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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1473947 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. Score and part. 9 pages. SCORE EDITIONS #1051645. Published by SCORE EDITIONS (A0.1473947). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
Comptine D'un Autre Été: L'après-Midi
Saxophone Tenor et Piano
Yann Tiersen
$5.99 5.13 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Tenor Sax & Piano
Saxophone Tenor et Piano

$24.95 21.39 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1454423 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033526. Published by SCORE EDITIONS (A0.1454423). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
Pavane Pour Une Infante Défunte (Maurice Ravel) for Tenor Saxophone and Piano
Saxophone Tenor et Piano

$5.99 5.13 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551634 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325903. Published by jmsgu3 (A0.551634). Claude Debussy: Arabesque 1, Duration: ca. 3:30.  Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement. Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
Debussy: Arabesque 1 for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 28.24 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551649 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330271. Published by jmsgu3 (A0.551649). Claude Debussy: Arabesque No. 2. Duration ca 3:45.Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
Debussy: Arabesque 2 for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 28.24 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com
Jingle Bells for Tenor Sax & Piano
Saxophone Tenor et Piano

$24.95 21.39 € Saxophone Tenor et Piano PDF SheetMusicPlus






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