Small Ensemble - Level 4 - Digital Download SKU: A0.891974 Composed by Cyril Scott. Arranged by Stephen Davies. Romantic Period,Standards. Score and parts. 23 pages. Stephen Davies #6324195. Published by Stephen Davies (A0.891974). 'Sphinx' by Cyril Scott for Clarinet Sextet.A lovely heart-warming piece for Clarinet Sextet, with lush lugubrious harmonies, a decadent harsh middle section and a deep emotionally charged ending! PROGRAMME NOTE Cyril Meir Scott (1879-1970), was a great English composer, writer, poet and occultist. He created over 400 musical compositions in his long life including works for Violin, Piano, a Cello Concerto, Symphonies and Operas.

Woodwind Ensemble Clarinet - Digital Download SKU: A0.891970 Composed by Cyril Scott. Arranged by Stephen Davies. 20th Century,Standards. 23 pages. Stephen Davies #6329441. Published by Stephen Davies (A0.891970). In this arrangement of 'Berceuse' by Cyril Scott, I've taken the liberty of adding Jazz changes to the original score, but maintaining the melodic flow, which incidentally, has a delightful descending melody line that is shared between all the players. Here scored for Clarinet Sextet. PROGRAMME NOTE Cyril Meir Scott (1879-1970), was a great English composer, writer, poet and occultist. He created over 400 musical compositions in his long life including works for Violin, Piano, a Cello Concerto, Symphonies and Operas.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1329407 Composed by Cyril Scott. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Contemporary,Multicultural,World. 67 pages. Stephen Davies #917388. Published by Stephen Davies (A0.1329407). This piece has been arranged and adapted for Clarinet Sextet, wildly ignoring the original articulation and dynamics to suit an ensemble of Clarinet technicians playing at their best!! SOLEMN DANCETypical of Scott's style, the time signature is not a constant throughout, the added articulation is meant to bring out the extraordinary harmonies he employs, a particularly lush piece best performed in a generous acoustic. FUGUEPossibly the most bizarre fugue that I've ever heard, in the original there is an Adagio beginning and coda, which is omitted here simply to get to the 'nuts and bolts' of this unusual fugue. Scott uses chromaticism in both the melody and the harmony, interspersed with soft landings, and hard tranches of vertical and horizontal passages that grow deeper and deeper. As usual the time signatures are, at times, random.