Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1226320 Composed by Traditional. Arranged by Richard J. Alder, Jr. Chamber,Classical,Folk,Traditional. 17 pages. AMA Editions #819966. Published by AMA Editions (A0.1226320). This is a traditional English melody arranged for clarinet sextet- E-flat, B-flat 1 & 2, Alto (opt. Basset Horn substitution), Bass, E-flat Contra-alto (opt. B-flat Contrabass substitution). The alto clarinet is featured with a solo in the middle of the arrangement.While originally written as a sextet, the piece could also be played as a clarinet choir.The alto, bass, contra-alto, and opt. contrabass parts do not require instruments which go below low E, and the bass and contra parts stay mostly in the chalumeau register.Instrument ranges (written):E-flat clarinet: chalumeau C4 - altissimo E6B-flat clarinet 1: chalumeau C4 - clarion B5B-flat clarinet 2: low F3 - clarion F5Alto clarinet: low E3 - clarion A5opt. Basset horn: low D3 - clarion G5Bass clarinet: low F3 - clarion D5Contra-alto clarinet: low E3 - throat A4opt. Contrabass clarinet: chalumeau A3 - clarion D.

Composed by Traditional. Arranged by Joe Cooper. Contemporary Classical, Folk, European, Celtic, Patriotic. Score, Set of Parts. 23 pages. Published by Published by Joe Cooper (S0.188647). - Score,Set of Parts - Contemporary Classical,Folk,European,Celtic,Patriotic - Published by Joe Cooper

Composed by Raymond Taylor. Arranged by Lori Archer Sutherland. 20th Century, Folk, Holiday, Patriotic. 43 pages. Lori Archer Sutherland #3213195. Published by Lori Archer Sutherland

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.560000 Composed by Peter Knight, Philip Lawson, and Traditional Irish Folk Melody. Arranged by Lisa Ochoco. Multicultural,Traditional,World. 15 pages. Lisa L Ochoco #6108917. Published by Lisa L Ochoco (A0.560000). Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1285574 By Thomas Graf. By Traditional. Arranged by Thomas Graf. Baroque,Christmas,Classical,Holiday. 31 pages. Thomas Graf - the-hit-factory.com #876679. Published by Thomas Graf - the-hit-factory.com (A0.1285574). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Suess (1802-1868); founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Goetsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.About this arrangement: Composed by: traditionalArranged by: Thomas H. Graf for Clarinet ChoirInstrumentation: Full Score and Parts as listed below:Part I Clarinet in EbPart I Clarinet in BbPart II Clarinet in BbPart III Clarinet in BbPart IV Alto Clarinet in EbPart V Alto Clarinet in EbPart VI Alto Clarinet in EbPart VII Bass Clarinet in BbPart VII Contrabass Clarinet in BbPart V Clarinet in BbPart VI Clarinet in BbPart V Basset HornPart VI Basset HornPart IV Clarinet in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.568055 Composed by Trad. Arranged by Thomas Graf. Christmas. 11 pages. Thomas Graf - the-hit-factory.com #2551039. Published by Thomas Graf - the-hit-factory.com (A0.568055). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum,  it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.   Instrumentation:  Clarinet 1 in Bb, Clarinet 2 in Bb/Basset Horn, Bass Clarinet in Bb    Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...              Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog included (2016,9 pages) Video: https://youtu.be/DDfpgLbfWpY

Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1294025 By Janna Willard. By Traditional Folk Tune. Arranged by Janna Willard. Children,Folk,Traditional. 14 pages. Janna Hoskin #884508. Published by Janna Hoskin (A0.1294025). “A Watery Life� was written in early 2023 for the “Klarinet Kerfuffle�, a day of workshops and recitals for clarinetists of all ages in Saskatchewan. It is a short piece that uses two familiar tunes to illustrate some musical concepts and techniques.First comes “Row Your Boat�, played with harmonies and then in a round (canon). Then we move into “Lightly Row� following a short transition. This is harmonized and the bass clarinet plays an Alberti bass. After playing through this once, there is a passage that combines the two songs, using passing tones and rhythmic variation to add interest.Lyrics of “Row Your Boat�:Row, row, row your boat gently down the stream!Merrily, merrily, merrily, merrily, life is but a dream!Lyrics of “Lightly Row�, as I learned them:Lightly row, lightly row, o’er the glassy waves we go!Smoothly glide, smoothly glide, on the silent tide!Let the winds and waters be mingled with our melody.Sing and float, sing and float, in our little boat!Please let me know if you perform this piece, and don’t forget to review it!

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1387542 By Masakazu YAMAMOTO. By Traditional / Irish folk song. Arranged by Masakazu YAMAMOTO. Celtic,Christmas,Irish,Multicultural,Pop,Traditional,World. 5 pages. Motch Music #971398. Published by Motch Music (A0.1387542). This arrangement is for clarinet sextet. When you purchase it, you get full score only.Full set (full score and part score) is here. (Sheet Music Plus / Sheet Music Direct)Irish folk song. Also it is called Danny Boy. Sing politly with tasting each melody well. In the intro, interlude, and ending, play expressively with valuing the world view. Though the second half has some reharmonize, make a good flow naturally.(arr. Masakazu YAMAMOTO)[Instrumentation] Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Clarinet in Bb 5Bass Clarinet Works For Ensemble Original Composition (Sheet Music Plus / Sheet Music Direct)â?? Arrangement (Sheet Music Plus / Sheet Music Direct)â??Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english

Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.995506 Composed by Traditional. Arranged by Sarah Playford. Folk,Praise & Worship,Sacred,Spiritual. 16 pages. Sarah Playford #3560463. Published by Sarah Playford (A0.995506). An advanced intermediate work for Clarinet Choir arranged by Sarah Playford. Duration 2 minutes 40 seconds. The work is relatively simple but with demanding sections, ideal for demonstrating virtuosity of players. The piece explores clashing harmonies bringing a unique interpretation and instrumental colour to this traditional folk song. Perfect piece for concert or open air performance.Based on the formally published Slave Song The Good Old Way (1867) the exact origin of the melody is unknown but research points heavily to being composed by an African-American slave. The song has since been used in the 2000 feature film O Brother, Where Art Thou? as well as being interpreted by American bluesgrass-country singer Alison Krauss in 2002.

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813065 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6096679. Published by Regis Bookshar (A0.813065). Clarinet Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Clarinets by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensemble as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.