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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'.  This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 31.65 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Tenor Sax & Piano
Saxophone Tenor et Piano

$26.95 25.89 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Digital Download SKU: A0.912781 Composed by Alexander Courage, Gene Roddenberry, and Jerry Goldsmith. Arranged by Challena Zellick. Contemporary. Score and part. 5 pages. Challena Zellick #6198295. Published by Challena Zellick (A0.912781). Intermediate level version of the famous Star Trek: The Next Generation theme for Tenor Sax with full piano accompaniment. This arrangement works with my other ST: TNG arrangements so you can mix your own ensemble. 4/4 Intro into 6/8 Main theme, and 5 key changes will challenge most playersThis arrangement by a lifelong fan of the series, is the screen (episode) version. With hundreds of episodes, over a dozen feature length and documentary films, and a legacy of over 50 years of boundary breaking fandom around the world, Star Trek can now be brought to life by your own instruments in your own home. Live Long and Prosper. Find me as @StarsongMusic on Instagram, for new released music, music musings, and anything else music that I put out there. Send me a request, and I accept commissions.
Star Trek - The Next Generation(r)
Saxophone Tenor et Piano

$6.99 6.71 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523272 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 12 pages. John A. Dempsey #3416741. Published by John A. Dempsey (A0.523272). This duet for tenor sax and piano weaves the moving spiritual Were You There? into the rich tapestry of Chopin's Etude, Op. 10, No. 3 (Tristesse).  Recommended for traditional Easter Sunday church services and other worship events, including Good Friday services and Easter sunrise worship as well as the Lord's Supper and Communion.  Welcome as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Appropriate year-round!  8 pages of music (that includes a separate two-page tenor sax part).  Concert Key (Piano): F major.  Tenor Sax Key: G major.  Tenor Sax Level: Intermediate.  Piano Level: Late Intermediate  .
Were You There (Tenor Sax and Piano)
Saxophone Tenor et Piano

$6.99 6.71 € Saxophone Tenor et Piano PDF SheetMusicPlus

Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524768 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 16 pages. John A. Dempsey #6318391. Published by John A. Dempsey (A0.524768). This trio for alto sax, tenor sax and piano - an arrangement of the moving hymn There is a Fountain - is recommended for traditional church services and other worship events as a prelude, postlude, an offertory or silent prayer accompaniment.  Popular and appropriate year round, this music is especially welcome for the Lord's Supper or Communion as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services.  12 pages of music (that includes separate two-page parts for alto sax and tenor sax).  Concert Key: Bb major.
There is a Fountain (Trio for Alto Sax, Tenor Sax and Piano)
Saxophone Tenor et Piano

$11.99 11.52 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524725 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #6252897. Published by John A. Dempsey (A0.524725). This tenor sax and piano duet of the moving hymn There is a Fountain is recommended for traditional church services and other worship events, as a prelude, postlude an offertory or silent prayer accompaniment.  Popular and appropriate year round, this music is especially welcome for the Lord's Supper and Communion as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services.  8 pages of music (that includes a separate two-page tenor sax part).  Concert Key (Piano): C major.  Tenor Sax Key: D major.
There is a Fountain (Tenor Sax and Piano)
Saxophone Tenor et Piano

$6.99 6.71 € Saxophone Tenor et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522887 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 13 pages. John A. Dempsey #3001297. Published by John A. Dempsey (A0.522887). This trio for two tenor saxes and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful Chopin etude (Tristesse, Op. 10, No. 3).  Recommended for traditional Easter church services and other worship events, including Good Friday services, Easter sunrise worship and Communion.  Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Appropriate year round!  8 pages of music (that includes separate parts for tenor sax 1 and tenor sax 2).  Concert Key (Piano): Bb major.  Tenor Sax Key: C major.  Tenor Sax Level: Intermediate.  Piano Level: Late Intermediate.
Were You There (Trio for Two Tenor Saxes and Piano)
Saxophone Tenor et Piano

$11.99 11.52 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Saxophone Tenor et Piano

$32.95 31.65 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
Moonlight Sonata by Beethoven for Tenor Sax
Saxophone Tenor et Piano

$1.99 1.91 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). It’s Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
It's Been A Long, Long Time
Saxophone Tenor et Piano

$5.99 5.75 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.912776 Composed by Dennis McCarthy. Arranged by Challena Zellick. Contemporary. Score and part. 4 pages. Challena Zellick #5731157. Published by Challena Zellick (A0.912776). Relieve the majestic wonder of setting eyes on the Bajoran Celestial Temple of the Prophets opening near the lone object spinning in space, Terok Nor, Deep Space Nine. Arrangement for intermediate Tenor Sax and Piano, covers a range up to the high C. Piano part has a drone left hand and supporting harmonies in Bb. All versions work together with or without the piano part.With hundreds of episodes, over a dozen feature length and documentary films, and a legacy of over 50 years of boundary breaking fandom around the world, Star Trek can now be brought to life by your own instruments in your own home. Live Long and Prosper. Find me as @StarsongMusic on Instagram, for new released music, music musings, and anything else music that I put out there. Send me a request, and I accept commissions.
Star Trek - Deep Space Nine(r)
Saxophone Tenor et Piano

$6.99 6.71 € Saxophone Tenor et Piano PDF SheetMusicPlus






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