Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1091167 By David Guetta. By David Guetta, Frederic Riesterer, Kelly Rowland, Miriam Nervo, and Olivia Nervo. Arranged by Andrew Will. Contemporary,Pop. Score and part. 6 pages. Andrew Will #695324. Published by Andrew Will (A0.1091167). When Love Takes Over has been arranged for solo Alto Saxophone with Piano Accompaniment. It is an intermediate level arrangement that your students would love to play. Enjoy!

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1501603 Composed by Christian Morris. Arranged by Hoopla Music. Christmas,Holiday,Traditional. Score and part. 86 pages. Hoopla Sheet Music #1077514. Published by Hoopla Sheet Music (A0.1501603). We Wish You A Jazzy Christmas (Ten Cool New Takes on Classic Carols) Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here are ten arrangements of well-known Christmas Carols, each with a jazzy twist. Suitable for busking, Christmas concerts and more informal church services.82 pages, including piano score and alto saxophone parts.YouTube score previews of each movement (follow links):1. Jingle Bells Salsa2. Emmanuel Rock3. O Come All Ye Boogie-Woogie Faithful4. Away in A Country Manger 5. Hark the Funky Angels Sing 6. Bossa Nova Bleak Midwinter 7. God Rest Ye Good King Gospel Mashup 8. Jump Blues Joy to the World 9. We Three Kings (Persian Style) 10. We Wish You a Jazzy Christmas

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.639021 By Rihanna. By Mikkel Eriksen, Shaffer Smith, and Tor Erik Hermansen. Arranged by Kaiserin Rebecca. Dance,Pop,R & B. Score and part. 6 pages. Kaiserin Rebecca #3242849. Published by Kaiserin Rebecca (A0.639021). For alto saxophone and piano accompaniment with chords.Key: C majorDuration: 3'52.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1420715 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Anna Coughlan. 20th Century,Country,Pop,Rock. Score and part. 6 pages. Anna Coughlan Music #1002152. Published by Anna Coughlan Music (A0.1420715). An arrangement of John Denver's Take me home, country roads for beginner Eb saxophone with piano accompaniment.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.845294 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6682461. Published by Phil Beaman (A0.845294). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts.  solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Alto Sax and piano - Grade 2.75 - Digital Download SKU: DX.124129 Composed by John W. Peterson. Arranged by Monty J. Budahl. Sacred instrumental music. Key of Ab, Eb. Traditional. Score and parts. 6 pages. David E. Smith - Digital Sheet Music #124129. Published by David E. Smith - Digital Sheet Music (DX.124129). An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a QandA form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1494184 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Comedy,Film/TV,Multicultural,World. Score and part. 6 pages. Ygor Nunes #1070795. Published by Ygor Nunes (A0.1494184). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the alto sax.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.

Alto Saxophone,Piano - Digital Download SKU: A0.967651 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189199. Published by Lawrence H Underwood (A0.967651). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the third installment in his A Christmas Portfolio series, this modern setting of God Rest Ye Merry, Gentlemen is virtual journey through musical styles! Opening with a haunting statement of the theme, the piece soon takes off in 7/8 before moving through a fugue section and into a driving 3/4 that builds into a final statement of the melody as a 6/8 jig! Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1245260 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840151. Published by Samuel Sequeira (A0.1245260). Gymnopedie No. 1 - Erik Satie - Alto Saxophone/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for alto saxophone and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the alto saxophone takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the alto saxophone enters, it carries the iconic melody, infusing it with its smooth and expressive tones. The saxophone's rich and soulful qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the alto saxophone and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the saxophone's melodic lines and adding depth to the arrangement. The saxophone, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive improvisation from both the saxophone and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for alto saxophone and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.765033 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score and part. 6 pages. Lori Archer Sutherland #4968773. Published by Lori Archer Sutherland (A0.765033). Celebrate Thanksgiving and the holiday season with the well-loved hymn, We Gather Together, a song of Dutch origin.Set for intermediate solo with piano accompaniment, this hymn is a nice addition to church worship and holiday services. After a brief introduction, the instrumentalist has the first turn at the melody. As the piano takes over the hymn, the instrumentalist plays a descant line. Both come together at the end to finish out the piece.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549927 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303307. Published by jmsgu3 (A0.549927). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874 (Моде�т Петрович Му�орг�кий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto    page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                                                              4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando   page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы  Largo page 46    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�ад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.