EUROPE
608 articles
USA
0 articles
DIGITAL
5 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
5 partitions trouvées


Woodwind Ensemble Clarinet - Digital Download

SKU: A0.813826

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.

Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes

$15.00 13.92 € Ensemble de Clarinettes PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Level 5 - Digital Download

SKU: A0.796852

Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pages. Stephanie Daige #3218753. Published by Stephanie Daige (A0.796852).

One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for clarinet choir. The melody moves around between the different clarinets as if they are having a conversation. The instrumentation is flexible, with the foundation parts written for 3 Bb clarinets, alto clarinet,and bass clarinet. The alto clarinet is doubled in the optional 4th clarinet part in case you do not have an alto clarinet available. There are optional contra-alto and contrabass clarinet parts to add depth, but the ensemble works fine without them. This is a challenging and enjoyable arrangement,suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable fora chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!  

Mozart Andante from Piano Concerto No 21 for Clarinet Choir
Ensemble de Clarinettes

$14.99 13.92 € Ensemble de Clarinettes PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download

SKU: A0.1424243

By BYU-I Clarinet Studio. By K. Newell Dayley, J. Ellis. Arranged by Ryan Terry. Chamber,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Ryan Terry #1005432. Published by Ryan Terry (A0.1424243).

An arrangement of two well-known hymns from The Church of Jesus Christ of Latter-Day Saints, arranged by composer and clarinetist Ryan Terry for 4 Bb Clarinets and 2 Bass Clarinets. This arrangement playfully showcases each hymn in various styles and textures. At rehearsal letter I, the listener will hear a section of self-discovery, referencing other hymns all beginning with phrases such as: I feel..., I am..., I know..., I have..., and so forth. This piece was originally written for the Brigham Young University-Idaho Clarinet Studio back in the Spring of 2022. It has since been revised and polished, and awaits a new premiere performance.

Estimated duration of piece: 5 min, 30 seconds
Email me for the sheet music for the individual parts, or let me know if you're going to perform this piece!
ryansterry2000@gmail.com.

I Feel My Savior's Love ~ How Firm a Foundation
Ensemble de Clarinettes
BYU-I Clarinet Studio
$49.99 46.41 € Ensemble de Clarinettes PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale