Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France.   His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early  20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first  composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a  lively polonnaise in several contrasting sections.

Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761545 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 10 pages. Masquerade Music #6424333. Published by Masquerade Music (A0.761545). It had to be done, and yes, we did it! Are you ready to play  Beethoven as you’ve never played it before? Arranged in a Jazz swing style for Eb saxophone and piano with a definite Paul Desmond/Take Five feel. As well as the classic Beethoven theme, there is also a fully written out original saxophone solo which makes this a delight to play, and a great performance piece too. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Für Elise is perfect for intermediate players (approx grade 4-6).

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.532886 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #119471. Published by Musik Fabrik Music Publishing (A0.532886). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint  to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.

Alto Saxophone,Piano,Voice - Level 5 - Digital Download SKU: A0.1278960 Composed by Paul Wehage. 21st Century,Chamber,Children,Classical. 81 pages. Musik Fabrik Music Publishing #870509. Published by Musik Fabrik Music Publishing (A0.1278960). This cycle of 19 short songs was inspired by the poetry of Jean-Thierry Boisseau, as well as theBestiaires by Poulenc and Durey. The musical style, tonal and deliberately referential, is intended tounderscore the amusing and satirical aspects of the poetry.. As in all vocal music, understanding of the text is the most important aspect of performance. The complete song texts are included here and are strongly encouraged to be included in concert programs.Ce cycle de 19 mélodies a été inspiré par les poésies de Jean-Thierry Boisseau ainsi que par les Bestiaires écrits par Poulenc et Durey. Le style musical, tonal et délibérément référencé, est censé souligner les aspects satiriques de la poésie. La compréhension du texte étant un des aspects les plus importants de lâ??interprétation de ces mélodies, les textes complets sont inclus dans ces notes. Leur inclusion dans les programmes de concerts est particulièrement souhaitable et souhaitée.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1437123 By Adele. By Adele Adkins and Paul Epworth. Arranged by Christian Roßmeißl. Pop,R & B,Soul. Score and part. 10 pages. Christian Rossmeissl #1017194. Published by Christian Rossmeissl (A0.1437123). 10 pages, Altosax Solo Part, Piano Part, pb on youtube, org key.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel cantoâ€� ornamentation, always lyrical and songlike.  Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale).  The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.735281 By Adele. By Adele Adkins and Paul Epworth. Arranged by Andrew Middleton. Pop,R & B. Score and part. 7 pages. Andrew Middleton #4317151. Published by Andrew Middleton (A0.735281). From Adele's smash hit album, 21, Rolling in the Deep arranged for alto saxophone and piano accompaniment. This arrangement would also be ideal for baritone saxophone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/  Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber