pink and Apple Blossom White or Cerezo Rosa or Ciliegi Rosa or Gummy Mambo, is the English version of Cerisiers Roses et Pommiers Blancs, a popular song with music by Louiguy written in 1950. Pérez Prado's recording of the song as an instrumental with his orchestra featuring trumpeter Billy Regis, whose trumpet sound would slide down and up before the melody would resume, was the most popular version in 1955, reaching number one for 10 weeks on the Billboard chart. It became a gold record. Pérez had first recorded this title for the movie Underwater! (1955), where Jane Russell can be seen dancing to the song. This arrangement for alto sax or baritone sax with piano accompaniment is suitable for classroom, repertoire and recital.

Alto Saxophone,Piano - Digital Download SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published by MJIC Music Publishing (ASCAP) (A0.934203).    Kaleidoscope (2007) commissioned by David Wright, was written while my wife and I were in residence at the David and Julia White Artists Colony, Costa Rica. The tropical location was stunning but , other than permitting luxurious amounts of time to work things out. it was not a direct source of inspiration for the work.  Kaleidoscope employs the Fibonacci sequence (1+1+2+3+5+8…) to control surface rhythm and large sectional proportions. Though I am often explicitly concerned with proportion and its integration at various levels of most pieces I compose; I had never used Fib. because it seemed too easy, and I typically do not like to use processes that are external to a piece. None-the-less I really enjoyed working with the sequence and was pleasantly surprised when the last pitch in the saxophone, with a duration of 89 sixteenth notes, sounded just right.The work is suitable for advanced performers and is 13:00 minutes in duration. Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com