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Clarinet Choir,Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.830766 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard Byrnes #5310221. Published by Richard Byrnes (A0.830766). Among Bach’s vocal music, none is performed as much ashis motets. Singet dem Herrn ein neues Lied is the firstof these and displays among his most glorious compositions. This is the second part,including the Alleluia. This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 3 Clarinets, Bass Clarinet & Choir 2 - 3 Clarinets, Bass Clarinet). In addition to many works by J.S. Bach, we offer worksby Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.  
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Clarinet Choir)
Ensemble de Clarinettes

$29.99 28.57 € Ensemble de Clarinettes PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1439074 By Amy Grant. By Ennio Morricone. Arranged by Mark A. Craig/Craig Music Publishers. 20th Century,Christmas,Film/TV,Holiday,Religious. 13 pages. Mark Craig #1019103. Published by Mark Craig (A0.1439074). This is a clarinet choir arrangement of Ennio Morricone's beautiful piece Gabriel's Oboe from the movie The Mission. It's perfect for recitals, weddings, educational outreach, holiday events, and funerals. It features a solo clarinet as a substitute for a solo oboe and standard clarinet choir instrumentation. The piece can be performed by advanced high school clarinet choirs through college and professional ensembles.Here are some links if you'd like to check out my social media pages. Facebook: https://www.facebook.com/craigmusicpublishers/Instagram:  https://www.instagram.com/craigmusicpublishers/YouTube: www.youtube.com/@CraigMusicPublishers.
Gabriel's Oboe
Ensemble de Clarinettes
Amy Grant
$15.00 14.29 € Ensemble de Clarinettes PDF SheetMusicPlus

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.830803 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 61 pages. Richard Byrnes #5799957. Published by Richard Byrnes (A0.830803). The motet, Fürchte dich nicht (Fear not) is structured in two sections. The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.   This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 3 Clarinets, Bass Clarinet, & Choir 2 - 3 Clarinets, Bass Clarinet).   In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.  
Fürchte dich nicht (motette) by J.S. Bach (Double Clarinet Choir)
Ensemble de Clarinettes

$29.99 28.57 € Ensemble de Clarinettes PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes

$47.95 45.68 € Ensemble de Clarinettes PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes

$47.95 45.68 € Ensemble de Clarinettes PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1272643 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864869. Published by Grant Horsley (A0.1272643). Scored for Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in Concert D flat major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Other versions of Flute choirs are also available.
"Weekend in Paris" Original Jazz Waltz for Clarinet Choir
Ensemble de Clarinettes

$14.50 13.81 € Ensemble de Clarinettes PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Digital Download SKU: A0.830809 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 69 pages. Richard Byrnes #5866995. Published by Richard Byrnes (A0.830809). The motet, Komm, Jesu, komm is structured in four sections. The first is in the Venetian polychoral style. The second section is a light and detached section alternating between voices and choirs.  The third section is in a dance rhythm (menuet). The final section, rather than being a chorale, is a chorale setting of an aria.This double clarinet arrangement is for (2Cl,2BCl/2Cl,2BCl).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Komm, Jesu, komm (motette) by J.S. Bach (Double Clarinet Choir)
Ensemble de Clarinettes

$29.99 28.57 € Ensemble de Clarinettes PDF SheetMusicPlus


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