SKU: A0.1408117

First ever written Ukrainian sonata composed by Maxim Berezovsky (1745-1777).

Very interesting piece in bright, joyful character.
Originally composed for violin and basso continuo now availible for soprano saxophone and piano.

Maxim Berezovsky - was a Ukrainian composer of secular and liturgical music, a conductor and opera singer. Some time worked at the St. Petersburg Court Chapel, but spent much of his career in Italy. He made an important contribution in the music of Ukraine. Together with Artemy Vedel and Dmytro Bortniansky, Berezovsky is considered by musicologists as one of the Golden Three composers of 18th century Ukrainian classical music.

SKU: A0.548720

Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score.

Out of the Depths

Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger.

Luther Background

Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music.

Influence

It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works.

Legacy

The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

SKU: A0.527916

Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet and is considered to be one of the great encore pieces; world-class violin soloists such as Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Itzhak Perlman, David Garrett and Maxim Vengerov have performed the piece as soloists with major orchestras throughout the world.

This arrangement for Bb soprano sax and piano faithfully reproduces the original for violin.

2018 Instrumental Arranging Contest Entry

SKU: A0.1166012

Based on a sort Habanera rhythm marked mainly in the pedal, the flowing of the triplet figuration theme includes melodic lines and a pedal solo leading to the final climax. Duration: 3.30 min.