Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew Lamb. Chamber,Praise & Worship,Wedding. 23 pages. Andrew Lamb #831396. Published by Andrew Lamb (A0.1235891). Introducing our clarinet arrangement of Entrée Nuptiale composed by the talented Henry Smith (1813-1879). This captivating transcription allows clarinetists to showcase their virtuosity and musicality while immersing themselves in the enchanting beauty of this cherished piece.Carefully crafted with precision and artistry, our clarinet arrangement of Entrée Nuptiale captures the essence of the original composition while highlighting the unique characteristics of the clarinet. From the delicate and expressive melodies to the lively and rhythmic passages, this arrangement allows the clarinet to take center stage and captivate audiences with its versatility and expressive capabilities.Entrée Nuptiale is a delightful and celebratory composition, perfect for wedding ceremonies, recitals, or any joyous occasion. With its uplifting melodies and jubilant harmonies, this arrangement creates an atmosphere of joy and festivity, capturing the essence of a grand entrance and celebration.Whether you are a professional clarinetist looking to expand your repertoire or a passionate musician seeking a captivating piece to perform, our clarinet arrangement of Entrée Nuptiale is a remarkable addition to your musical library. Its versatility allows for various performance settings, from solo performances to chamber ensembles and orchestras.The sheet music for our arrangement is expertly notated, providing clear and accurate scores for the clarinet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling an authentic and captivating interpretation.Immerse yourself in the enchanting beauty of Henry Smith's Entrée Nuptiale with our clarinet arrangement. Let the clarinet's melodic lines soar and resonate, filling the air with elegance and celebration. This arrangement is a treasure for both performers and audiences, allowing them to experience the timeless allure of the clarinet and the joyous spirit of Smith's composition.

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.

Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.626891 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Celtic,Christmas,Folk,Instructional,Irish,Standards. 17 pages. Exultet Music #5802105. Published by Exultet Music (A0.626891). The traditional Welsh lullaby that has been popularized by artists such as The Choir of King's College, The Irish Tenors and was also featured in the 1987 film Empire of the Sun has been freshly arranged for a Clarinet Choir (Bb-Clarinet (3), Bass Clarinet) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824516. Published by Andrew Lamb (A0.1228439). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambExperience the poignant beauty of Chant d'Adieu by Charles Neustedt (1834-1908) with our captivating clarinet choir arrangement. This meticulously crafted adaptation allows clarinet ensembles of all levels to immerse themselves in the evocative melodies and harmonies of this timeless piece.Our clarinet choir arrangement of Chant d'Adieu showcases the unique timbres and expressive qualities of the clarinet family. From the enchanting soprano clarinet to the resonant bass clarinet, each instrument contributes its distinctive voice, creating a mesmerizing blend of sound that brings Neustedt's composition to life.Chant d'Adieu is a profoundly moving work that touches the heart and stirs the soul. With its haunting melodies and rich harmonic textures, this arrangement captures the depth of emotion and musical sensitivity embedded within the original composition.Whether you are a seasoned clarinet ensemble seeking new repertoire or a group of passionate musicians eager to explore the power of collective performance, our clarinet choir arrangement of Chant d'Adieu is a captivating addition to your music library. It is suitable for a variety of performance settings, from intimate chamber concerts to larger ensemble showcases.The sheet music for our arrangement is expertly notated, providing clear and comprehensive scores for each member of the clarinet choir. Detailed performance instructions and dynamic markings guide musicians to bring out the subtle nuances and expressive phrasing, allowing for a truly captivating interpretation.Immerse yourself in the timeless beauty of Charles Neustedt's Chant d'Adieu with our clarinet choir arrangement. Let the harmonious voices of the clarinet ensemble transport you and your audience to a world of deep emotions and musical artistry. This arrangement is a treasure trove of evocative melodies, inviting you to experience the power and unity of a clarinet choir performance.

Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.755303 Composed by Sy Brandon. 20th Century,Contemporary. 71 pages. Sy Brandon #6287703. Published by Sy Brandon (A0.755303). Festival Finale consists of three sections in a fast-slow-fast pattern. The opening fast section is in the Lydian Mode and reflects the joy of making music during a festival.The slow middle section hovers between Phrygian and Aeolian Modes. It represents the sadness of having to say goodbye to new friends.The last section utilizes three modes, Locrian, Phrygian, and Aeolian. Excitement of making music is the underlying theme of this last section.

Clarinet Choir,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1375438 Composed by John Wilbye. Arranged by Alan Edgar. Early Music,Renaissance. 40 pages. Alan Edgar Ted Moon #960011. Published by Alan Edgar Ted Moon (A0.1375438). John Wilbye (c 1574 – 1638) was an English madrigal composer. He was employed for decades at Hengrave Hall, near Bury St Edmunds. His style is characterized by the use of false relations between the major and minor modes. ‘Draw on Sweet Night’ comes from John Wilbye’s Second Set of Madrigals of 1609, published when the composer was 35. It has become one of Wilbye’s most cherished works and has been recorded by the likes of I Fagiolini, The Tallis Scholars and The Consort of Musicke. Wilbye labelled his score apt both for viols and voices so I feel justified in making this instrumental arrangement. When adding expressive markings, I had in mind the lyrics and their emotions. INSTRUMENTATION: Essential: Eb, Bb 1-4, Bass and either Bb5 or Alto. Optional: Contra-alto and Contrabass 6 minutes.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #764005. Published by Lisa L Ochoco (A0.1163661). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for clarinet choir – Eb, 4 Bb, alto, bass, and contrabass. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer� comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, “Shimmer� part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dings�.Be creative with this percussive part!  You can use a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.

Composed by Camille Saint- Saens (1835-1921). Arranged by Ralph Raymond Hays. Romantic Period, Repertoire, Halloween, Children's Music, Recital. Score, Set of Parts. 52 pages. Published by Ralph Raymond Hay

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581938 Composed by John Gibson. Contemporary. 102 pages. JB Linear #3494757. Published by JB Linear (A0.581938). Extinction Events by John Gibson  Written for clarinet choir, it is a four movement work lasting about 11 minutes and is for very advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, Jaguar Surprise, and Walrus Jump.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.The parts included are: Eb soprano clarinet, Bb clarinet 1-2-3, alto clarinet (with an alternate 4th Bb clarinet part), bass clarinet, and BBb Contra/EEb Contralto.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812067. Published by Grant Horsley (A0.1215195). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet and is in the key of B flat minor (concert) with the middle section in B flat major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There are also 2 different flute choir versions available.