Piano,Soprano Saxophone - Level 3 - Digital Download

SKU: A0.533495

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495).

“Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise ending

One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection
known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533210

Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533470

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.

Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533350

Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.

Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533501

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501).

The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.

One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection
known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533492

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492).

Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533493

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493).

Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 1 - Digital Download

SKU: A0.1163919

By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by ANDRE LAITANO. Pop. Score and parts. 16 pages. ANDRÉ DOS SANTOS #764273. Published by ANDRÉ DOS SANTOS (A0.1163919).

ABBA - Dancing Queen (Piano and Tenor Sax).

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 1 - Digital Download

SKU: A0.1163916

By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by ANDRE LAITANO. Pop. Score and parts. 16 pages. ANDRÉ DOS SANTOS #764270. Published by ANDRÉ DOS SANTOS (A0.1163916).

ABBA - Dancing Queen (Piano and Tenor Sax with chords).

Composed by Traditional. Arranged by Stephen DeCesare. Folk, Holiday, Renaissance, Standards, World. Score and part. 14 pages. Exultet Music #6064605. Published by Exultet Music

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download

SKU: A0.625769

By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Stephen DeCesare. Dance,Pop. Score and parts. 15 pages. Exultet Music #5222291. Published by Exultet Music (A0.625769).

Featured in the Broadway musical sensation Mamma Mia. Scored as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert setting.

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533349

Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.

Piano,Soprano Saxophone - Level 3 - Digital Download

SKU: A0.587622

Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622).

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. 

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. 

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. 

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

 

Piano,Soprano Saxophone - Level 3 - Digital Download

SKU: A0.587602

Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403640. Published by David McKeown (A0.587602).

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

This version is arranged for Solo Soprano Saxophone and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.

The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203