Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1091940 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696072. Published by Lawrence H Underwood (A0.1091940). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1198479 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Contemporary,Multicultural,Pop,World. Score and part. 7 pages. BrassMagicMusic.com #797621. Published by BrassMagicMusic.com (A0.1198479). An arrangement of this catchy Reggae-style work features a solo Tenor Saxophone with Piano Accompaniment geared toward the High School or advanced Middle School performer.  It is in concert Bb (written C for Tenor Sax).  The Tenor Sax written range in this arrangement spans from G4 to G5 [top note on staff]. There is some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer.  The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1373982 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958549. Published by Lawrence H Underwood (A0.1373982). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment.  Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1373940 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958499. Published by Lawrence H Underwood (A0.1373940). This original composition by veteran performer and music educator, Lawrence Underwood, is the sixth installment in a new 2024 series of pieces for solo instrument with piano accompaniment.  From its opening notes, Lonely Drive is a piece propelled forward by its accompaniment, with solo lines that alternately weave throughout and float above the piano part. Harmonies evoke longing and melancholy before sequeing into joyful triumph as the musicians reach their final destination. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!

Piano,Tenor Saxophone - Digital Download SKU: A0.937714 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and part. 19 pages. Theupperstaff #543491. Published by theupperstaff (A0.937714). I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.