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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.760187 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Romantic Period,Standards,Wedding. Score and parts. 10 pages. Raymond Fenech #3514489. Published by Raymond Fenech (A0.760187). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert.
O Sole Mio - Alto Saxophone; Tenor Saxophoe and Piano
Saxophone Tenor et Piano

$4.99 4.73 € Saxophone Tenor et Piano PDF SheetMusicPlus

Large Ensemble Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.780887 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 9 pages. Cathy Stamegna #5740107. Published by Cathy Stamegna (A0.780887). Volare (Nel Blu, Dipinto Di Blu) (Tenor Saxophone Solo, Chords, Piano Accompaniment). Concert Key, Bb.  This popular Italian song has been recorded in other countries as well as its native Italy.  The saxophone arrangement incorporates both the traditional melody and some jazz embellishment (as heard on sound clip).  Created during a time of social distancing because of the coronavirus pandemic, giving people an opportunity to play and sing together. Chords included for guitar or mallet instruments to accompany as well.  Other vocal and instrumental arrangements available. Set of Parts.
Volare
Saxophone Tenor et Piano
Domenico Modugno
$4.99 4.73 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. 
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 31.21 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892993. Published by SCORE EDITIONS (A0.1303419). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
Après un rêve (Fauré) for Tenor Saxophone and Piano
Saxophone Tenor et Piano

$5.99 5.67 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.637855 Composed by Various. Arranged by Eugene Egorov. Baroque,Classical,Romantic Period. Score and part. 101 pages. Eugene Egorov #4853675. Published by Eugene Egorov (A0.637855). 1.    Pomp and Circumstance   Edward Elgar 2.    Andante (Surprise Symphony)   Franz Joseph Haydn 3.    Arioso   Daniel Gottlob Turk 4.    Lullaby   Johannes Brahms 5.     Melody   Robert Schumann 6.    Sarabande   George Frideric Handel 7.    Silent Night   Franz Xaver Gruber 8.    A Little Piece   Robert Schumann 9.    Carnival Of Venice   Julius Benedict 10.  La Donna E Mobile   Giuseppe Verdi 11.  Largo (The New World)   Antonin Dvorak 12.  Old French Song   Peter Ilyich Tchaikovsky 13.  Waltz (Sleeping Beauty)   Peter Ilyich Tchaikovsky 14.  We Wish You A Merry Christmas  English Folk Song 15.  Air   Henry Purcell 16.  Ode To Joy   Ludwig Van Beethoven 17.  Italian Polka   Sergei Rachmaninoff 18.  Minuet (In F Major)   Wolfgang Amadeus Mozart 19.  Solveig`s Song   Edvard Grieg 20.  Sonatina (In C Major)   Muzio Clementi 21.  Waltz   Dmitri Kabalevsky 22.  Alouette   French Folk Song 23.  Gaudeamus Igitur   Johannes Brahms 24.  Green Sleeves   English Folk Song 25.  Hongroise   Adolphe-Charles Adam 26.  Minuet (In F Major)   Franz Joseph Haydn 27.  Serenade (Eine Kleine Nachtmusik)   Wolfgang Amadeus Mozart 28.  Soldier's March   Robert Schumann 29.  Arietta   Muzio Clementi 30.  Emperor Waltz   Johann Strauss Jr. 31.  Grand March (Aida)   Giuseppe Verdi 32.  Happy Birthday To You   Patty & Mildred J. Hill 33.  Minuet (In D Minor)   Johann Sebastian Bach 34.  Santa Lucia   Italian Folk Song 35.  The Emperor's Hymn   Franz Joseph Haydn 36.  La Paloma   Sebastian Yradier 37.  Dance Of The Hours   Amilcare Ponchielli 38.  Fur Elise   Ludwig Van Beethoven 39.  Humoresque   Antonin Dvorak 40.  Minuet (In G Major)   Johann Sebastian Bach 41.  Toreador Song   Georges Bizet 42.  Turkish March   Wolfgang Amadeus Mozart 43.  Ave Maria   Franz Schubert 44.  Barcarolle   Jacques Offenbach 45.  In The Hall Of The Mountain King Edvard Grieg 46.  Melody In F Anton Rubinstein 47.  None But The Lonely Heart   Peter Ilyich Tchaikovsky 48.  Polovtsian Dance   Alexander Borodin 49.  Spanish Romance 50.  Liebestraum (Dream Of Love)   Franz Liszt 51.  Arioso   George Frideric Handel 52.  O Mio Babbino Caro   Giacomo Puccini 53.  O Sole Mio   Eduardo Di Capua 54.  To A Wild Rose  &.
70 Easy Classical Pieces For Tenor Saxophone & Piano
Saxophone Tenor et Piano

$29.95 28.37 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'.  This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 31.21 € Saxophone Tenor et Piano PDF SheetMusicPlus






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