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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
Saxophone Tenor et Piano

$4.60 3.96 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
Saxophone Tenor et Piano

$4.60 3.96 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group.   The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano

$5.95 5.13 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.747035 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902613. Published by Keith Terrett (A0.747035). Arranged for Bb Tenor Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
Sorry Seems To Be The Hardest Word
Saxophone Tenor et Piano
Elton John
$9.99 8.61 € Saxophone Tenor et Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
Making the Darkness Conscious
Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 12.88 € Saxophone Tenor et Piano PDF SheetMusicPlus






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