Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France.   His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early  20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first  composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a  lively polonnaise in several contrasting sections.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1114610 By James R. Murray. By James R. Murray. Arranged by G.D.V.S.L.J. Christmas,Holiday,Praise & Worship,Spiritual,Traditional. Score and part. 3 pages. Grant Davis Jr. #716472. Published by Grant Davis Jr. (A0.1114610). It's an easy arrangement for Alto Sax and Piano Accompaniment. Perfect for beginners to play beautiful and joyful Christmas Eve songs and personal worship of Jesus' birth.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199007 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798078. Published by BrassMagicMusic.com (A0.1199007). This catchy Reggae-style piece, originally made famous by John Legend, features solo Alto Saxophone with Piano Accompaniment geared toward the High School or advanced Middle School performer.  It is in concert Bb-major (written G-major).  The alto sax range in this arrangement spans from written D4 to D5 [on the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer.  The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.